Hatching

Interesting, ambitious, creative, weird, and well-made but something just didn't sit right for me. My favorite part was the wallpaper in the girl's room. This wasn't scary but it was gross in a body horror and lots of vomit way. Overall, this was just okay.

A Finnish film about a young, Finnish girl growing an egg inside her household what turns later into a living nightmare. It has some good jumpscare aspects and horror elements in it as well. Stick around until the ending because I did not expect the ending to go that far. It is a good horror film overall.

This warped fairy tale from Finland hits the ground running with a wonderful opening scene that really sets the tone.

A perfect family (husband, wife, young son and daughter) enjoys a perfect moment in the perfect living room of their perfect home.

But then, an uninvited guest makes an appearance.

Like a Poe-esque harbinger of doom, a jet black raven swoops in through an open window and destroys this idyllic tableau of domestic bliss.

And then things get really strange.

Hatching is essentially a coming-of-age story, a little like ET, if it was directed by Ari Aster instead of Steven Spielberg.

With great performances by Sophia Heikkila as the selfie-stick wielding stage mom and her long suffering daughter, played by Sirii Solalinna, this is a very promising debut feature from Hanna Bergholm.

Uncanny, unsettling and unpredictable.

Tinja's going through a bit of trauma, after mother killed a harmless naive fauna, now her innocence is migrating, there's a change accelerating, and there's nowhere she can run, or even hyde. The transition takes a wild and angry path, leaves her screeching with a vile and angry wrath, very tricky to conceal, makes her do things not ideal, as the feathers fly, becoming a bloodbath.

The cause and effect of parenting on the blank pages of a pre-adolescence young lady who struggles to come to terms with the ever changing physical and psychological side of evolving and growing up. Brilliantly performed and presented, anything but a horror flick, unless of course, you're currently riding the wave of change yourself (or have done).

Greetings again from the darkness. The exceptionally creepy creature leads us to believe this could be a terrific new addition to the creature feature genre. However, director Hanna Bergholm and screenwriter Ilja Rautsi expend so much time and energy on the metaphor aspect that we feel a bit bludgeoned by the end. Despite some wonderful horror elements, we find ourselves thinking, 'alright, already ... just stick with the creepy stuff!'

We open in a beautiful home with pristine design features, where a beautiful mother (Sophia Heikkila) is filming her beautiful family for her vlog, appropriately titled "Lovely Everyday Life." Of course, we all know what happens to perfect little families in movies - the façade cracks. We get our first taste of beautiful mother's not-so-beautiful true nature as she deals with the crow that flies in through an open window and destroys some of the beautiful decorations displayed in the home. Things get interesting when Tinja (a superb Siiri Solalinna), the 12-year-old gymnast daughter, recovers an egg from the intrusive bird's nest and "mothers" it until the egg (the metaphorical façade) cracks open after growing to an enormous size. Out pops a bizarre looking "baby" bird that Tinja names Alli, after the song her family sings.

It doesn't take long for Tinja (and us) to figure out what's happening. The bird not only assumes Tinja is her mother, but it also takes on the emotions that Tinja keeps bottled up inside so as to not upset her overly-demanding mother. See, mom is a former skater and projects her dreams of glory onto her daughter through gymnastics. We never even get the impression that Tinja enjoys the sport, and it's likely she does it because that's the only closeness she gets from dear old mom ... especially when compared to her little brother Mattias (Oiva Ollila) or dad (Jani Volanen). In fact, mom is so dominant over dad, that she's taken on a side lover in handyman Tero (Reino Nordin), who she admits to loving in yet another inappropriate moment with Tinja.

Soon the bird is acting out Tinja's private thoughts to extremes (a true monster in the closet), and no one is really safe. There are some creepy elements that tell us an excellent horror-comedy is in there somewhere. Watching Tinja sponge-bathe the creature and the replicant effects are both imaginative. Ms. Bergholm's film premiered at Sundance, and if anything, it's just a bit too ambitious with the metaphors. We can view this as a coming-of-age story for Tinja as she breaks the shackles of childhood for more independent thinking. And the most obvious interpretation is that of a mother so obsessed with perfection - especially as to how her family is presented to the outside world - that it requires an ugly incident (bird) as a dose of reality. This is clearly commentary on social media and how some become so committed to presenting and maintaining a certain image. As a horror-comedy, the film from Finland offers neither jump-scares nor laugh-outloud moments, but there is enough here for a decent midnight offering.