Als eine Meteorologin und ehemalige Tornado-Jägerin überredet wird, während der Sturmsaison in Oklahoma ein neuartiges Messgerät zu testen, trifft sie auf einen Tornado-Cowboy, der zu aller ... Alles lesenAls eine Meteorologin und ehemalige Tornado-Jägerin überredet wird, während der Sturmsaison in Oklahoma ein neuartiges Messgerät zu testen, trifft sie auf einen Tornado-Cowboy, der zu aller Überraschung einiges auf Tasche hat.Als eine Meteorologin und ehemalige Tornado-Jägerin überredet wird, während der Sturmsaison in Oklahoma ein neuartiges Messgerät zu testen, trifft sie auf einen Tornado-Cowboy, der zu aller Überraschung einiges auf Tasche hat.
- Auszeichnungen
- 36 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Twisters' is a mixed bag, drawing comparisons to the original 'Twister'. Praise is given for its visual effects, Glen Powell and Daisy Edgar-Jones' performances, and updated technology. However, criticisms include lack of originality, shallow plot, and underdeveloped characters. Action sequences and special effects are well-received, but the film's pacing and lead chemistry receive varied feedback. Despite its flaws, 'Twisters' is considered an entertaining, though not entirely satisfying, experience.
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Twister is an absolute travesty, a cinematic disaster that not even its colossal budget could save. It's painfully clear that this film was cobbled together with the sole intention of squeezing every last dime out of impressionable teenagers, capitalizing on the nostalgia of the original classic. The sheer audacity of the filmmakers to slap a big, famous headline on this monstrosity is infuriating.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
Have you noticed an epidemic of movies that don't take themselves seriously? They often involve knowing looks/winks at the camera and meta-jokes that break the fourth wall. (And maybe a Ryan Reynolds appearance.) Twisters is not that. In fact, it is the opposite of that. Twisters is a throwback to when summer blockbusters just went for it, and it is ridiculous in all the best ways. This movie builds on what made the original Twister fun, dials all of it up to 11, and makes absolutely zero apologies for it. Not coincidentally, I had an absolute blast. Everybody who walked into that theater knew what they were signing up for, and we all got it. Not only that, but these characters were way more well rounded than the original, so I understood their choices and cared more when the winds started swirling. It isn't perfect, and it certainly strains credulity throughout, but it was a thrill ride that treated its setting, characters, and audience like they deserved some respect. What's not to like about that?
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
So the graphics and visuals are outstanding! It looks like devastation is actually happening. Some of the scenes looking down on the towns were cool but the scenes in the air were incredibly detailed and beautiful. Beyond that I didn't care for it. I wanted to love it but just couldn't . I didn't care or root for any character. I wanted them to all be sucked up into the tornado! There was on scene, early in the movie , that disposed of a character that was awesome. All the performances were hackneyed and just trying to hard. Save your money and wait for it to come on TV or your favorite streaming service.
I love disaster movies and Twister (1996) is one of my all-time favourites. It embodies the 90s, and although cheesy, it's a total comfort movie.
I was really excited for Twisters and the trailers looked like it would live up to the hype. Seeing this tonight I couldn't help but compare the two movies and feel disappointed. Twisters isn't bad, it's just bland.
Jan De Bont had a captivating style of directing with big aerial shots and practical action scenes that worked with the relatively new CGI back in '96. The cast was also stellar (especially Philip Seymour Hoffman, Cary Elwes etc). Twisters at times feels like a caricature of the previous film's characters but uninteresting and not particularly likeable. Daisy Edgar-Jones does a great job and there's decent chemistry between her and Glen Powell (albeit not to the same extent of Bill Paxton and Helen Hunt).
Mark Mancina's score was one of the best action scores of the 90s and I was really looking forward to at least a reference, but unfortunately we only get a generic score from Benjamin Wallfisch. I do rate the solid country soundtrack though.
What are the good things about Twisters? The set pieces are on point - especially the rodeo and finale in the town. The effects are amazing and there's a couple moments of spectacle. I think if you haven't seen (or aren't a huge fan) of the original, you'll probably appreciate this one a lot more.
I was really excited for Twisters and the trailers looked like it would live up to the hype. Seeing this tonight I couldn't help but compare the two movies and feel disappointed. Twisters isn't bad, it's just bland.
Jan De Bont had a captivating style of directing with big aerial shots and practical action scenes that worked with the relatively new CGI back in '96. The cast was also stellar (especially Philip Seymour Hoffman, Cary Elwes etc). Twisters at times feels like a caricature of the previous film's characters but uninteresting and not particularly likeable. Daisy Edgar-Jones does a great job and there's decent chemistry between her and Glen Powell (albeit not to the same extent of Bill Paxton and Helen Hunt).
Mark Mancina's score was one of the best action scores of the 90s and I was really looking forward to at least a reference, but unfortunately we only get a generic score from Benjamin Wallfisch. I do rate the solid country soundtrack though.
What are the good things about Twisters? The set pieces are on point - especially the rodeo and finale in the town. The effects are amazing and there's a couple moments of spectacle. I think if you haven't seen (or aren't a huge fan) of the original, you'll probably appreciate this one a lot more.
Recently saw the 90s version with the same title starring Hunt & Paxton which was an epic disaster thriller. It was better than this one in every sense be it casting, acting, emotional connect or gravity & intensity of scenes. One thing though seemed to have improved is the visual effects and why not, it's been 30 years since the previous one got released. It's the least they could have done.
Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.
Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.
Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.
Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.
Wusstest du schon
- WissenswertesJames Paxton: The son of Bill Paxton, appears during the rodeo scene as the angry hotel guest.
- PatzerJavi stops his truck when he realizes he's about to drive through the tornado. The tornado then rolls the truck off its wheels to the left. This wouldn't be possible unless the tornado is either behind him or anticyclonic (rotating clockwise), but the tornado is clearly in front of him and rotating counterclockwise. The truck should have tipped to the right, especially since a sign flies to the right just before the truck tips over.
- Crazy CreditsThe Warner Bros and Amblin Entertainment logos have stormclouds in the background.
- SoundtracksSalio el sol
Written by Paul Irizarry, William Rivera, and Armando Rosario
Performed by Don Omar
Courtesy of Machete Music / VI Music
Under license from Universal Music Enterprises
Top-Auswahl
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Details
Box Office
- Budget
- 155.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 267.762.265 $
- Eröffnungswochenende in den USA und in Kanada
- 81.251.415 $
- 21. Juli 2024
- Weltweiter Bruttoertrag
- 372.262.265 $
- Laufzeit
- 2 Std. 2 Min.(122 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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