Die Frau die singt - Incendies

Purely marvelous. Life like. I almost fell asleep in the beginning. After 20 min, till the last 15min, was pure suspense.

I saw a suggestion online to watch this movie without knowing anything about it, so that's what I did. It's great and that was great advice.

The overall story is about two siblings fulfilling their mothers last wishes.

At times you don't always know what is going on or quite get given all the details, Villeneuve leaves the viewer to figure out a few pieces or eliminate the areas of confusion and your attention to this doesn't go unrewarded. This is a nice change from the spoon-fed Hollywood movies that we are often used to.

So many Hollywood movies you can see the whole plot arc or take a pretty accurate guess in the first 15 minutes of the film, that's not the case with Incendies.

Great film and worth a watch.

When people watch the Oscars, they don't usually care about the Best Foreign Film nominees. Incendies provides so many reasons why people should actually get to see those nominees at all costs. Incendies is the kind of film that one walks away from feeling emotionally drained, one where it stays in the viewer's mind for days on end. Like an intense personal experience, it takes a lot to come to grips with the film's story, a moving plot full of twists and catharsis. At the New Directors/New Films Festival in New York, at which I saw this last night, Denis Villeneuve explained that he has made four films in Canada, but this is the first one to be released in America. Right now, I see no reason why Villeneuve, or any of the actors for that matter, shouldn't have a great future ahead of them.

Based on the play Scorched by Wajdi Mouawad, Incendies follows a non-linear plot that spans two generations. In the present day, Jeanne and Simon are twins who have lost their mother, Nawal. Nawal has stipulated in her will that Jeanne and Simon must return an envelope to the brother they didn't know existed who is currently living in a fictional Middle Eastern country. Only then can the twins give Nawal a proper burial. Jeanne feels obligated to return the letter, so she goes to the Middle East, only to realize some of Nawal's nastiest secrets. As Jeanne uncovers more about Nawal, the viewer is shown Nawal's story. The film builds up to an unforgettable ending that is sure to rock any viewer.

Incendies already had great source material. I've praised the plot enough, but one thing I must add is that the play is apparently four hours long, according to Villeneuve. It's impressive that this movie succeeds so nicely because I can't imagine that anything was cut. But to back up that source material, there's some really great acting. The entire cast plays their parts with such an emotional vigor that it seems impossible that this work of art wasn't autobiographical.

Furthermore, Villeneuve has made a film that relies on great filmmaking to impact the viewer. The cinematography is beautifully bland, surely a nod to some of the deserts in the Lebanon- like land where the movie takes place. Color scheme is also used to Villeneuve's advantage to show the parallels between Nawal and Jeanne's lives. Villeneuve seems to love working with extended zoom shots that shock the viewer with their overwhelmingly long silences. Why Villeneuve didn't receive critical acclaim (in America, at least) before Incendies is a mystery.

There are many movies about the Middle East. Some have failed miserably in their attempts to strike an emotional chord with critics and viewers alike (Redacted, Rendition), but others have been extremely successful (The Hurt Locker, Lebanon). Incendies could very well be one of the best films ever made about the conflicts in the Middle East. It has its flaws which keep it from being a masterpiece (maybe it could've lost five or ten minutes), but it is that rare type of film that really resonates beyond the initial viewing. Hopefully, Incendies will be remembered for years to come as the little, brilliant film that spawned the great fame of Denis Villeneuve.

This film is extraordinary on just about every level. The script is terrific, the actors are perfect, the direction and cinematography are all you could hope for. I recommend it without hesitation.

Anyone who has seen any of Villeneuve's previous work--or Andre Turpin's Zigrail--knows that these filmmakers have bodies of work that are almost without peer in contemporary cinema world-wide and are unparallelled in the history of Canadian cinema (until seeing Incendies, Maelstrom was my favourite Canadian film). Incendies does not betray that "legacy". You should absolutely see it.

In a film as stunning as this one it's odd to single out one aspect, but I must say that Lubna Azabal's performance is among the best I've ever seen. Though I've watched a few films that she's been in in the past, she never really stood out for me. She is devastatingly good in this picture.

I do hope that this film gets submitted to the AMPAS for Oscar selection as it is definitely the best film I've seen this year and a shoe-in for the foreign picture Oscar.

My only complaint about the film was the use of music by Radiohead, which took me out of the film each time it played. The rest of the music cues were spot-on and quite excellent, but Thom Yorke's voice belonged nowhere near this film.

To be honest, there is nothing left to say story-wise after this film. The tragedy, atmosphere and everything...

As an admirer of Dennis Villeneuve's filmography thanks to his work in past years, I was already familiar with how much of a brilliant storyteller he is. Yet, Incendies is no different. Beautifully structured script, visuals, soundtrack...

Lastly, the intro, along with Radiohead's "You and Whose Army?" is probably the one of the best I've ever witnessed easily.