Ein gut gemeinte, aber kämpfender Schriftsteller beschließt, ein Doppelleben zu führen, indem er sich als Privatdetektiv ausgibt und dabei die Methoden anwendet, über die er in alten Krimina... Alles lesenEin gut gemeinte, aber kämpfender Schriftsteller beschließt, ein Doppelleben zu führen, indem er sich als Privatdetektiv ausgibt und dabei die Methoden anwendet, über die er in alten Kriminalromanen gelesen hat.Ein gut gemeinte, aber kämpfender Schriftsteller beschließt, ein Doppelleben zu führen, indem er sich als Privatdetektiv ausgibt und dabei die Methoden anwendet, über die er in alten Kriminalromanen gelesen hat.
- 1 Primetime Emmy gewonnen
- 1 Gewinn & 6 Nominierungen insgesamt
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I truly think that this is very much a good representative of the term "all things to all people".
This has the hoity pretension of the Wes Anderson (et al) movies, endearing observation of 90s (popular) stand-up, and a delivery that is just straight up charming. Plus an accessibility that even an Airplane fan like me would be able to click in to (if that were the only style I were in to).
Whilst it could very easily veer in to the pretentious crowd (and with Schwartzman that's sometimes difficult to tell, because of his on-screen manner), it always stays on song. It's very accessible, and hilarious. It's not just the clever jokes, the in jokes and the observations (woven in to the characters) there's also a health dose of (very) old school slapstick I think. Hell, it even manages to catch the stoner crowd.
It could be thought of as being too male centric, well, apart from that being slightly the point it's never testosterone city, and it might feel token if a female point of view were added. But if it were, what a view it might be.
This has the hoity pretension of the Wes Anderson (et al) movies, endearing observation of 90s (popular) stand-up, and a delivery that is just straight up charming. Plus an accessibility that even an Airplane fan like me would be able to click in to (if that were the only style I were in to).
Whilst it could very easily veer in to the pretentious crowd (and with Schwartzman that's sometimes difficult to tell, because of his on-screen manner), it always stays on song. It's very accessible, and hilarious. It's not just the clever jokes, the in jokes and the observations (woven in to the characters) there's also a health dose of (very) old school slapstick I think. Hell, it even manages to catch the stoner crowd.
It could be thought of as being too male centric, well, apart from that being slightly the point it's never testosterone city, and it might feel token if a female point of view were added. But if it were, what a view it might be.
The funniest thing on TV since "Seinfeld". In fact, when I describe "Bored to Death", I tell people it's the modern Seinfeld, re-conceived as a drama in which people actually have sex and smoke dope like normal folks.
Who the hell knew Ted Danson was so funny? Best role of his career. Everyone in this series is fantastic: Jason Schwartzman as the new Jerry Seinfeld, Zach Galifianakis as a seedier, dirtier and, yes, sexier version of George. I think this comedy is aimed squarely at the contingent of New Yorkers (and wannabees) who love reading "The New Yorker" while regretting their fondness for its pretensions. It's the perfect blend of high and low-brow NY sensibilities.
Due to the representation of cheerful, harmless drug and alcohol consumption, and all the many references to male genitalia, it would be impossible for this show to air anywhere other than on cable TV. For that reason alone, "Bored to Death" will never be the smash with the masses that Seinfeld was, but still, those of us who love cable and who are always waiting for the next best series will continue to be delighted with it -- and we'll tell our friends. Keep it coming!
Who the hell knew Ted Danson was so funny? Best role of his career. Everyone in this series is fantastic: Jason Schwartzman as the new Jerry Seinfeld, Zach Galifianakis as a seedier, dirtier and, yes, sexier version of George. I think this comedy is aimed squarely at the contingent of New Yorkers (and wannabees) who love reading "The New Yorker" while regretting their fondness for its pretensions. It's the perfect blend of high and low-brow NY sensibilities.
Due to the representation of cheerful, harmless drug and alcohol consumption, and all the many references to male genitalia, it would be impossible for this show to air anywhere other than on cable TV. For that reason alone, "Bored to Death" will never be the smash with the masses that Seinfeld was, but still, those of us who love cable and who are always waiting for the next best series will continue to be delighted with it -- and we'll tell our friends. Keep it coming!
When I first heard of this show, I sort of shrugged it off, more excited for the new season of 'Big Love' and the new mini-series 'The Pacific' that HBO had to offer me. And then, one day, I started to watch. This show is absolutely hilarious and well done. Jason Schwartzman, Ted Danson, and Zach Galifianakis are all amazing here. It takes the classic detective story, puts it in a martini shaker with modern day, and serves you one satisfying experience. Each characters antics and flaws are hilarious and endearing, and as messed up as they each are, you can't help but adore them. Hopefully, HBO will renew it for a second season, as I was left impressed with the first. This is definitely not a show to miss.
Really cute series and Danson is entertaining in it. I don't understand why no one has made a movie about Keith Moon just so Jason Schwartzman could star in it. That would have been so great.
Note from the author: this review has been written after watching two seasons. Bored to death is a TV show whose charm relies heavily in its three leads Jason Schwartzman, Zack Galifianakis and Ted Danson. The main problem that I found is that during the first season Schwartzman's character is given the most weight out of the three leaving Danson and Galifianakis as secondary characters that have mini-subplots around the main cases - as the story revolves around a writer drawn to be a detective to solve it's financial difficulties -. Thankfully this has been solved in the second season with an even repartition of plot for the three and consequently has improved the stories, the cast and the overall dynamic of the show. Throughout the two seasons I felt that the show gradually turns from a solve-the-case of the week show to a hang-out-with-us show while the story flows...and boy what a blast it is to hang out with this cast. Danson's hedonistic charm is suave, subtle -and even slightly touching in some episodes with a cancer subplot- with the best laughs when his facade of elegance is down due to his drug use. Galifianakis is perhaps the geek hero (but not a geek himself) as the comic-book writer in a dysfunctional relationship with his girlfriend played by Heather Burns - who's first in the list of recurring character's of the show, also including Oliver Platt and Kristen Wiig-. Finally Schwartzman's character is a struggling writer with relationship problem's and a tendency for solving weird-cases in a very unprofessional way - high point for me is the first episode in season 2 when he has to go into a fetish dungeon-. To sum things up. Bored to death was a slow burner for me, by the end of season 1 I was ready to give up but, with season 2, it pulls out a "The Office" and gets much better. Each season has eight episodes which leads to very cohesive stories and arcs but then again the charm relies on the cast which are great if you like these type of characters. Thanks for reading.
Wusstest du schon
- WissenswertesLead actor Jason Schwartzman's band (Coconut Records) created the "Bored to Death" opening theme song.
- PatzerOn the last page of text in the intro, on the fourth line, there is a grammatical error. It reads: "... she would have been smart and gotten far away New York." but it should read: "...she would have been smart and gotten far away from New York."
- Zitate
Leah: That's a big word for you, you read it in one of your Comic Books?
Ray Hueston: No, I read it in my diary.
- VerbindungenFeatured in The Wright Stuff: Folge #15.55 (2011)
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- Erscheinungsdatum
- Herkunftsland
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- Laufzeit30 Minuten
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- 16:9 HD
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