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IMDbPro

The Girl King

  • 2015
  • 12
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
5,9/10
4642
IHRE BEWERTUNG
Sarah Gadon and Malin Buska in The Girl King (2015)
Trailer for The Girl King
trailer wiedergeben2:28
3 Videos
23 Fotos
Kostüm, DramaZeitraum: DramaBiographieDramaGeschichteRomanze

THE GIRL KING zeichnet das Porträt der genialen, extravaganten Kristina von Schweden, Königin mit bereits sechs Jahren, die die konservativen Kräfte bekämpft, die sich gegen ihre Ideen für e... Alles lesenTHE GIRL KING zeichnet das Porträt der genialen, extravaganten Kristina von Schweden, Königin mit bereits sechs Jahren, die die konservativen Kräfte bekämpft, die sich gegen ihre Ideen für ein modernes Schweden stellen und keine Toleranz gegenüber ihrer erwachenden Sexualität zei... Alles lesenTHE GIRL KING zeichnet das Porträt der genialen, extravaganten Kristina von Schweden, Königin mit bereits sechs Jahren, die die konservativen Kräfte bekämpft, die sich gegen ihre Ideen für ein modernes Schweden stellen und keine Toleranz gegenüber ihrer erwachenden Sexualität zeigen.

  • Regie
    • Mika Kaurismäki
  • Drehbuch
    • Michel Marc Bouchard
    • Linda Gaboriau
    • Hank Levine
  • Hauptbesetzung
    • Malin Buska
    • Sarah Gadon
    • Michael Nyqvist
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    4642
    IHRE BEWERTUNG
    • Regie
      • Mika Kaurismäki
    • Drehbuch
      • Michel Marc Bouchard
      • Linda Gaboriau
      • Hank Levine
    • Hauptbesetzung
      • Malin Buska
      • Sarah Gadon
      • Michael Nyqvist
    • 22Benutzerrezensionen
    • 53Kritische Rezensionen
    • 37Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 2 Nominierungen insgesamt

    Videos3

    The Girl King
    Trailer 2:28
    The Girl King
    The Girl King: Let Me Read To You
    Clip 2:07
    The Girl King: Let Me Read To You
    The Girl King: Let Me Read To You
    Clip 2:07
    The Girl King: Let Me Read To You
    The Girl King: Crown
    Clip 2:19
    The Girl King: Crown

    Fotos23

    Poster ansehen
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    Topbesetzung70

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    Malin Buska
    Malin Buska
    • Queen Kristina
    Sarah Gadon
    Sarah Gadon
    • Countess Ebba Sparre
    Michael Nyqvist
    Michael Nyqvist
    • Chancellor Axel Oxenstierna
    Lucas Bryant
    Lucas Bryant
    • Count Johan Oxenstierna
    Laura Birn
    Laura Birn
    • Countess Erika Erksein
    Hippolyte Girardot
    Hippolyte Girardot
    • Ambassador Pierre Hector Chanut
    Peter Lohmeyer
    Peter Lohmeyer
    • Bishop of Stockholm
    François Arnaud
    François Arnaud
    • Karl Gustav Kasimir
    Patrick Bauchau
    Patrick Bauchau
    • René Descartes
    Ville Virtanen
    Ville Virtanen
    • Doctor Van Wullen
    Martina Gedeck
    Martina Gedeck
    • Maria Eleonora of Brandenburg
    Timo Torikka
    • Father Viogué
    Lotus Tinat
    • Young Queen Kristina
    Jannis Niewöhner
    Jannis Niewöhner
    • Count Jakob de la Gardie
    Mikko Leppilampi
    Mikko Leppilampi
    • Count Magnus de la Gardie
    Sampo Sarkola
    Sampo Sarkola
    • Theology Student
    Samuli Edelmann
    Samuli Edelmann
    • King Gustav II
    Pertti Sveholm
    • Kristina's Tutor
    • Regie
      • Mika Kaurismäki
    • Drehbuch
      • Michel Marc Bouchard
      • Linda Gaboriau
      • Hank Levine
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen22

    5,94.6K
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    Empfohlene Bewertungen

    6Reno-Rangan

    Caught between the national duty and a personal affair.

    A biographical film set in the 17th century about the queen of Sweden. If a film was made based on the real means it has to be something very important thing to tell us like about the person or the historical events surrounding that person. It is a good film to learn the history of that part of the world if you do not belong there, and even for the natives with less knowledge about it. Multi- nationally produced film with a decent cast and production in the English language despite a Scandinavian tale.

    Besides, it is also a lesbian theme and one of the oldest real account I have seen in a film. Even today, not the whole world accepts it with the open arm. So on that perspective, I was curious about the film. Not to know how the film was made, but how they are, the real people dealt with such sexual concept in those days. Particularly, how the people around reacted to it. On that topic, the narration was not explicit. That means watching it expecting one of the best among its kind is a disappointment. But the film offers more from other angles of importance.

    After her father's death, the young Kristina was trained all her childhood to be the next ruler of the Sweden. When she came of age to take the crown, her aim is to mark the presence of Sweden all over the Europe. She's a fine sword woman, but also very interested in philosophy and art. But she has never been so confused as one day when she felt something for a woman in her court. She begins to learn more about it from an expert and on the other side, her duty to the nation and its people seems not getting better. How the fate of Sweden and her personal life collides covered in the remaining parts.

    ❝I know how to set a bear trap, how to clean a musket, but I don't know how to place my lips on yours.❞

    The film was not received well. Critically failed, but it was not that bad if you ask me. Yes, it was boring in parts, due to lack of progression. There's lots of things happened in the story, yet seems was not enough to impress its viewers. Especially switching between national duty and personal affairs strongly collides. Thus leaving both the subjects behind half baked. The real events took place for decades was put into a hundred minutes film did not justify. It's particularly about picking the right story segment to add in the screenplay and the some of the parts looked fine, but not the overall film.

    On the other hand, some people might find it a propaganda. Protestants, Roman Catholic, I don't know which way it leans, but started with one way and ended with another. So it could be the end that counts. On the humanitarian ground, morally, all looked fine to me. So if that's what made this film to become prey, then it's a totally wrongly judged. Otherwise the film is acceptable for being a biopic, telling the truth. Of all the kings and queen of the world we learnt about, Kristina is different and one should know about her for that. I feel she was very modern and modern in the wrong century.

    Born in the royal family, had all the power, it's very sad how her fate has changed at the end. But that's not the end of her tale. There's more to reveal, though this film covered only that takes place in the Sweden and being the ruler. I'll be happy if a sequel was made to tell her latter life and self-discovery. I'm sure it would be more a philosophical, but some people might raise the voice propaganda. Since this flick did not do well, that's not going to happen, I guess.

    One of the reasons I wanted to watch it was Sarah Gadon. She was in one of the main roles, but had a less preference. The other actress was really good and she was almost in every frame of the film. It might not be the best film to represent the LGBT, but it had its share and definitely a decent film from all the other angles. Should have been better, that's what those who saw it would say and so am I. Once watchable, but it does not have quality to I say the word, recommended!

    6/10
    7vivaldi-bgd

    I expected more...

    The super-interesting trailer for The Girl Kind promised more than was really in the movie. It's kind of an open and unfinished story on multiple levels - Kristina's reign regarding the military campaign, country reforms and her personal life. All these important stories were merely touched in the movie. We never got to see whether or not Kristina actually reformed anything in Sweden at the time, the military campaign was also very vague and her relationship with the Countess deserved much more.

    I indeed expected more to be seen between the two ladies in terms of chemistry and storyline. Though they shared enough time on screen, the relationship is missing a lot. We could only get a glimpse of Buska and Gadon's potential in a few scenes where they showed subtle, unspoken affection between the two characters. It's a pity the director did not use more of their talent to tell a very personal story of Kristina and how deep the relationship with Sparre must have been. There is enough historical evidence to confirm Kristina's sexuality. A character so passionate about knowledge, philosophy and art surely must have been even more passionate about the affairs of the heart. It's a pity only the dark side of it was depicted in the movie. In spite of this movie being about Kristina, obviously a lot of her is embedded in Sparre's character. Unfortunately, Sparre's side of the love coin was left unexplored.
    6SnoopyStyle

    compelling history

    In 1632, protestant King Gustav of Sweden is killed on the battlefield. His daughter Kristina is the heir. Europe is engulfed with the conflict between Protestants and Catholics. Chancellor Axel Oxenstierna (Michael Nyqvist) takes Kristina away from her mad mother. In 1644, Kristina (Malin Buska) takes the throne. Axel's son Johan is desperate to marry her but she lusts for Countess Ebba Sparre (Sarah Gadon). Her love of the works of noted Catholic René Descartes and her pursuit of peace endanger support from the court.

    There is a chance that this is hampered by history. This should be a queer love story but it has more than that which keeps it from taking off. It struggles to put the drama over the history. Swedish actress Buska is fine but she is limited. It's compelling history but it's less compelling cinema.
    8qxtel

    Guys.

    Guys, I'm pretty sure they're just really good friends. REALLY good friends..
    9tallard

    A beautiful film about a lesser known historical period

    I caught this film entirely by accident, with zero expectations or knowledge of the subject matter. I am unqualified to speak to the historicity of the events. But if it is close to historical events, what a beautiful film was made of it. Dealing with politics and religion and feminism, it is a rare little gem.

    Christina, the Queen (actually "King") of Sweden from 1632 (age 6) until 1654, was tutored by a unique man, and grew up to be a young woman with curiosity about the world and a taste for life, she shook the institutions of the day, with an unkind mixture of success and failures. The film is mostly in English with a little French (accompanied by subtitles), the actors do a fine job, and I really appreciated the makeup team's subtle approach. I might have appreciated a script less focused on romance and more on personality and accomplishments, but then again, in our 20s, hormones can dominate all.

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    Handlung

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    • Wissenswertes
      Director Mika Kaurismäki said this film was very difficult to produce. First off, he had to find the right balance for the screenplay, which was very complicated. Also, coming from a small country, he didn't have access to a lot of funds to produce these kinds of films so he had to go out and look for the money, which wasn't easy. He said if the film had been about a male king, it might have been easier to find the money, but a female lead in this kind of role made it more difficult.
    • Patzer
      Count Oxenstierna picks up a book by Johannes Kepler and says: "Here's one in my own language" (English). Kepler wrote in Latin and his books were not translated into English until the 20th century.
    • Zitate

      Queen Kristina: [greeting the philosopher René Descartes] By Christ's balls! I hate to be kept waiting...

    • Verbindungen
      Referenced in Mika Kaurismäki, elokuvaohjaaja (2015)
    • Soundtracks
      L'amore
      Composed by Anssi Tikanmäki

      Lyrics by Anssi Tikanmäki and Maarit Tikanmäki

      Performed by Johanna Rusanen

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. Juli 2016 (Deutschland)
    • Herkunftsländer
      • Finnland
      • Kanada
      • Deutschland
      • Schweden
      • Frankreich
    • Offizielle Standorte
      • Starhaus Filmproduktion (Germany)
      • Yellow Affair (Finland)
    • Sprachen
      • Englisch
      • Französisch
      • Deutsch
      • Latein
      • Italienisch
    • Auch bekannt als
      • Kristina of Sweden
    • Drehorte
      • Turku Castle, Turku, Finnland(as Kronor royal castle, Stockholm)
    • Produktionsfirmen
      • Marianna Films
      • Triptych Media
      • Starhaus Filmproduktion
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 6.500.000 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 369.798 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 46 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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