Die Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefan... Alles lesenDie Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefangener ausgibt, um die Tortur zu überleben.Die Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefangener ausgibt, um die Tortur zu überleben.
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- 44 Gewinne & 28 Nominierungen insgesamt
Empfohlene Bewertungen
Movies about prison are usually engaging, but "Celda 211" is spectacular and one of the best films about prison. The dramatic screenplay is realistic, with a story of friendship and pain using the background of the environment of a prison and ETA in Spain, and the tight direction is supported by top-notch performances. The unknown actress Marta Etura is so gorgeous and sweet that increases the impact of her incident. My vote is eight.
Title (Brazil): "Cela 211" ("Cell 211")
This exciting picture results to be an intense thriller that packs tension , straightforward intrigue , sober drama, and lots of violence . The film contains thrills and chills and is quite entertaining because being a laborious and intriguing suspense tale full of twists and turns . In the picture there are violence , drama , tension and a little bit of action in the final confrontation . The story contains a statement about inmate's mistreating , despair , betrayal and a strong criticism of the ruling class, unable to control a dangerous situation . Most part of the movie takes place into four walls of the jail involving and executing the preparatives of strict conditions demanded by the inmates . Highlighting the newcomer actor Alberto Ammann , giving a lesson in how he is able to withstand the weight of the flick and stand up to a great actor like Luis Tosar , making a memorable work as dreaded Malamadre , without falling into the prison movie clichés . Furthermore , an excellent support cast as the nasty informer Carlos Bardem (Juan Bardem's brother) and Antonio Resines as sadist and corrupt warden who uses unthinkable brutality . This is a perfectly realized and superbly crafted film .
Interesting and thrilling screenplay by Jorge Guerricaechevarria (Eloy De Iglesia's usual screenwriter) though full of offensive stereotypes and not faithful to deeds . Appropriate cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly the cold interiors from Zamora prison . Adequate and atmospheric musical score by Roque Baños (Fragiles, Machinist, Sexy beast, 800 bullets). The motion picture was stunningly directed by Daniel Monzon , a former cinema reviewer , he undertakes a skill and fascinating filmmaking with some sensationalist touch though is also intensely manipulative against prison guards ; this is his main big success . He previously directed fantasy (Heart of warrior) , comedy (Biggest robbery never told) and suspense (The Kovak box). Rating : Good , better than average. The film will appeal to prison genre buffs and Luis Tosar fans.
Cell 211 tells the story of a riot inside a dangerous ward, just when a new prison officer is having his introductory visit to the same. By chance, he sees himself locked in with the rioters and, to survive, he assumes, a new identity as a prisoner.
Although the story is not especially original, the characters and the script are very good, the situation is completely believable within the Spanish social and jail context, and the end is not as predictable as you might expect. Moreover, the movie is unpretentious and fresh, which makes it even more enjoyable.
The acting is very good by all the cast, but especially by Luis Tosar as Malamadre, by Alberto Ammann as Juan Oliveras, and Antonio Resines as Prison officer Utrilla.
A very entertaining Spanish thriller with very good acting, that won 8 Goyas (Spanish Oscars) in 2009.
The acting is great, well directed and well filmed. The characters are extremely real and believable.
In the end, everyone shows it's real face. Ethics and Character are put in a first plane, leaving uniforms, social class, education and every possible label behind. For some, it's every man for itself, and for others, it's justice or death.
This movie is extremely violent but not at a physical level, and delivers pure emotions throughout it's whole plot. It'll keep you at the edge of your seat for two hours, and leave you thinking about it for days.
1. The script is not a typical Hollywood storyline. It's very realistic and powerful.
2. The performances of all actors are superb. In contrast to Hollywood movies, the actors in this movie are not models who decided to move to the film business but real actors.
Fortunately, there are still cinema people who do not see movies as commercial products for sale with the purpose of bringing enormous profit to the producers but rather works of art. There is still hope for cinema.
Wusstest du schon
- WissenswertesThe movie is dedicated to Luis Ángel Puente, a fireman of the city of Zamora (Spain) where the film is located. He participated in the film and died rescuing two boys in the Duero river shortly after.
- PatzerWhen the minister is heading to the prison, the car he is driven in is shown as an Audi A6 (1997) from the front, when arriving to the prison the car is shown from behind, but this is an Audi A8 (2005) model.
- Zitate
Malamadre: So the guards beat you up your first day. You must have pissed them off.
Juan Oliver: I do my best.
- VerbindungenFeatured in WatchMojo: Top 10 Spanish Language Movies (2016)
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- 3.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 19.305.314 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
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- Seitenverhältnis
- 1.78 : 1