Die Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefan... Alles lesenDie Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefangener ausgibt, um die Tortur zu überleben.Die Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefangener ausgibt, um die Tortur zu überleben.
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Cell 211 tells the story of a riot inside a dangerous ward, just when a new prison officer is having his introductory visit to the same. By chance, he sees himself locked in with the rioters and, to survive, he assumes, a new identity as a prisoner.
Although the story is not especially original, the characters and the script are very good, the situation is completely believable within the Spanish social and jail context, and the end is not as predictable as you might expect. Moreover, the movie is unpretentious and fresh, which makes it even more enjoyable.
The acting is very good by all the cast, but especially by Luis Tosar as Malamadre, by Alberto Ammann as Juan Oliveras, and Antonio Resines as Prison officer Utrilla.
A very entertaining Spanish thriller with very good acting, that won 8 Goyas (Spanish Oscars) in 2009.
Fiercely tense with a cracking pace, an edgy sense of urgency and some ugly scenes of brutality, it's also got some great and believable performances as well as some rather poignant scenes, as bonds are made between prisoners and our protagonist gets to see things from their perspective.
Yet the last thing Cell 211 is is generic. It has some refreshingly genuine left field unexpected twists and developments that keep you pretty much hooked, from its attention grabbing opening scene to its blistering conclusion. It also does a great job of keeping you in suspense as to whether or not our protagonist will be discovered, with the viewer left under no illusions what will happen to him if he is.
It's also got some very decent production values and mercifully refrains from that awful jump cut editing during the more chaotic prison scenes.
But best of all is its sheer unpredictability as trust me- after the hour mark, you really won't be sure how things are gonna turn out and will be hooked all the more.
Overall a great film and highly highly recommended. See it now, you'll be glad you did. 9/10, Sheer class from Spain.
This exciting picture results to be an intense thriller that packs tension , straightforward intrigue , sober drama, and lots of violence . The film contains thrills and chills and is quite entertaining because being a laborious and intriguing suspense tale full of twists and turns . In the picture there are violence , drama , tension and a little bit of action in the final confrontation . The story contains a statement about inmate's mistreating , despair , betrayal and a strong criticism of the ruling class, unable to control a dangerous situation . Most part of the movie takes place into four walls of the jail involving and executing the preparatives of strict conditions demanded by the inmates . Highlighting the newcomer actor Alberto Ammann , giving a lesson in how he is able to withstand the weight of the flick and stand up to a great actor like Luis Tosar , making a memorable work as dreaded Malamadre , without falling into the prison movie clichés . Furthermore , an excellent support cast as the nasty informer Carlos Bardem (Juan Bardem's brother) and Antonio Resines as sadist and corrupt warden who uses unthinkable brutality . This is a perfectly realized and superbly crafted film .
Interesting and thrilling screenplay by Jorge Guerricaechevarria (Eloy De Iglesia's usual screenwriter) though full of offensive stereotypes and not faithful to deeds . Appropriate cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly the cold interiors from Zamora prison . Adequate and atmospheric musical score by Roque Baños (Fragiles, Machinist, Sexy beast, 800 bullets). The motion picture was stunningly directed by Daniel Monzon , a former cinema reviewer , he undertakes a skill and fascinating filmmaking with some sensationalist touch though is also intensely manipulative against prison guards ; this is his main big success . He previously directed fantasy (Heart of warrior) , comedy (Biggest robbery never told) and suspense (The Kovak box). Rating : Good , better than average. The film will appeal to prison genre buffs and Luis Tosar fans.
Great idea for a movie, apparently the Yanks are going to remake it.
I think that will be good too, if they polish this movie up well, it will be even better.
New scariest movie prison dude ever in the halfwit enforcer.
Fair bit of action, pretty tense at times, even the wife or girlfriend will enjoy it as it's very easy to follow, even with the subtitles.
Not for kids, but there is nothing in here teenagers haven't seen before.
Got to fill in some more lines ffs. Is that enough?
So so. It's been a long time, when i last time saw a film about prisons. Maybe it was "The Shawshank Redemption", i truly can't remember. I think, there isn't much films these days about "true" prison life (i still didn't saw "Un prophète"). Now, the thing i want to say is that i can't remember any other "prison" movie, except "The Shawshank Redemption" and "Midnight Express",but now, i'll always remember "Celda 211" (Cell 211-international title). This film goes "straight to the bone". Really great cinematography, excellent job by director (two thumbs up to Daniel Monzón), unbelievable acting - still can't believe that these guys aren't real prisoners. This film has it all. The only reason i saw this film, is that i watched "Agora", another great film from Spain, and was really surprised, when i heard, that "Agora" was overwhelmed at Goya Awards by some "prison drama". Now i can say, that "Celda 211" is the best film from Europe in long time - and i don't say this very often.
Go and watch this film, You won't be regretting.
Gran película and bravo to Spain!
Wusstest du schon
- WissenswertesThe movie is dedicated to Luis Ángel Puente, a fireman of the city of Zamora (Spain) where the film is located. He participated in the film and died rescuing two boys in the Duero river shortly after.
- PatzerWhen the minister is heading to the prison, the car he is driven in is shown as an Audi A6 (1997) from the front, when arriving to the prison the car is shown from behind, but this is an Audi A8 (2005) model.
- Zitate
Malamadre: So the guards beat you up your first day. You must have pissed them off.
Juan Oliver: I do my best.
- VerbindungenFeatured in WatchMojo: Top 10 Spanish Language Movies (2016)
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- Budget
- 3.500.000 € (geschätzt)
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- 19.305.314 $
- Laufzeit1 Stunde 53 Minuten
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- 1.78 : 1