Füge eine Handlung in deiner Sprache hinzuAfter what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.
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I tired very quickly of Guy's helplessness and whining and began to focus on that horrific lump on the left side of his face, which I think needs a biopsy.
"Guy" (Matthew Jaeger) is sitting on a park bench contemplating Plato when he is approached by the rather uncouth builder "Doug" (Robert Mammana) who has heard that this is a place to go for some easy sex. Initially, the former is uninterested but a conversation sets things in motion that starts the ball rolling on a relationship that goes on to challenge both men's perceptions of what is gay, straight, and of what love actually means. I rather liked this even though it is scripted to within an inch of it's life - "do you realise how dead that food is?". The gloomily lit photography looks, much of the time, as though the entire thing has been shot on one camera and edited together using sellotape and lots of good will and it has a stolid presentation that takes some getting used to. All of that said, however, once it builds up an head of steam there is an obvious, quite natural and basic, dynamic between "Guy" and "Doug" and it does work well in this theatre-style multi-set one stage environment. The two performances - particularly Jaeger's - are sensitive, occasionally funny and the dialogue looks at attraction and stereotype but in a slightly observational, and therefore less static fashion. The ending is slightly predictable - despite efforts to tempt a stray cat with vegetarian tuna, but proves testament to the triumph of love over almost all human-made rules and constricts and spins a theory about "Sleeping Beauty" that you're unlikely to have encountered before.
The uncluttered staging of this work allowed the viewer to concentrate on the performers and what was being said. The impact was visceral, and yet the subject matter of the dialogue intellectually stimulating. Performances by Jaeger and Mammana were outstanding. The emotional intensity just below the surface was gripping. Someone finally expressed what I have felt in my life.
Scenes like waiting at the corner were so expressive....no need for words! I've been there.
Scenes like waiting at the corner were so expressive....no need for words! I've been there.
.........ending. And you know what? We deserve it!
Having seen years of gay film productions (particularly romances) on video tape, Laser and DVD, for me most have been crap (any disagreement?). BUT....this one can take a proud and high position in the Top-12 of gay dramas. Excellent writing/conversion to screen, great staging.......they're in here. Still and all, it's Matthew Jaeger (Guy / Guido) and Robert Mammana (Doug) who breathe life into this work and into Us as we watch. Captivated and drawn into their simple lives, we see them become Us---you and me. That's right, who out here wouldn't want a man of openness, raw needs, funniness......wouldn't "physically" want such a man as Doug? Would anyone of us turn down a Guy's perceptiveness, depth of feeling, and indefinable ability to draw us out of ourselves?
So in the end, this whole thing (this "Just Say Love") has fallen to and been carried on the shoulders of these two amazing actors---actors who didn't just learn lines....but who lived their parts. In tribute to them, I feel compelled to say I can think of no past performers in gay filmdom who could have done better. Can you?
PS--Oh...and if Guy wasn't "disappointed".....how could we be?
(( I awarded "Brokeback" a 9/10. This work is close in satisfaction given ))
Having seen years of gay film productions (particularly romances) on video tape, Laser and DVD, for me most have been crap (any disagreement?). BUT....this one can take a proud and high position in the Top-12 of gay dramas. Excellent writing/conversion to screen, great staging.......they're in here. Still and all, it's Matthew Jaeger (Guy / Guido) and Robert Mammana (Doug) who breathe life into this work and into Us as we watch. Captivated and drawn into their simple lives, we see them become Us---you and me. That's right, who out here wouldn't want a man of openness, raw needs, funniness......wouldn't "physically" want such a man as Doug? Would anyone of us turn down a Guy's perceptiveness, depth of feeling, and indefinable ability to draw us out of ourselves?
So in the end, this whole thing (this "Just Say Love") has fallen to and been carried on the shoulders of these two amazing actors---actors who didn't just learn lines....but who lived their parts. In tribute to them, I feel compelled to say I can think of no past performers in gay filmdom who could have done better. Can you?
PS--Oh...and if Guy wasn't "disappointed".....how could we be?
(( I awarded "Brokeback" a 9/10. This work is close in satisfaction given ))
This movie may have its issues (the dialogue can be somewhat painful at times, as can the direction) but there are two big saving graces in this film that make it worth a watch: Matthew Jaeger and Robert Mammana. Both actors fit into their roles wonderfully and their chemistry feels very genuine; simple, natural, and therefore, it is easy to invest in their characters' main conflict - that is, the idea of love that transcends socially constructed sexual definitions.
The art direction is also fairly interesting - rather than the standard, the film is shot in a direct stage-to-film aesthetic - one set, dramatic lighting, and the simplicity works in it's favour, though it can seem heavy-handed at times.
Overall, I thoroughly enjoyed the movie. Something different, with two amazing performances that will stay with you.
The art direction is also fairly interesting - rather than the standard, the film is shot in a direct stage-to-film aesthetic - one set, dramatic lighting, and the simplicity works in it's favour, though it can seem heavy-handed at times.
Overall, I thoroughly enjoyed the movie. Something different, with two amazing performances that will stay with you.
Wusstest du schon
- WissenswertesAlle Einträge enthalten Spoiler
- Crazy CreditsThank you to the late F. Gary Newton and to Players Ring, the wonderful theater he founded in Portsmouth, NH Your daring mission to produce original works for the stage has allowed writers who might otherwise never be heard to come before the public with their ideals and dreams. One of those dreams came to life in July 2005 when you produced the world premiere of JUST SAY LOVE.
- SoundtracksYour Eyes Tell The Truth
Written and Performed by
Robert Beal III (as Robert E. Beal III)
and
Jarrett Osborn
Recorded, Mixed
and Mastered at
BB3 Audio
Newfields, NH USA
© (p) 2008 BMI
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
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- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 3.944 $
- Eröffnungswochenende in den USA und in Kanada
- 1.257 $
- 28. März 2010
- Weltweiter Bruttoertrag
- 3.944 $
- Laufzeit
- 1 Std. 15 Min.(75 min)
- Farbe
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