Mittsommerlust

Beautiful landscape surrounds this very current movie and topic on female debating with issues: love, lust, wants and needs. Who am I and with whom?

Classical music adds depth and intensity to the story with the big question: am I happy? How to be happy?

Relevant reflection piece for anyone in a relationship or not in one. Worth seeing for the nature alone.

Good movie, but not recommended to watch if you don't have enough taste.

By the way if you watch the movie in quarter speed, two unicorns pop out from the screen and one of them whispers the meaning of life into your one ear while other licks the other one!

And legend says that if you watch it with 2x speed in reverse then a square mustache appears under your nose and your hand raises in front of you and in the mean time, you become the ultimate cultural authority to decide what to understand when observe an art piece! And the ability of using hyphens anytime, anywhere and anysense would be a bonus!

Watch in peace.

I found the caracteristics very shallow except for Mikko (the priest), who did quite a good job except for his language. I don't think any priest would use curse words like he did.

The woman seemed to be just a sex addict. I didn't find any deeper interaction between the caracters, just addictive sex.

I liked the relaxed dialogues, Aku Hirviniemi was excellent.

There was not really a proper story or anything deeper. The movie had lots of glanses given between the wife and the guest and even though I normally love just slow camera scenes, in this one it didn't work.

Yet I give 5 stars since I loved the surroundings, the building, the dialogs and Aku Hirviniemi.

The wife and the guest on the contrary weren't credible at all...

Having seen this film on the coincidental same day as the lead actress' Inka Kallen's birthday, 30.09.2024, (when it was broadcast nationally in Australia on SBS World Movies channel), I consider it my pleasure to have this opportunity to supply a review hopefully drafted to counter the examples of bitter kneejerk detritus being offered as though representations in some way of actual and worthy summations of this film, which indeed, they are not!

The very fact that The Wait has roused within some self styled reviewers such viscerally angry responses explains volumes about the film's actual subtext and stands as a reflection of the evocative power this portrayal of complex human relationships exhibits.

What to the undiscerning may appear superficially as a simple story displaying the abjectly gratuitous, is very much more than that, despite thse aspects being explicitly suggested, their purpose is not to merely to excite and titilate the jaded, but to reflect the catharsis undergone within the emotional states of the beings here depicted.

Through recognition and application of the consideration the title requests of its audience, its narrative may be permitted to unfold, as it is a story requiring meditation upon the otherwise hidden motivations for each of these characters actions to reveal precisely what the title suggests this film about-that pause required to actually have an understanding of ourselves and others.

In essence, one character has been waiting for a love denied and dferred, but has decided to try to forget and instead accept being loved in expectation that if they wait then their own love will reciprocate this.

One is prepared to wait, despite the other not loving them as they do, upon the higher power of Love to fulfill what is lacking in their self, in others and in the one they love.

The other has acted without waiting, expecting the immediate fulfillment and reciprocation of a love they refused and that they are left to realise they have lost by neglecting and which they may now wait the rest of their life to find revealed... if ever.

There is vastly more to this film than I may attempt to explain only a few short hours after watching.

The Wait is a description of the conflict which comes when the residues of past decisions are forced by circumstance into confrontation with one another and what they are transformed into by that confrontation. It is a treatise on what it truly means to love.

Love, neglect, faithfulness, desire, penitance, revenge and forgiveness, these subjects are rarely confronted in modern film with the type of deeply contemplative rendering which The Wait displays in its narrative.

Like the sea, forest and sky so effortlessly depicted and accompanying this story with the presnce of a fourth lead player, what brews deep beneath and inside these elements has been hidden from us by The Wait, unless we choose to explore and hunt, seeking to find what lies within.

If you choose to, then you will find it worth the wait.

I often wonder why people bother leaving a review, maybe folk have to much time on their hands...A good example is the first review here...To quote. ''I had no foggiest idea what this piece was actually all about''. Yet still felt obliged to give three stars. Maybe it was genius, but because you don't know, it's rubbish. Well it's not. It's an art movie made with total skill and direction. It empowers women without degrading men. It moves at the perfect pace and, of course those Finns know how to do dark, minimal dialogue, beauty in the location. Inka Kallén is spectacular. But no surprise as she stole the show in All the sins. Aku Louhimies ,YES, I forgive you for rig45, is back on form...thank you for making movies like this. I'm glad Marvel fans don't get it.