IMDb-BEWERTUNG
7,2/10
41.812
IHRE BEWERTUNG
In Hamburg zerstört der deutsch-griechische Kneipenbesitzer Zinos unwissentlich den Frieden seines bisher nur von Stammgästen besuchten Restaurants, als er einen talentierteren Koch einstell... Alles lesenIn Hamburg zerstört der deutsch-griechische Kneipenbesitzer Zinos unwissentlich den Frieden seines bisher nur von Stammgästen besuchten Restaurants, als er einen talentierteren Koch einstellt.In Hamburg zerstört der deutsch-griechische Kneipenbesitzer Zinos unwissentlich den Frieden seines bisher nur von Stammgästen besuchten Restaurants, als er einen talentierteren Koch einstellt.
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- 5 Gewinne & 9 Nominierungen insgesamt
Empfohlene Bewertungen
Great movie, fast and fresh, the kind of fun the movies are supposed to be.
The characters are real and dynamic, the sites are beautiful, interiors and exteriors, although in industrial area, they feel warm and cozy after some time.
The action never loses pace.
I am trying to find now other movies from the same director and/or lead actor.
It is refreshing in a way Guy Ritchie is, you wait for the next movie because you expect the same feeling.
The characters are real and dynamic, the sites are beautiful, interiors and exteriors, although in industrial area, they feel warm and cozy after some time.
The action never loses pace.
I am trying to find now other movies from the same director and/or lead actor.
It is refreshing in a way Guy Ritchie is, you wait for the next movie because you expect the same feeling.
Director Faith Akin is often called one of the most important contemporary German directors to have emerged in recent years. Soul Kitchen is Akin' highly anticipated first attempt at a genuine comedy. So far Akin has been has been more involved in the fields of drama and romance. In a recent interview he revealed he was curious to explore a more varied range of film genres which sounds like an interesting plan. In venice this year, the film was celebrated by the audiences and scored the special jury price.
The story revolves around a restaurant/club called Soul Kitchen and the troublesome life of its respectful owner Zinos. He has to overcome many struggles involving his girlfriend, his brother and the authorities. The film is set in the heart of the diverse northern German city of Hamburg, the home turf of the two scribes Faith Akin and Adam Bousdoukos.
The makers of the film call it a new take on the idea of the "Heimatfilm" - a rather preconceived loose genre which basically defines a film to have been made in the makers home country and dealing with issues relating to home and identity.
Akin described how he studied classical sketches by Charlie Chaplin and also looked at his method of working. A simple "joke" that comes off easy and natural on screen had been reworked over and over. For some of the scenes Akin admittedly said he had to shoot 30 takes before it felt right. This made him doubt his own abilities but in the end let him grow as a filmmaker and as an individual.
The result is a stellar solid performance by the entire cast. Many jokes and payoffs will unfortunately and without a doubt get lost in translation but still the timing and heartblood of the actors will still capture anyone's attention.
Akin makes use of a couple of his "regulars": Adam Bousdoukos, Moritz Bleibtreu and the great Birol Ünel but also introduces fresh unknown blood with the two female leads Lucia Faust and Nadine Krüger.
Having just seen another film recently I noticed myself how well this film is balanced out in comparison. There is a rhythm, a beat or a harmony. The soundtrack and editing allow the plot to flow organically and let the narrative play out smoothly. Interestingly Akin once mentioned that since "Gegen die Wand" (Head On, 2004) he is inspired by the songs used in his films in a visual way and sets out a soundtrack before the filming is finished.
The film marks Akin's first shot at wider levels of improvisation. Normally, he said in an interview with a German radio station, he has the script all planned out in detail; all the actors know what their dialogues are and maybe one or two things get changed, with feedback from the people on set but this time a lot of things were left undone on purpose to grow naturally out of the situations.
What I personally enjoyed a lot about Soul Kitchen is the way in which the film addresses its urban environment. Akin took a chance to shoot in a wide range of locations, many of which such the club "Mojo" have since closed down. It attempts to capture the spirit of the city at a point in time and successfully tells an emotional, personal story.
Recommended to anyone with a passion for fresh, clever and funny stories of life and the city.
The story revolves around a restaurant/club called Soul Kitchen and the troublesome life of its respectful owner Zinos. He has to overcome many struggles involving his girlfriend, his brother and the authorities. The film is set in the heart of the diverse northern German city of Hamburg, the home turf of the two scribes Faith Akin and Adam Bousdoukos.
The makers of the film call it a new take on the idea of the "Heimatfilm" - a rather preconceived loose genre which basically defines a film to have been made in the makers home country and dealing with issues relating to home and identity.
Akin described how he studied classical sketches by Charlie Chaplin and also looked at his method of working. A simple "joke" that comes off easy and natural on screen had been reworked over and over. For some of the scenes Akin admittedly said he had to shoot 30 takes before it felt right. This made him doubt his own abilities but in the end let him grow as a filmmaker and as an individual.
The result is a stellar solid performance by the entire cast. Many jokes and payoffs will unfortunately and without a doubt get lost in translation but still the timing and heartblood of the actors will still capture anyone's attention.
Akin makes use of a couple of his "regulars": Adam Bousdoukos, Moritz Bleibtreu and the great Birol Ünel but also introduces fresh unknown blood with the two female leads Lucia Faust and Nadine Krüger.
Having just seen another film recently I noticed myself how well this film is balanced out in comparison. There is a rhythm, a beat or a harmony. The soundtrack and editing allow the plot to flow organically and let the narrative play out smoothly. Interestingly Akin once mentioned that since "Gegen die Wand" (Head On, 2004) he is inspired by the songs used in his films in a visual way and sets out a soundtrack before the filming is finished.
The film marks Akin's first shot at wider levels of improvisation. Normally, he said in an interview with a German radio station, he has the script all planned out in detail; all the actors know what their dialogues are and maybe one or two things get changed, with feedback from the people on set but this time a lot of things were left undone on purpose to grow naturally out of the situations.
What I personally enjoyed a lot about Soul Kitchen is the way in which the film addresses its urban environment. Akin took a chance to shoot in a wide range of locations, many of which such the club "Mojo" have since closed down. It attempts to capture the spirit of the city at a point in time and successfully tells an emotional, personal story.
Recommended to anyone with a passion for fresh, clever and funny stories of life and the city.
This movie was a "delicious" movie with a "soul".l recommend this movie to everyone who would like to go to the movies just for having a 1,5 hour of fun and who needs some hope about life. This movie was the best and funniest movie of Faith Akin, l think he will be a world famous director in a couple years if he keeps to continue. The favorite three of Faith Akin (Adam Bousdoukus,Moritz Blibtreu and Birol Unel)were great again.l would like to also mention about Anna Bederke's performance, l think she was also acting great and she will be a famous movie star soon. The only thing which l can criticize is the ending of the movie, it was in compliance with the scenario however l felt that the ending was incomplete and carelessly done. The jokes and the movie itself were great and clever.l recommend this movie to everyone who would like to watch something different and delicious in the cinema.
You could be excused, if by hearing the title, you'd thought this is yet another "urban" comedy, starring Martin Lawrence or Ice Cube or Queen Latifah. It ain't so. While the title might be misleading (in quite a few ways), the characters in this aren't. You have finely structured people (with a cliché here and there), who seem to have their everyday problems and find a way to live with them.
Our main character has quite a few struggles to go through this movie, some of them come "back" at him (no pun intended). And while quite a few things are more than cliché (the brother and what he does towards the end, is borderline believable, even with the setup through the movie), it has quite a few nice touches to it. All in all, a warm comedy, that goes more for the heart than the brain. A nice change of pace by Faith Akin and a movie, whose flaws shouldn't hinder you enjoying it.
Our main character has quite a few struggles to go through this movie, some of them come "back" at him (no pun intended). And while quite a few things are more than cliché (the brother and what he does towards the end, is borderline believable, even with the setup through the movie), it has quite a few nice touches to it. All in all, a warm comedy, that goes more for the heart than the brain. A nice change of pace by Faith Akin and a movie, whose flaws shouldn't hinder you enjoying it.
The reason I picked this up was that I had read/heard somewhere that this had inspired the movie 'Ustad Hotel' in 'malayalam' which I had enjoyed.
Having seen excellent movies like The Trap/Troubled Water/L' Infante recently, I was not extremely impressed by this one but at the same time the movie is young and lovable.
There are some original humor sequences.You may like the movie a whole lot or the movie may not touch you at all - depending on your frame of mind while you watch this.
I liked the main protagonist of the movie. The back ache that he carries through out movie somehow aches your back as well while you watch the movie!. He goes easy on various people - letting his employees practice music in his dying restaurant , letting his tenant stay off rent , letting his brother run the business etc.That is how the main protagonist has been built.
The movie is filled with short easy sequences - a nice watch.
Having seen excellent movies like The Trap/Troubled Water/L' Infante recently, I was not extremely impressed by this one but at the same time the movie is young and lovable.
There are some original humor sequences.You may like the movie a whole lot or the movie may not touch you at all - depending on your frame of mind while you watch this.
I liked the main protagonist of the movie. The back ache that he carries through out movie somehow aches your back as well while you watch the movie!. He goes easy on various people - letting his employees practice music in his dying restaurant , letting his tenant stay off rent , letting his brother run the business etc.That is how the main protagonist has been built.
The movie is filled with short easy sequences - a nice watch.
Wusstest du schon
- WissenswertesThe actress who played Nadine's grandmother (Monica Bleibtreu) in real life was the mother of the actor (Moritz Bleibtreu) who played the role of the brother of the main character in this movie. Monica Bleibtreu died in May 2009 and is remembered in the closing credits.
- Zitate
Illias Kazantsakis: It is absolute that there is no absolution, which is even not absolute.
Lucia Faust: Is it a proverb?
Illias Kazantsakis: It is my word.
- VerbindungenFeatured in Maltin on Movies: The Romantics (2010)
- SoundtracksRated X
Written by Robert 'Kool' Bell (as Robert Bell), Ronald Bell, George 'Funky' Brown (as George Brown), Robert 'Spike' Mickens (as Robert Mickens), Claydes Smith, Dennis D.T. Thomas (as Dennis Thomas), Ricky Westfield
Performed by Kool & The Gang
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Nhà Hàng Soul Kitchen
- Drehorte
- Industriestraße, Wilhelmsburg, Hamburg, Deutschland(Soul Kitchen)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 276.901 $
- Eröffnungswochenende in den USA und in Kanada
- 20.916 $
- 22. Aug. 2010
- Weltweiter Bruttoertrag
- 18.164.139 $
- Laufzeit1 Stunde 36 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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