IMDb-BEWERTUNG
7,4/10
44.355
IHRE BEWERTUNG
Michael Moores Dokumentarfilm über die Weltwirtschaftskrise beleuchtet die Hintergründe der wirtschaftlichen Misere einschließlich der Firmen- und politischen Interessen, die sie herbeigefüh... Alles lesenMichael Moores Dokumentarfilm über die Weltwirtschaftskrise beleuchtet die Hintergründe der wirtschaftlichen Misere einschließlich der Firmen- und politischen Interessen, die sie herbeigeführt hatten.Michael Moores Dokumentarfilm über die Weltwirtschaftskrise beleuchtet die Hintergründe der wirtschaftlichen Misere einschließlich der Firmen- und politischen Interessen, die sie herbeigeführt hatten.
- Auszeichnungen
- 4 Gewinne & 15 Nominierungen insgesamt
Jimmy Carter
- Self
- (Archivfilmmaterial)
Elijah Cummings
- Self
- (as Congressman Elijah Cummings)
John McCain
- Self
- (Archivfilmmaterial)
Sarah Palin
- Self
- (Archivfilmmaterial)
Ronald Reagan
- Self
- (Archivfilmmaterial)
Franklin D. Roosevelt
- Self
- (Archivfilmmaterial)
- (as Franklin Delano Roosevelt)
Arnold Schwarzenegger
- Self
- (Archivfilmmaterial)
Chesley Sullenberger
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
Michael Moore's latest feature, Capitalism: A Love Story, has everything I could want from one of his films: a hotly debated and relevant issue, information, personal accounts, funny clips, and great music. I enjoy seeing his films not so much to be informed, which I feel he does quite well, but to be entertained. That is something rare with a documentary. I don't think you can say the same about An Inconvenient Truth.
Love him or hate him, Moore makes a fantastic film. This time he takes one the recent economic turmoil this country has been facing for the past year or so. Moore traces it's roots back to the Reagan administration on up. He presents a lot of facts, memos, and documents some companies and banks would not like us to see, but he does it because the people have a right to know.
I can't say much about what went on because Moore presents a lot of data, but to the best of my ability I can say that there is an awful lot of shady activity going on behind closed doors. We look at the bail out plan proposed to congress. We see how companies like Goldman Sachs infiltrates the government and starts doing their own bidding. We see companies spend their money frivolously while workers and homeowners are losing their jobs and livelihood. Some of these banks and groups do terrible things that force people into uncomfortable and downright oppressive situations.
One thing I expected to see from this film was Moore perspective and nothing else. I don't know what information he is withholding and what truths he is stretching, but I am impressed with how convincing some of his arguments and testimonials are. He plays on our heartstrings like a trained musician, hitting home with issues involving blue collar Americans struggling to keep their jobs, their homes, and their families together.
Aside from the content of the film, the actual film itself is very well put together. He makes excellent use of stock footage from the 50s and 60s, weaving them perfectly to fit the film's flow. One thing Moore does better than most is his use of music to drive home a point or a feeling. Be it classical, rock, or country, Moore blends it all together quite nicely.
This film makes you think. It makes you angry. It makes you want to do something, and that's okay. That is what a film is supposed to do. It is designed to evoke some sort of emotion and help spring it forth. That's not to say you should go out and do something drastic, but it will at least make for excellent conversation amongst friends and coworkers.
Love him or hate him, Moore makes a fantastic film. This time he takes one the recent economic turmoil this country has been facing for the past year or so. Moore traces it's roots back to the Reagan administration on up. He presents a lot of facts, memos, and documents some companies and banks would not like us to see, but he does it because the people have a right to know.
I can't say much about what went on because Moore presents a lot of data, but to the best of my ability I can say that there is an awful lot of shady activity going on behind closed doors. We look at the bail out plan proposed to congress. We see how companies like Goldman Sachs infiltrates the government and starts doing their own bidding. We see companies spend their money frivolously while workers and homeowners are losing their jobs and livelihood. Some of these banks and groups do terrible things that force people into uncomfortable and downright oppressive situations.
One thing I expected to see from this film was Moore perspective and nothing else. I don't know what information he is withholding and what truths he is stretching, but I am impressed with how convincing some of his arguments and testimonials are. He plays on our heartstrings like a trained musician, hitting home with issues involving blue collar Americans struggling to keep their jobs, their homes, and their families together.
Aside from the content of the film, the actual film itself is very well put together. He makes excellent use of stock footage from the 50s and 60s, weaving them perfectly to fit the film's flow. One thing Moore does better than most is his use of music to drive home a point or a feeling. Be it classical, rock, or country, Moore blends it all together quite nicely.
This film makes you think. It makes you angry. It makes you want to do something, and that's okay. That is what a film is supposed to do. It is designed to evoke some sort of emotion and help spring it forth. That's not to say you should go out and do something drastic, but it will at least make for excellent conversation amongst friends and coworkers.
10Muttines
Reading some of the other reviews of Capitalism: A Love Story, it soon becomes clear that those leaving low scores either haven't seen the film or have a particular agenda to smear the movie - one reviewer seems to think Angela Merkel's Germany (a centre right politician!) is 'Socialist'! It is this deliberate dumbing down in America of issues surrounding what capitalism is and does (as opposed to socialism) that enabled the conditions for the banks to exploit the worst off in American society and force the taxpayers to foot the bill by bailing them out - and why Americans are still without a universal free healthcare system. Moore takes great pains, and succeeds, in highlighting how this culture of demonising anything that criticises rampant and unregulated free market economics has been firmly established in US society. He has clearly undertaken a measure of research in the production - numerous sources/interviews and facts are used in the narrative - but the best thing for me was that he still manages to keep the more complicated aspects of banking and loans extremely accessible (I'm hopeless at maths!).
Comments that Moore is a socialist are extremely juvenile - Moore is a socialist in the same way that Ghandi was a terrorist or Jesus was a trouble maker.
All in all a very informative and inspiring documentary that dares to mention the elephant taking a big dump in the room.
Comments that Moore is a socialist are extremely juvenile - Moore is a socialist in the same way that Ghandi was a terrorist or Jesus was a trouble maker.
All in all a very informative and inspiring documentary that dares to mention the elephant taking a big dump in the room.
10pefrss
I saw the movie last night at a free screening. The theater was packed and after the movie started you could not hear a sound from the audience for the rest of the two hours besides two or three times when applause errupted.
You could feel that everybody in the audience really got the message.
I only hope that Michael's parting words will come true and everybody will join his fight. As long as we are being led like pigs to the slaughter nothing will change. We have to stand up against the insurance companies, the exploiting employers, the greedy merchants, the predatory lenders. If we all say no, things will change.
I will not be punished again for pre-existent conditions, car accidents caused by somebody else, retributions because somebody stole my wallet and I was punished. I will not fall buy trash anymore which breaks in a short time and cannot be repaired. I will not be talked into buying useless gimmicks which change every few months. etc.etc.
Thank you Michael Moore, without you, I would have lost hope a long time ago.
You could feel that everybody in the audience really got the message.
I only hope that Michael's parting words will come true and everybody will join his fight. As long as we are being led like pigs to the slaughter nothing will change. We have to stand up against the insurance companies, the exploiting employers, the greedy merchants, the predatory lenders. If we all say no, things will change.
I will not be punished again for pre-existent conditions, car accidents caused by somebody else, retributions because somebody stole my wallet and I was punished. I will not fall buy trash anymore which breaks in a short time and cannot be repaired. I will not be talked into buying useless gimmicks which change every few months. etc.etc.
Thank you Michael Moore, without you, I would have lost hope a long time ago.
I wasn't sure what to expect, but I was very impressed with the combination of comedy, tragedy, and historical explanation. Yes, there is a bit (or more) of playing to the camera by Moore himself--however, I enjoyed the grandstanding--kind of an investigative revenge fantasy to physically call attention to one of the biggest crime scenes ever. While the use of 1950s instructional film segments is played for laughs, other historical footage is literally breath-taking. My NY audience was utterly silent when we saw what FDR wanted to do, and might have done, had he lived longer. MY REQUEST, at least for the DVD version, would be to have more labels on the lesser-known political figures, so we could more readily identify the few, brave souls who spoke out in vain. I plan to see it again.
1. You know the document Hank Paulsen "forced" the top 9 banks to sign to take billions in dollars in a one page letter? Did you know it contained one sentence, "This agreement cannot be reviewed by any court" clause, putting all of them above the laws you and I have to follow or be jailed? This one minute of the film is worth the price of the ticket. It conclusively proves the corruption, fraud, and taxpayer theft going on right before our eyes by our congressional representatives. 2. Delete a few f**ks, and this would be a "G" rated movie. Why would Michael Moore accept a very undeserved "R" rating? 3. Every fact stated in the movie can be proved. So why do his critics say he lies just to make money? Every moviegoer has been affected by the facts so brilliantly portrayed. Yet they prefer keeping their heads in the sand while their grandchildren are saddled with so much phony debt. 4. Michael didn't include it, but Goldman Sachs' tax rate last year was One Per Cent of their profits. Try paying a one per cent tax rate on your earnings and see what happens. 5. See this movie and tell your friends.
Wusstest du schon
- WissenswertesThe footage of President Franklin D. Roosevelt proposing a "Second Bill of Rights" was believed to be lost until Michael Moore's film crew rediscovered it in a South Carolina library in 2008.
- PatzerThe film depicts a boarded-up house in Bellington, Washington. There is no such city in the state of Washington; it likely meant to say Bellingham, Washington.
- Zitate
Michael Moore: Do you have any advice for me?
Wall Street Professional: Don't make any more movies.
- Crazy Credits"I sincerely believe... that banking establishments are more dangerous than standing armies." - Thomas Jefferson, 1816
- VerbindungenFeatured in The Jay Leno Show: Folge #1.2 (2009)
- SoundtracksMoving On
from Die Ermordung des Jesse James durch den Feigling Robert Ford (2007)
Words and Music by Nick Cave and Warren Ellis
Courtesy of Warner Bros. Entertainment Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Capitalism: A Love Story
- Drehorte
- Chevrolet Plants, Flint, Michigan, USA(old GM plant)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.363.397 $
- Eröffnungswochenende in den USA und in Kanada
- 231.964 $
- 27. Sept. 2009
- Weltweiter Bruttoertrag
- 17.436.509 $
- Laufzeit
- 2 Std. 7 Min.(127 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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