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6,1/10
5667
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Netflix plant Produktion der ersten Netflix-Original-Horrorserie aus Japan – „Ju-on: Origins“ – als Teil des legendären Horror-Franchise „Ju-on“Netflix plant Produktion der ersten Netflix-Original-Horrorserie aus Japan – „Ju-on: Origins“ – als Teil des legendären Horror-Franchise „Ju-on“Netflix plant Produktion der ersten Netflix-Original-Horrorserie aus Japan – „Ju-on: Origins“ – als Teil des legendären Horror-Franchise „Ju-on“
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I don't really consider this as a terror tv series, it works as a way to explain more about the origin of Ju-On, obviously as the title says but somehow I don't really see an actual strong connection between the house and the characters (at least until ep 4, trust me, that episode is insane), many things happens along different storylines and I have to mention they're actually pretty interesting.
So, in conclusion, if you know how to separate the Ju-On series (along with what you'll expect this series to be) and if you're searching for an interesting, kind of deep and "raw" show...undoubtedly this show will be enjoyable for you.
Give it a chance if you can, each episode is about 20 minutes...
So, in conclusion, if you know how to separate the Ju-On series (along with what you'll expect this series to be) and if you're searching for an interesting, kind of deep and "raw" show...undoubtedly this show will be enjoyable for you.
Give it a chance if you can, each episode is about 20 minutes...
This series was a solid, albeit unnecessary revamp of the Grudge origin story. It's nothing we haven't seen before in terms of story, but its execution feels more authentic here, and gruesome enough to easily warrant its TV-MA rating. I'm glad they decided to keep this origin series within its original Japanese roots instead of Americanizing it once again, as we've all seen how those have turned out... Overall a solid series, though it would've probably worked better as a 2 hour Japanese film instead.
It's been a while since there's been a good "Ju-On" anything, so this chilling miniseries is a very welcome addition to the franchise. It surpasses most of the previous films in terms of atmosphere and genuine scares, becoming visceral and genuinely disturbing. It is also the most visually striking of the whole series, employing some fantastic surreal imagery.
The most important thing of all is that the story remains interesting, it doesn't just recycle earlier plotlines, instead creating it's own new storyline that answers as many questions as it asks. The non-linear structure adds more depth to the anthology formula used throughout the franchise, which is given time to breathe here as a miniseries than as an 80-minute film.
The most important thing of all is that the story remains interesting, it doesn't just recycle earlier plotlines, instead creating it's own new storyline that answers as many questions as it asks. The non-linear structure adds more depth to the anthology formula used throughout the franchise, which is given time to breathe here as a miniseries than as an 80-minute film.
I was actually looking forward to this show being a fan of horror movies and the franchise, but found myself loosing interest pretty quickly. I was trying to keep up with all the timelines, but the jumping back and forth with flashback and years in each episode got a bit confusing. I didn't find it that scary either and would say it's more of a crime show with some horror in it.
If you would like to watch it I recommend you really pay attention when watching this show.
If you would like to watch it I recommend you really pay attention when watching this show.
As a fan of horror, especially J-horror, I noticed more Japanese touches in the series over all like 4 (Shi = death ) pairs of shoes in some frames for tension and the use of a newborn in a horror context. There was even mention of a real Japanese crime in background news reports that happened in that same time period ( the girl incased in concrete).
It's a rewrite from the traditional groaning and crab walking of the original but it more than makes up for it in little touches of Japanese culture that you can't really get in something like the American film remake.
Its target audience is most likely Japanese natives or at least someone who prefers traditional J-horror folklore that can take the time to look up some of the cultural nuances. Especially with the added mystery element.
This will fall flat for someone who wants to tune out and watch something scary for a thrill. But I love it for all the above reasons. It's only sin is misaimed marketing.
It's a rewrite from the traditional groaning and crab walking of the original but it more than makes up for it in little touches of Japanese culture that you can't really get in something like the American film remake.
Its target audience is most likely Japanese natives or at least someone who prefers traditional J-horror folklore that can take the time to look up some of the cultural nuances. Especially with the added mystery element.
This will fall flat for someone who wants to tune out and watch something scary for a thrill. But I love it for all the above reasons. It's only sin is misaimed marketing.
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- VerbindungenRemake of Ju-on (2000)
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