Ein Mann entführt zusammen mit seinem geistig zurückgebliebenen Bruder eine Firmenchefin, fest der Überzeugung, sie sei eine Außerirdische, die den Planeten zerstören will.Ein Mann entführt zusammen mit seinem geistig zurückgebliebenen Bruder eine Firmenchefin, fest der Überzeugung, sie sei eine Außerirdische, die den Planeten zerstören will.Ein Mann entführt zusammen mit seinem geistig zurückgebliebenen Bruder eine Firmenchefin, fest der Überzeugung, sie sei eine Außerirdische, die den Planeten zerstören will.
- Regisseur/-in
- Autoren
- Stars
- Auszeichnungen
- 6 Gewinne & 74 Nominierungen insgesamt
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
Zusammenfassung
Reviewers say 'Bugonia' delves into conspiracy theories, corporate greed, and paranoia, featuring strong performances by Emma Stone and Jesse Plemons. The film is lauded for its dark humor, psychological tension, and distinctive visual style. However, some find the plot complex, the pacing sluggish, and the ending controversial. Its satirical approach to modern issues garners mixed reactions, with some praising its audacity and others deeming it pretentious or unengaging. While the acting is widely acclaimed, the script and direction remain contentious points.
Empfohlene Bewertungen
Yorgos Lanthimos is back doing his usual weird thing with Bugonia. It's a remake of Save the Green Planet!, but feels colder and more deliberately uncomfortable.
Emma Stone is chilling as a boss-lady, and Jesse Plemons is incredible as the paranoid conspiracy-theorist unshaken in his conviction that she's an alien. The film is basically just them facing off, a true acting masterclass. It keeps you guessing till the very end.
Do not go in expecting a run-of-the-mill sci-fi action thriller. There are no laser battles or such business here. This is a claustrophobic psychological duel and pitch-black satire. If you want high-octane explosions, look elsewhere. If you don't mind feeling a bit sick and confused by the end, it's for you.
Emma Stone is chilling as a boss-lady, and Jesse Plemons is incredible as the paranoid conspiracy-theorist unshaken in his conviction that she's an alien. The film is basically just them facing off, a true acting masterclass. It keeps you guessing till the very end.
Do not go in expecting a run-of-the-mill sci-fi action thriller. There are no laser battles or such business here. This is a claustrophobic psychological duel and pitch-black satire. If you want high-octane explosions, look elsewhere. If you don't mind feeling a bit sick and confused by the end, it's for you.
The film turned out no worse than the Korean version, which is already impressive on its own.
Emma Stone and Jesse Plemons once again deliver outstanding performances.
What we get is a sharp satire that makes you wonder: maybe conspiracy believers are simply broken by the real world? Maybe that's why they retreat into fantasies, searching for secrets that don't actually exist, just to justify their own problems?
The ending raises a question: can we ever be as organized as bees? Or are we destined to remain fragmented and harm one another? Does a perfect version of humanity even exist?
Lanthimos once again does not disappoint.
Emma Stone and Jesse Plemons once again deliver outstanding performances.
What we get is a sharp satire that makes you wonder: maybe conspiracy believers are simply broken by the real world? Maybe that's why they retreat into fantasies, searching for secrets that don't actually exist, just to justify their own problems?
The ending raises a question: can we ever be as organized as bees? Or are we destined to remain fragmented and harm one another? Does a perfect version of humanity even exist?
Lanthimos once again does not disappoint.
Watching *Bugonia* felt strange in the best possible way. Lanthimos throws you into a world where nothing feels entirely normal - the rules are odd, people react in unpredictable ways, and yet something about all this chaos feels oddly familiar. You laugh, but there's always tension underneath it, like you're waiting for something to go wrong. The emotions hit harder than expected, even in moments that seem absurd on paper.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
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The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
.
8Ehi7
This movie is a really good mix of genres in typical lanthimos styles, there's especially a lot of his sicked black humour as well as unexpected drama, horror and sci fi. Performances are all great but it's the finale that for me really elevates the movie. Funny, coherent, surprising, visually amazing.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
Bugonia is a classic Yorgos Lanthimos movie as it examines the darkest parts of human nature in a characteristically darkly comedic fashion but it also offers something different when it operates as a tense thriller. It's a neatly structured film that only gets better once things properly escalate in a genuinely shocking way and it reaches a satisfying conclusion. This is another recent release which really feels of the moment.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
The Movies of Yorgos Lanthimos
Wusstest du schon
- WissenswertesAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- PatzerWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Crazy CreditsThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- SoundtracksGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
Top-Auswahl
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The Year in Posters
The Year in Posters
From Hurry Up Tomorrow to Highest 2 Lowest, take a look back at some of our favorite posters of 2025.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bugonia Bugonia
- Drehorte
- Sarakiniko Beach, Milos Island, Griechenland(beach in the end)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 17.692.390 $
- Eröffnungswochenende in den USA und in Kanada
- 709.848 $
- 26. Okt. 2025
- Weltweiter Bruttoertrag
- 39.923.743 $
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.50 : 1
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