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Magic Trip: Ken Kesey's Search for a Kool Place

  • 2011
  • R
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
6,8/10
1735
IHRE BEWERTUNG
Magic Trip: Ken Kesey's Search for a Kool Place (2011)
A freewheeling portrait of Ken Kesey and the Merry Prankster's fabled road trip across America.
trailer wiedergeben2:24
2 Videos
97 Fotos
Dokumentarfilm

Füge eine Handlung in deiner Sprache hinzuA freewheeling portrait of Ken Kesey and the Merry Pranksters' fabled road trip across America.A freewheeling portrait of Ken Kesey and the Merry Pranksters' fabled road trip across America.A freewheeling portrait of Ken Kesey and the Merry Pranksters' fabled road trip across America.

  • Regie
    • Alison Ellwood
    • Alex Gibney
  • Drehbuch
    • Alex Gibney
    • Alison Ellwood
    • Ken Kesey
  • Hauptbesetzung
    • Stanley Tucci
    • Ken Kesey
    • Timothy Leary
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    1735
    IHRE BEWERTUNG
    • Regie
      • Alison Ellwood
      • Alex Gibney
    • Drehbuch
      • Alex Gibney
      • Alison Ellwood
      • Ken Kesey
    • Hauptbesetzung
      • Stanley Tucci
      • Ken Kesey
      • Timothy Leary
    • 8Benutzerrezensionen
    • 50Kritische Rezensionen
    • 59Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos2

    Magic Trip
    Trailer 2:24
    Magic Trip
    Magic Trip
    Clip 2:36
    Magic Trip
    Magic Trip
    Clip 2:36
    Magic Trip

    Fotos96

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 90
    Poster ansehen

    Topbesetzung28

    Ändern
    Stanley Tucci
    Stanley Tucci
    • Narrator
    Ken Kesey
    Ken Kesey
    • Self
    Timothy Leary
    Timothy Leary
    • Self
    • (Archivfilmmaterial)
    Jim Meskimen
    Jim Meskimen
    • Zonker
    • (Synchronisation)
    Veronica Taylor
    Veronica Taylor
    • Jane Burton
    Larry McMurtry
    Larry McMurtry
    • Self
    • (Archivfilmmaterial)
    Jerry Garcia
    Jerry Garcia
    • Self
    • (Archivfilmmaterial)
    Jack Kerouac
    Jack Kerouac
    • Self
    • (Archivfilmmaterial)
    Allen Ginsberg
    Allen Ginsberg
    • Self
    Andrea Cirie
    Andrea Cirie
    • Gretchen Fetchen
    • (Synchronisation)
    Grateful Dead
    Grateful Dead
    • Themselves
    • (Archivfilmmaterial)
    • (as The Warlocks)
    Ram Dass
    Ram Dass
    • Self
    • (Archivfilmmaterial)
    Bob Weir
    Bob Weir
    • Self
    • (Archivfilmmaterial)
    Terry Gross
    • Self - Interviewer
    • (Synchronisation)
    Phil Lesh
    • Self
    • (Archivfilmmaterial)
    Neal Cassady
    • Self
    Bill Kreutzmann
    Bill Kreutzmann
    • Self
    • (Archivfilmmaterial)
    Ron McKernan
    • Self
    • (Archivfilmmaterial)
    • Regie
      • Alison Ellwood
      • Alex Gibney
    • Drehbuch
      • Alex Gibney
      • Alison Ellwood
      • Ken Kesey
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen8

    6,81.7K
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    Empfohlene Bewertungen

    JvH48

    Disappointing documentary about the sixties and some unconventional people

    This could have been a movie reminiscent of those often celebrated sixties. However, the people portrayed in this home movie avant la lettre, were far from average. Their ways of living and what we saw thereof was on a safe distance from our own memories of that time.

    I can understand the attraction of the 100 hour film footage that was left behind. But condensing it into a feature film length, does not work. For starters, we got a super fast intro of characters, leaving unclear who was who, and what tied them together. Secondly, the purpose of the journey was left equally unclear (maybe there wasn't any). Thirdly, it kept us wondering about the vast number of practical aspects for such a journey, like money, groceries, repairs, petrol, and so on. Of course, all this only proves that I wouldn't have blended in with this company, being much too serious and too organized for such a journey to even think about.

    Anyway, it offered a nice excuse to show TV and movie fragments of that time, and pictures of every-days lives and streets. Also, we saw repeated police checks for no reason, demonstrating that their overall appearance (painted bus, haircut, clothes, etc) was "different". A nice side effect was that we saw and heard VSOP music fragments of that time, working well to refresh our memories. Similarly, it showed us how progressive people dressed in the sixties. Could that be all there is to fill 107 minutes of film, and keep our attention span??

    All in all, what we saw was kaleidoscopic, to say the least. On one hand, it was interesting for some­one who grew up in that time (like me) but nearly forgot all about it (I did). On the other hand, it did not go beyond the family album level with pictures from the past. Leaves us wondering how more than 100 hours of film footage and sound fragments could have survived the continuous chaos these people used to live in. Again, this question proves that it was not my kind of company. Maybe good for us that they existed, important as they may have been as a catalyst for cultural changes, if only to practically demonstrate how to detach yourself from the daily grind and drop all common conventions.
    1arfdawg-1

    If You Want to Know Ken Kesey, Don't Watch This Documentary

    Ken tries for years to edit this film and make it work. He couldn't. And there's good reason: it's really not interesting or compelling. It's basically one tedious home movie.

    And not a good one.

    For all the talk of LSD trips and hte like, these people seem pretty normal. Kesey certainly was. After teh whole magic bus thing he led a very quiet family life in Oregon and taught at the university.

    This documentary is very disappointing. It doesnt capture the times or the spirit.
    1jackbenimble

    Depressing if you don't want to watch a 2 hour advert for LSD

    I read Tom Wolfe's novel and was pretty impressed. I watched this movie and wasn't. In the novel the pranksters have a clear underlying philosophy to their antics and as such mark an important historical beginning of the 60's youth counterculture. In the novel there is a recurring theme railing against the crass materialism of America at the time and a continuation of the artistic beat movement of the 50's. In the movie we're pretty much simply given an advert for LSD. As I understood it drugs and sex were used as a MEANS to a greater understanding and a new philosophy of life. But what we witness in this film is simply irresponsible self gratification and mindless hedonism which I guess is what eventually burnt the 60's out. Maybe Wolfe made it all up and this film represents the reality? If so it was a big disappointment for me. I'm with Kerouac on this one. I'd share a beer with him on that sofa in New York and have a good moan about what a bunch of irritating,vain, stupid,shallow, self indulgent pricks they all were.
    3georgegcowell

    Watch sunshine makers instead, this is good but lacks depth

    READ THIS: Quick summary: At the very beginning you may notice its made my "history" something or other. This in away sums up what to expect from this movie, its fun til about half way through and then its just dreary facts about what happened. I watched sunshine makers and think it was 100X better ...just down to how it was directed and presented

    I loved seeing the antics that went on with the bus but the overall feel of the movie left me feeling dry and kind of sad.

    I felt sad because it didn't really go into enough depth on any of the characters or the philosophy of their movement. It was nice to see such rare content but it didn't go into enough depth is any one area. What i mean by this is it didn't focus down on any body or anything. If they focused more on ken and his life and showed us who everyone was in relation to him i might have felt more of a connection with the characters and enjoyed it more.

    But the worst thing about this movie is it was divorced from the messages that these pioneer's of the 60's propagated.. the fact that the "merry pranksters" were even too excitable and "free" to sit down and get into the complexity's of the psychedelic philosophy with leary was something that was really lost within this movie. It didn't successfully show the excitement and exploration that these people were engaged in... all it did is vaugely show what happened..

    .
    8goodbyeenemyairship

    Great footage, interesting story, not long enough

    I only had 2 issues with the film as presented - 1) the film moves at a breakneck pace trying to cram what was likely hundreds of hours of film into 90 minutes; I wanted many scenes to last longer - 2) I would've liked a 'where are they now' sort of bookend for more of the pranksters (only Kesey's and Cassady's post-prankster lives are detailed).

    I thought the footage was gorgeous - the film must've been well taken care of over the years. It was really fascinating to see America circa 1964 in full color (most footage from that era is black & white).

    I want to re-read The Electric Kool-Aid Acid Test after buying this DVD and refer back and forth. It really does breathe new life into Tom Wolfe's book; although, the film stands on its own.

    One of the most fascinating segments of the film was early on when they delved into how Kesey was turned onto LSD. They describe the whole experience and provide audio recordings taken as Kesey was under the influence in a hospital where LSD experiments were being conducted.

    I understand many will take issue with the pro-drug message, but whether you like it or not, the subject of the film and the footage itself is a big part of history. There is something to learn and appreciate no matter where you stand.

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    Dokumentarfilm

    Handlung

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    • Wissenswertes
      Martin Scorsese's film foundation helped fund the repair of the damaged Kesey footage by technicians from UCLA, who labored for over a year. Synching up the film to its separate snippets of audio track proved so daunting that director Alison Ellwood resorted to hiring a lip reader to determine what words people were mouthing.
    • Zitate

      Ken Kesey: What it meant, was that everybody had to consider a new way for things to be. Don't you know that we're all one? The deeper I got into it, the more I realized it was a different force working. The only big mistake we made, as a force, was thinking for a while that we were going to win. We developed vested interests in the victory to come. We begin to parcel off into little groups, whether it's feminism or politics. For money, religion, whatever it is; everybody is jumping up and down in front of it. Until nobody can see it clear anymore. There's something about what we're doing; is that we're meant to lose, every time. You make these forays, you write these books and you perform this music; but the big juggernaut of civilization continues, and you get kind of brushed to the side. But, I think all through history there's been these kind of divine losers that just take a deep breath and go ahead, knowing that society's not going to understand it. Not even caring, 'cause they're having a good time.

    • Verbindungen
      Featured in The Roth Show: The New York City Way (2014)
    • Soundtracks
      Let's Go Trippin'
      Written by Dick Dale (as D. Dale)

      Published by Surf Beat Music

      Performed by Dick Dale & His Del-Tones (as Dick Dale and the Del-tones)

      Courtesy of Dick Dale Records

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    FAQ16

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    Details

    Ändern
    • Erscheinungsdatum
      • 5. August 2011 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Magic Bus
    • Produktionsfirmen
      • Magnolia Pictures
      • History Films
      • Optimum Releasing
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 154.521 $
    • Eröffnungswochenende in den USA und in Kanada
      • 14.367 $
      • 7. Aug. 2011
    • Weltweiter Bruttoertrag
      • 155.005 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 47 Min.(107 min)
    • Farbe
      • Color
      • Black and White
    • Sound-Mix
      • Dolby Digital

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