IMDb-BEWERTUNG
6,2/10
69.964
IHRE BEWERTUNG
Ein korrupter junger Mann behält irgendwie seine jugendliche Schönheit für immer, aber ein besonderes Gemälde offenbart allmählich seine innere Hässlichkeit für alle.Ein korrupter junger Mann behält irgendwie seine jugendliche Schönheit für immer, aber ein besonderes Gemälde offenbart allmählich seine innere Hässlichkeit für alle.Ein korrupter junger Mann behält irgendwie seine jugendliche Schönheit für immer, aber ein besonderes Gemälde offenbart allmählich seine innere Hässlichkeit für alle.
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Jeff Lipman
- Lord Kelso
- (as Jeffrey Lipman Snr)
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I liked the 1945 film very much, but have always looked forward to a newer film that could dare to delve into the excesses that Wilde could only hint at in his novel, and even the 1945 film had to change a minor few details to make it acceptable for that time.
Now, this version - while it does show more, it has far less. There is none of the wit and wisdom of the characters in the novel or the delicate beauty of Dorian, and the ending is completely changed for no good reason.
I still have to wait for the definitive film version that can (literally) flesh out the characters while still keeping the novel intact. Too much to ask?
Now, this version - while it does show more, it has far less. There is none of the wit and wisdom of the characters in the novel or the delicate beauty of Dorian, and the ending is completely changed for no good reason.
I still have to wait for the definitive film version that can (literally) flesh out the characters while still keeping the novel intact. Too much to ask?
I've been puzzled by the negative reviews i've seen for this as i really enjoyed it. It looks superb, with some excellent atmospheric Victorian locations. Ben Barnes is perfect as Dorian, good looking but not bland & still sympathetic throughout the film. The character of Emily which has been invented for the film works very well, and Colin Firth is magnificent in his pivotal role. Dorians gradual deprivation is well shown without heading off into exploitation and he is given real depth. His tragedy is very obvious.I must admit to not having read the original book as yet, but I do intend to now. I really enjoyed it but for its full benefit I recommend seeing it at the cinema.
When I first heard about the Picture of Dorian Gray becoming a movie I was excited and overjoyed. I thought with this new technology the 21st century has, The Picture of Dorian Gray will receive the justice it deserves. However, I was very wrong. I just finished watching the movie and I felt compelled to write a review about it.The movie was horrible. A grand disappointment which had such potential to be great. Firstly, the movie should have claimed to be inspired by the novel not based on it. I say this because the movie was very different from the novel. All of Oscar Wilde's wit and beauty which truly made the novel classic was ruined and overshadowed by the changes the movie made. I understand that there can be biased when reading a novel before seeing the movie adaption, but this movie adaption was appalling. I wont give anything away but the movie seriously ruined Oscar Wilde's vision and above all his memorable characters. Once the movie changed aspects in the novel the whole thing became horrible. Trust me, you'll agree if you've read the novel first.
Ben Barnes is simply gorgeous but he hardly brought any character development. I never felt pity for him throughout the movie compared to the novel. The novel brought the characters to life and described the reality of London life. The movie made the classic novel very shallow. I must add that as much as I love Colin Firth he was not convincing as Lord Henry. The character was someone who was vindictive and unchanging. He drained Dorian and was never affected by the consequences of his own evil; Colin Firth failed at reincarnating the abhorred character. Whats worse is that the whole ending is changed, which ruins the whole message of the novel. In the end, Oscar Wilde's masterpiece remains legendary in its pages as opposed to its film adaption. Seriously, I think my rate of 4 is being to generous.
Ben Barnes is simply gorgeous but he hardly brought any character development. I never felt pity for him throughout the movie compared to the novel. The novel brought the characters to life and described the reality of London life. The movie made the classic novel very shallow. I must add that as much as I love Colin Firth he was not convincing as Lord Henry. The character was someone who was vindictive and unchanging. He drained Dorian and was never affected by the consequences of his own evil; Colin Firth failed at reincarnating the abhorred character. Whats worse is that the whole ending is changed, which ruins the whole message of the novel. In the end, Oscar Wilde's masterpiece remains legendary in its pages as opposed to its film adaption. Seriously, I think my rate of 4 is being to generous.
Very good adaption with a nicely chosen cast with some fresh and familiar faces. Thought provoking about pleasure vs happiness like the themes of the namesake book it's based on. The main character's looks is important to the film and the actor delivers his change from innocence to experience to corruption pretty well.
A bit too long in the last arc. Not entirely sure about the final scene or it's contribution to the film-so the man responsible for corrupting Dorian revenges on him for bedding his daughter. Does he do any self reflection at all for his own suggestions and encouragement that led Dorian down this path? It seems to me like the film is missing this angle of development. This is an example of a missing layer of thematic complexity that prevents me from giving a higher score.
I don't recall the book that much but there might be a few innovations in this film such as the same sex scenes (since the author Oscar Wilde I believe was homosexual) and the motivation of Dorian to change and to compel him to his final act.
A bit too long in the last arc. Not entirely sure about the final scene or it's contribution to the film-so the man responsible for corrupting Dorian revenges on him for bedding his daughter. Does he do any self reflection at all for his own suggestions and encouragement that led Dorian down this path? It seems to me like the film is missing this angle of development. This is an example of a missing layer of thematic complexity that prevents me from giving a higher score.
I don't recall the book that much but there might be a few innovations in this film such as the same sex scenes (since the author Oscar Wilde I believe was homosexual) and the motivation of Dorian to change and to compel him to his final act.
It is obvious, the novel is only a pretext for a kind puzzle game with crumbs from Portrait of Dorian Gray. Maybe not so bad if you ignore the book. But if not, the only compensation can be the effort of Colin Firth and Ben Chaplin.
Ben Barnes ? Hansome, off course but, unfortunatelly, not Dorian. The exercises of exploration of Dorian gray past are only good intentioned.
In short, not a bad film but sort of childish exploration of a lot of ifs only for surprise or impress or seduce or be, apparently, cool.
But, not exactly Oscar Wild and, for me, it is not happy option.
Sure, new century, new states. But Portrait of Dorian Gray is more than thriller/ horror/ Gothic. Or , exactly the deep subtance, in this adaptation, just missing.
Ben Barnes ? Hansome, off course but, unfortunatelly, not Dorian. The exercises of exploration of Dorian gray past are only good intentioned.
In short, not a bad film but sort of childish exploration of a lot of ifs only for surprise or impress or seduce or be, apparently, cool.
But, not exactly Oscar Wild and, for me, it is not happy option.
Sure, new century, new states. But Portrait of Dorian Gray is more than thriller/ horror/ Gothic. Or , exactly the deep subtance, in this adaptation, just missing.
Wusstest du schon
- WissenswertesThe original Dorian Gray has blond curly hair and blue eyes.
- PatzerWhen Dorian is fighting Jim in the train station tunnel, the sleepers and spikes are visible. The spikes seen were not in use in 1890 when the novel was written, nor the era when the film is set.
- Zitate
Lord Henry Wotton: There's no shame in pleasure. Man just wants to be happy. But society wants him to be good. And when he's good, he's rarely happy. But when he's happy, he's always good.
- Crazy CreditsAt the start of the closing credits, they fade in and out, alternating with images of the Portrait peeking through, as though it is trying to assert itself.
- Alternative VersionenDuring post-production, the film was tailored for a '15' certificate in the UK. According to the BBFC, the filmmaker cuts were as follows:
- A scene in which a tea party is inter-cut with shots showing Dorian's sadomasochistic excesses was toned down to remove or reduce the more explicit moments (explicit sight of a fingernail being pulled off, explicit sight of a chest being cut with a razor in a sexual context, explicit sight of blood being sucked from a woman's breasts and sight of a restrained man being beaten).
- Additionally, a murder scene was toned down to remove the sense of dwelling on the infliction of pain and injury (reduction in the number of stabbings, removal of a blood spurt from man's neck, reduction in sight of victim choking on his blood).
- VerbindungenFeatured in Lost in Adaptation: The Picture of Dorian Gray 2009 (2020)
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- Laufzeit1 Stunde 52 Minuten
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What is the Japanese language plot outline for Das Bildnis des Dorian Gray (2009)?
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