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Tsubasa: Tokyo Revelations

  • Video
  • 2007
  • 1 Std. 15 Min.
IMDb-BEWERTUNG
7,7/10
309
IHRE BEWERTUNG
Tsubasa: Tokyo Revelations (2007)
AnimeHandgezeichnete AnimationAbenteuerActionAnimationsfilmDramaFantasieRomanzeThriller

Füge eine Handlung in deiner Sprache hinzuAs Sakura, Syaoran, Fai, and Kurogane continue their travel across many worlds, the other "Syaoran" wakes up. The Tsubasa Tokyo Revelations reveals Fei Wong Reed's intention, and the mystery... Alles lesenAs Sakura, Syaoran, Fai, and Kurogane continue their travel across many worlds, the other "Syaoran" wakes up. The Tsubasa Tokyo Revelations reveals Fei Wong Reed's intention, and the mystery to Syaoran's left eye.As Sakura, Syaoran, Fai, and Kurogane continue their travel across many worlds, the other "Syaoran" wakes up. The Tsubasa Tokyo Revelations reveals Fei Wong Reed's intention, and the mystery to Syaoran's left eye.

  • Regie
    • Akiko Honda
    • Shunsuke Tada
    • Hideyo Yamamoto
  • Drehbuch
    • Clamp
    • Bonny Clinkenbeard
    • Nanase Ôkawa
  • Hauptbesetzung
    • Miyu Irino
    • Yui Makino
    • Tetsu Inada
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    309
    IHRE BEWERTUNG
    • Regie
      • Akiko Honda
      • Shunsuke Tada
      • Hideyo Yamamoto
    • Drehbuch
      • Clamp
      • Bonny Clinkenbeard
      • Nanase Ôkawa
    • Hauptbesetzung
      • Miyu Irino
      • Yui Makino
      • Tetsu Inada
    • 1Benutzerrezension
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos27

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    Topbesetzung46

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    Miyu Irino
    Miyu Irino
    • Syaoran
    • (Synchronisation)
    Yui Makino
    • Sakura
    • (Synchronisation)
    Tetsu Inada
    Tetsu Inada
    • Kurogane
    • (Synchronisation)
    Mika Kikuchi
    • Mokona
    • (Synchronisation)
    Daisuke Namikawa
    Daisuke Namikawa
    • Fay
    • (Synchronisation)
    Jason Liebrecht
    Jason Liebrecht
    • Syaoran
    • (English version)
    • (Synchronisation)
    Monica Rial
    Monica Rial
    • Sakura
    • (English version)
    • (Synchronisation)
    Christopher Sabat
    Christopher Sabat
    • Kurogane
    • (English version)
    • (Synchronisation)
    Vic Mignogna
    Vic Mignogna
    • Fay
    • (English version)
    • (Synchronisation)
    Carrie Savage
    Carrie Savage
    • Mokona
    • (English version)
    • (Synchronisation)
    Laura Bailey
    Laura Bailey
    • Xing Huo
    • (English version)
    • (Synchronisation)
    Troy Baker
    Troy Baker
    • Kusanagi Shiyu
    • (English version)
    • (Synchronisation)
    Tia Lynn Ballard
    Tia Lynn Ballard
    • Additional Voices
    • (English version)
    • (Synchronisation)
    Chris Burnett
    • Nataku
    • (English version)
    • (Synchronisation)
    Chris Cason
    Chris Cason
    • Yuto
    • (English version)
    • (Synchronisation)
    • …
    Saeko Chiba
    • Satsuki
    • (Synchronisation)
    Colleen Clinkenbeard
    Colleen Clinkenbeard
    • Yuko Ichihara
    • (English version)
    • (Synchronisation)
    Cynthia Cranz
    Cynthia Cranz
    • Additional Voices
    • (English version)
    • (Synchronisation)
    • Regie
      • Akiko Honda
      • Shunsuke Tada
      • Hideyo Yamamoto
    • Drehbuch
      • Clamp
      • Bonny Clinkenbeard
      • Nanase Ôkawa
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1

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    1moonmonday

    A Miserable Disaster

    CLAMP's writing has always been uneven. Their beginnings are often robust and engaging, but by the end stretch it's like someone else stepped in and took over the writing. As a result, many of even their more acceptable series are irretrievably ruined by bad endings, amateurish attempts at plot twists, and simply puerile 'tragedy'. CLAMP is a prime example of something where the presentation is often great, but behind the gloss and the attractive package, a decidedly disappointing gift awaits.

    When their series are translated to animation, however, sometimes this can save them. The OVA series for RG Veda and Tokyo Babylon, for example, brought the strongest stories to the screen and wisely stuck with those instead of attempting to delve into the ruinous later developments. Similarly done was the TV adaptation of a recent manga, Tsubasa Reservoir Chronicles, by studio Bee Train for NHK. Like the manga, the anime was aimed at a 'shounen' audience of primarily 8-14.

    Unfortunately, CLAMP once again decided to twist a series, and just as clumsily as they have every other, by introducing pointless, meaningless violence, gratuitous death and grotesquery, and completely cheapening characters and settings that were fine before. An already confusing series became incoherent and outright inane, and new developments flew in the face of character growth before that point in the story. Bee Train wisely opted to tone down the violence and closed the second season of Tsubasa's TV animation with an open ending, which apparently incensed CLAMP.

    Rumours have spread about whether the anime's ending was CLAMP's meddling, NHK simply not wishing to renew it due to declining interest, or the increased violence making it impossible in the puritanical current climate of Japan. For whatever reason, the anime ended well enough and faded from popular memory. CLAMP, as usual, would not let it rest at that and hoisted this monstrosity of an OVA on the public.

    Done for only hardcore fans, this is a twist in the story that manages to be pretentious, obnoxious, boring, confusing, off-putting, inept, and far overstays its welcome. Recasting the already-annoying X cast as otherworldly versions of themselves, our heroes are thrust into the company of apparently mass-murderers in a decaying future. Long-term investment in the plot or characters is answered with a two-fingered salute and raspberry with a plot twist that neither makes sense nor is welcome, and everything else occurs simply because the script dictates it. There is extensive gratuitous violence for no purpose other than to play to CLAMP's violence fetish, the dialogue is forced and awkward, none of the characters are remotely sympathetic or likable, and overall there is absolutely no reason for this OVA to exist other than a failed attempt to thumb a collective nose at Bee Train, who did a vastly superior job on the TV series in more or less every way that it is possible to do so.

    Tokyo Revelations -- in which it takes place nominally in Tokyo and nothing is revealed, but things instead become more muddled and confusing -- is best summed up as an instance of attempting to give the audience more and ending up giving it too much, souring the experience. What was covered in the TV anime was more than sufficient, and it ended at the appropriate time. The OVA is a cluttered mess that would be a challenge for even a good writer to present in three 20-minute long episodes. And there is not a good writer in sight here. It's embarrassing that a series that was at least adequate was allowed to be turned into something so asinine and inadequate.

    It may seem that I'm being inordinately harsh on CLAMP, but really they should have known better. Their interminable series X has run for over a decade off and on, the subject of high criticism and 'hiatus' due to -- guess what! -- gratuitous, needless violence. To try and inject it so awkwardly into a series that is meant for a primarily young audience is not going to work; if it didn't work for the teens-and-up audience of Asuka, it's not going to work for the boys' magazine where Tsubasa appeared.

    Just watch the TV series and call it a day. It's better to want more than to be unhappy that you got more and it was as terrible as this.

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    Verwandte Interessen

    Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
    Anime
    Jodi Benson, Jason Marin, and Samuel E. Wright in Arielle, die Meerjungfrau (1989)
    Handgezeichnete Animation
    Still frame
    Abenteuer
    Bruce Willis in Stirb langsam (1988)
    Action
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Chihiros Reise ins Zauberland (2001)
    Animationsfilm
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Elijah Wood in Der Herr der Ringe: Die Gefährten (2001)
    Fantasie
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romanze
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      When Syaoran and co. arrive at Tokyo, instead of wearing the clothes they wore from the Country of Tao (ep. 48-52), they wore the clothes they got from the Country of Record (ep. 40-43). Kurogane even mentions that the previous world they were in was the Country of Records, and not the Country of Tao. From the beginning lines, it's clear that it starts from the end of ep. 42, and follows the manga storyline, as the first lines spoken in Tokyo are the same as those spoken in ep. 43.
    • Verbindungen
      Followed by Tsubasa: Shunraiki Zenpen (2009)
    • Soundtracks
      Synchronicity
      Music Lyrics and Arrangement by Yuki Kajiura

      Performed by Yui Makino

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 16. November 2007 (Japan)
    • Herkunftsland
      • Japan
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Tsubasa Chronicle: Tokyo Revelations
    • Produktionsfirmen
      • FUNimation Entertainment
      • Kôdansha
      • Production I.G.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 1 Std. 15 Min.(75 min)
    • Farbe
      • Color

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