EMI: Liya Hai To Chukana Padega

"liya hai to chukana padega"that's the catch fraise of the movie.The story is about bank loans.Debutant director Saurabh Kabra picks up incidents from real life and depicts the pros and cons of availing loans. In this film, four different stories run parallel, plus there's a 'Bhai', who not only recovers outstanding dues from defaulters, but also sorts out their personal lives.Unfortunately the story lacks a lot.Starting is good but then goes haywire.It's a typical masala movie of how a "bhai" helps people's problems.To cut a long story short, EMI loses focus midway and hence, loses balance. Watch it for Sanju's sake, who plays the lovable 'Bhai' with flourish. The music is very good especially chori chori dekhe mujko.The performance of Sanjay Dutt is outstanding,the other's do their part well.Sattar (Sanjay Dutt's) sidekick to their part with ease and are very enjoyable. Overall this movie lacks power but give it a watch for Sanju's sake.

'EMI' is a slow-paced film, but it offers some interesting moments in the goings-on & Sanjay Dutt delivers a lovable performance as the soft-hearted goon.

'EMI' Synopsis: A goon hunts down people who get late in giving their loans, but ends up helping them after learning they all are in some trouble.

'EMI' tackles a common issue aptly, but the Sceeenplay works only in parts. Only Sanju's track works, while the chapters involving the rest of the characters, are plain ordinary. Its never dull, but not consistently engaging either. Saurabh Kabra's Direction is simplistic.

Performance-Wise: Its Sanju all the way. He steals the show. Urmila compliments Sanju well. Arjun Rampal is okay. Ashish & Neha Oberoi are sincere. Khulbhushan Kharbanda is credible. Malaika is fair. Manoj Joshi, Dayashankar Pandey & Snehal Dhabi are superb.

On the whole, 'EMI' will be liked by fans of Sanju, as his performance doesn't disappoint.

The premise is interesting and the idea behind the concept is innovative but the film itself fails to make the point it sets out to make because the focus shifts from one plot point to another and heads down the pathway of clichés. The humour works for the most part, especially in the first half, and that's about the only thing that works for 'EMI'. While the story focuses on intertwining lives through their loan dilemmas, their subplots are hackneyed. The performances are overall decent in spite of their half-baked characters. Sanjay Dutt plays a part that he has played in at least about fifty different other movies. Kulbushan Kharbanda, Aashish Chowdhury and Arjun Rampal are alright. Pushkar Jog makes a decent debut. Urmila Matondkar is wasted. Overall, I'd only suggest 'EMI' if you have absolutely nothing else to watch or if the other options include trash like 'Blue', 'Love Aaj Kal' and whatever because at least you cna look forward to a few minutes of laughing.

If a particular idea gets accepted by the viewers then its usual that every film-maker just wants to cash it on in Bollywood. The trend of taking 5-6 stories together and making a film is again followed in this movie with an interesting angle of EMI, the term familiar with every common person. But the good plot gets ruined by unimpressive writing and weak execution.

The movie starts promisingly but is not able to keep the promise in the later reels. The stories of all the characters taking loans for different reasons are similar to real life instances. But they fail to generate interest and the viewer cannot relate to them as his own story which is the greatest drawback.

Another flaw in the script is the late entry of Sanjay Dutt as the loan recovery agent. His presence brings some moments to enjoy but as he moves on to the lines of "Lage Raho Munnabhai" and decides to help all the loan takers, from that moment the film starts dropping and drags. Sanju Da should now avoid taking up assignments showing him as a Bhai with a heart of gold, as he has overplayed it many times. Still he tries his best to give his all to the movie but his sincere attempt goes in waste.

All the characters in the movie have nothing extraordinary to discuss upon. Aashish Chowdhary, Neha Uberoi, Kulbhushan Kharbanda are just OK in their roles. Arjun Rampal again gives a feeble performance after his last few good movies. But its strange why Urmila & Maliaka Arora did these mini roles, may be only for friendship sake. They both look gorgeous and alarming hot but don't have enough meaty roles to deliver a performance.

The first half of the movie still has its moments but the second half just goes the other way round when everyone is having a heart transformation and all goes on predictably. The love angle between Sanju and Urmila, going into unwanted lengths also should have been avoided. Only the idea of Sanju liking the girl and girl taking advantage of it was enough to have some entertaining sequences but couldn't find any.

Even after getting a good star cast to roll on, the director, Saurabh Kabra's misses on his big break. Though he thought of a good plot to work on, but was back stabbed by his own writers. The dialogues at some places are enjoyable but in the song department, it's again the good old formula to simply add the songs anywhere any time irrespective of any need. And in the end it's a perfect example of good intentions, a novel plot becoming a victim of poor execution. Was really expecting a surprise but it wasn't up to the mark.

EMI is the story of several unrelated people and their bank loans. Ryan (Arjun Rampal) is a charming good-for-nothing DJ, who loves beautiful but demanding women, as well as a luxurious lifestyle he can afford only thanks to banks giving him one credit card after another. Chandrakakta (Kulbhushan Kharbanda) is an elderly gentleman whose love for his only son is unlimited, and who takes a huge bank credit to finance his son's studies in London, merely because the latter wants to "explose his life path". Anil (Ashish Chaudhary) and Shilpa (Neha Uberoi) are a young couple who believe married life should start with a minimum amount of wealth, and therefore borrow a lot of money for their wedding, their honeymoon, an apartment, a car, and a laptop. Prerna (Urmila Matondkar) is an elegant young woman, whose husband committed suicide, and because she is not entitled to any insurance money, she cannot maintain herself and her 5 years old daughter anymore.

After a year, all these people are in deep trouble, because they cannot repay their debts. Sooner or later, they all fall prey to Sattar Bhai (Sanjay Dutt), a merciless gangster who owns a recovery agency. Sattar, however, has a major problem: he wants to be a politician, and therefore has to take his mentor's advice: "Treat people with respect, so that they will respect you as well. Then you will win." Thus, instead of having his goons beat up his poor, insolvent clients, he decides to help hem out.

The subject of EMI (Easy Monthly Installment) is far from pleasant: the ongoing credit crisis is proof enough of what can happen when people massively take loans they can't pay back later. That is also the morale of the story: be careful with loans! Yet, EMI is a pleasant and fairly uncomplicated feel good movie, taking the loans problem from a rather optimistic angle.

Sanjay Dutt is great as always, although this is obviously not a particularly challenging type of role for him. If you need a friendly gangster, take Sanju Bhai. More than once, I couldn't help feeling like I was watching Munna Bhai 3 (or 4, if you include Hum Kisi Se Kum Nahin), although it should be said that EMI is not as good as the Munna Bhai movies. For the rest, Arjun Rampal does a great job and makes his part into something really interesting, Urmila is beautiful and fascinating, Kulbhushan gives an impressing performance as the honest, static father of a somewhat spoiled son. From the entire cast, I can't really think of anyone who did a poor job in this movie. Even Malaika Arora did not spoil anything.

The movie has a few great moments. I particularly like the scene in which Ryan teaches Sattar, hopelessly in love with Prerna, how to behave at a romantic dinner ("You don't have to kill the chicken, it is already dead!"), and the scene in which Sattar is feeding his sidekick "Decent" huge amounts of alcohol to find out what he really thinks.

All in all, EMI is not too ambitious and quite predictable, a tad moralizing as well, but sympathetic and well-performed.