Henry & Julie - Der Gangster und die Diva

Yep, this is a fun movie with great actors acting as actors. Henry (Keanu Reeves), a tollbooth worker in Buffalo is falsely convicted of a bank robbery. While in prison he meets a lifer (James Caan) and learns about life and having a dream. Once released from prison Henry hatches a plan of his own. Why not rob the bank that he was already sent to prison for?

Little did he think that love (Vera Farmiga,) greed (Fisher Stevens,) and fate may change his objective?

The acting is good. The pacing is good. The only annoying thing was the loud irritating irrelevant background music if you can call it that.

Unfortunately, there is no end, so if you want one, do not start this movie.

Mix a romantic comedy with a heist movie and you have got "Henry's Crime": a lighthearted blend of a budding romance and a funny heist.

Keanu reeves fans (NOT the action fans) who like to see him romantically involved in a lighthearted romantic comedy will be served with some playful, witty flirting.

James Caan fans (the older generation) will love this movie for the witty heist story, in which James Caan (as always) plays the cool, calm and collected gentleman gangster. Caan is so COOL!

Funny, smart and lovely story about a bankheist DURING a theatre performance, which takes place exactly UNDERNEATH the very theatre. A smart and witty blend of acting and real crime. Suited for young and old, for family or for a romantic date. A crowd pleaser of the best kind.

Throw out your preconceptions of bank heist films and you have a good start on "Henry's Crime". This one is a left-field success. The story isn't at all remarkable, other than it was imagined and realized. The thing that makes this flick fly is the fantastic performances. No one is acting, they're just being really low-key engaging. This makes the parts greater than the whole. You've seen some great movies with James Caan, but did you expect another now? I've sensed Keanu Reeves could use his "stiffness" to great effect if something which depended on that came along and this is it. Add some rich flavor with Vera Farmiga and a slight undercurrent of comedy and director Malcolm Venille delivers just the right end result.

This bank heist film is more a comedic love story than anything…And, it works. A slacker, who is actually happy married and going nowhere, becomes a witless victim of circumstance. While in prison he is told he has to have a dream or his life is meaningless. Once more circumstance intervenes and he realizes what he has longed for is the meaning life has once its shared. The trouble is that he is a bit slow to come to that realization and the dream he imagined, that being a bank robbery without violence, really isn't his dream at all. The whole thing is juxtaposed by his becoming an actor, the suitor, in Chekhov's play "The Orchard Thief". Again, low-key brilliance.

This movie entertains first and foremost. It passes as if it is ten minutes due to the uniformly excellent performances of the cast. The direction gets out of the way and there isn't any need for any special effects or senseless action. It ends in the best possible way as to not try to tie up anything past the found love between two people. Simply put, entertaining low-key brilliant thus highly recommended.

Henry's Crime from 2010 was a nice surprise.

The film stars Keanu Reeves as Henry, a man who seems to go through life like a sleepwalker. When his friends ask him to fill in at a baseball game for their sick friend, Henry goes along.

When ALL of them go to the ATM at the bank and ask him to wait outside, Henry goes along. And then he goes along to prison after the bank is robbed, taking the fall for his friends.

While in prison, Henry meets Max (James Caan), a confidence man who loves prison and botches his parole hearings every time. Max's philosophy is, to find a purpose, you have to have a dream. Apparently his is to stay in prison.

Once released, Henry, who at this point has no life, decides that since he was accused of robbing the bank and didn't, he's going to rob it now. He discovers that a long-ago tunnel into the bank still exists from the theater next door. It means talking Max into getting parole. And it also means getting a role in "The Cherry Orchard."

A top cast that includes Vera Farmiga and Peter Stomare, who gives a hilarious turn as the director of the Chekov play, really liven up this film. It's an intriguing if improbable plot; they make it fun.

Reeves to me isn't much of an actor, but he pulls off Henry just fine. I'm not sure what his secret is, but he always seems to look the same age.

Farmiga as the actress anxious to get out of town is excellent, and Caan is terrific. Fisher Stevens is on hand as one of Henry's robbery "friends," who turns up again.

This is a little gem that apparently only played in 8 U. S. theaters.

I understand why some people did not like this very good film - it is slower, and it is not The Matrix, or Konstantin. This is a very good work, and yes, Keanu's character is a bit slow, silent and detached - but here is what he is like. His role is balanced perfectly by fiery and very funny James Caan who did a very, very excellent job. His part of a con-man is a great plus, and his part is almost The best in here. Vera Farmiga is another great plus of the movie, her part of a Russian theater actress is very cool, too. She does a perfect Diva here, and does it extremely convincing way. Well, yes, the movie is not a fast and furious action one, but this was not the intent. The very theater style of the film is obvious, and the nice link to the Chekhov's play is a warm heart-thawing welcome for all Russian viewers. Keanu is a very good Lopakhin and Vera is a very sweet Ranevskaya. And then, yeah, here is excellent Peter Stormare as a choleric and very short-tempered theater director with all his idiosyncrasies and craze. Casting was done very well, and this stellar ensemble of actors is a mighty element for the great movie.