Henry & Julie - Der Gangster und die Diva

Malcolm Venville's 'Henry's Crime' is a delightfully lowkey heist/ romantic comedy. By romantic comedy I don't mean those sugarcoated typically Hollywood rom-coms that are set in New York or that star Julia Roberts. This is nothing like that. The humour is quite dry and subtle and the romance is depicted effectively through non-verbal expressions rather than words. Then there's the heist angle which is depicted very simply. The director and writer don't attempt to build tension (as is done in most other heist flicks) because the primary focus is on the characters and 'Henry's Crime' has some fascinating ones.

The production values are modest and the execution is pretty good. The sets are quite appealing without having to be lavish. Several instrumental tracks in the score are brilliant. Silence is effectively used as the quietness brings out a certain charm.

Keanu Reeves plays the title character and his performance here is better than most of what he's done. He is overshadowed by Vera Farmiga, Judy Greer and James Caan. Greer has a very small role but she wonderfully conveys the layers of her character. Farmiga is superb as the feisty yet bitter but soft-hearted Juñie Ivanova. She plays the part very naturally. Caan provides some excellent comic relief. The supporting cast is very good even though Stormare's caricature director does occasionally get on one's nerves.

To sum it up, 'Henry's Crime' is a simple and splendid heist rom-com. The symbolic ending has various layers and it doesn't desperately try too hard to tie things up.

Throw out your preconceptions of bank heist films and you have a good start on "Henry's Crime". This one is a left-field success. The story isn't at all remarkable, other than it was imagined and realized. The thing that makes this flick fly is the fantastic performances. No one is acting, they're just being really low-key engaging. This makes the parts greater than the whole. You've seen some great movies with James Caan, but did you expect another now? I've sensed Keanu Reeves could use his "stiffness" to great effect if something which depended on that came along and this is it. Add some rich flavor with Vera Farmiga and a slight undercurrent of comedy and director Malcolm Venille delivers just the right end result.

This bank heist film is more a comedic love story than anything…And, it works. A slacker, who is actually happy married and going nowhere, becomes a witless victim of circumstance. While in prison he is told he has to have a dream or his life is meaningless. Once more circumstance intervenes and he realizes what he has longed for is the meaning life has once its shared. The trouble is that he is a bit slow to come to that realization and the dream he imagined, that being a bank robbery without violence, really isn't his dream at all. The whole thing is juxtaposed by his becoming an actor, the suitor, in Chekhov's play "The Orchard Thief". Again, low-key brilliance.

This movie entertains first and foremost. It passes as if it is ten minutes due to the uniformly excellent performances of the cast. The direction gets out of the way and there isn't any need for any special effects or senseless action. It ends in the best possible way as to not try to tie up anything past the found love between two people. Simply put, entertaining low-key brilliant thus highly recommended.

I understand why some people did not like this very good film - it is slower, and it is not The Matrix, or Konstantin. This is a very good work, and yes, Keanu's character is a bit slow, silent and detached - but here is what he is like. His role is balanced perfectly by fiery and very funny James Caan who did a very, very excellent job. His part of a con-man is a great plus, and his part is almost The best in here. Vera Farmiga is another great plus of the movie, her part of a Russian theater actress is very cool, too. She does a perfect Diva here, and does it extremely convincing way. Well, yes, the movie is not a fast and furious action one, but this was not the intent. The very theater style of the film is obvious, and the nice link to the Chekhov's play is a warm heart-thawing welcome for all Russian viewers. Keanu is a very good Lopakhin and Vera is a very sweet Ranevskaya. And then, yeah, here is excellent Peter Stormare as a choleric and very short-tempered theater director with all his idiosyncrasies and craze. Casting was done very well, and this stellar ensemble of actors is a mighty element for the great movie.

Time Out described it as a "Quiet Triumph" and I tend to agree. It's not the best movie ever made but is clever, multi-layered (stories within stories within...) and an interesting, often tongue in cheek, look at acting as a process. It is enjoyable, although slightly uncomfortable in places as Farmiga plays self reliant/involved diva and ego-above-her-status-actress very well and with great aplomb. Caan's comic relief as the wannabe lifer adds some one liners and fun to a film that has an old-fashioned serious classic quality both in style and direction (something to do with dimensions of camera angles/screen apparently), and the soundtrack is brilliant. Chekhov's The Cherry Orchard lends a certain gravitas to the proceedings, and a backdrop for the real-life storyline, as does Reeves' deliberate delivery and method metamorphosis from downtrodden bored/boring-but-nice average Joe to cavalier passionate lovestruck criminal-mastermind, which is impressive! I think this film is a slow burner... after watching it, it stayed in my mind and I want to see it again, sure there will be more layers and nuances that I missed.

Henry's Crime from 2010 was a nice surprise.

The film stars Keanu Reeves as Henry, a man who seems to go through life like a sleepwalker. When his friends ask him to fill in at a baseball game for their sick friend, Henry goes along.

When ALL of them go to the ATM at the bank and ask him to wait outside, Henry goes along. And then he goes along to prison after the bank is robbed, taking the fall for his friends.

While in prison, Henry meets Max (James Caan), a confidence man who loves prison and botches his parole hearings every time. Max's philosophy is, to find a purpose, you have to have a dream. Apparently his is to stay in prison.

Once released, Henry, who at this point has no life, decides that since he was accused of robbing the bank and didn't, he's going to rob it now. He discovers that a long-ago tunnel into the bank still exists from the theater next door. It means talking Max into getting parole. And it also means getting a role in "The Cherry Orchard."

A top cast that includes Vera Farmiga and Peter Stomare, who gives a hilarious turn as the director of the Chekov play, really liven up this film. It's an intriguing if improbable plot; they make it fun.

Reeves to me isn't much of an actor, but he pulls off Henry just fine. I'm not sure what his secret is, but he always seems to look the same age.

Farmiga as the actress anxious to get out of town is excellent, and Caan is terrific. Fisher Stevens is on hand as one of Henry's robbery "friends," who turns up again.

This is a little gem that apparently only played in 8 U. S. theaters.