IMDb-BEWERTUNG
5,2/10
8866
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.A guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.A guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.
Lex D. Geddings
- Cop #2
- (as Lex Geddings)
Yvette Yates Redick
- Deaf Girl
- (as Yvette Yates)
Meagen Fay
- Mrs. Jorgens
- (as Meagan Fay)
Randal Reeder
- Tavern Bouncer
- (as Randall Reeder)
Nicole Muirbrook
- Christina
- (as Nicole Muirbrook-Wagner)
Empfohlene Bewertungen
I gave this a 6/10 because I had some pretty good laughs throughout the movie. Some of the stories Tucker Max told were great. I'm a 24 year old college student and have a pretty dirty sense of humor. I wouldn't recommend this to my mom but I definitely would to my friends. I'm guessing the majority of the bad reviews came from older critics that are disgusted by the vulgarity of this movie. I do agree that the plot could have been improved. The stories were not quite as explicit as the book. The only character that I couldn't stand for the first hour of this movie was Jesse Bradford. He was very intelligent but a little over the top with his negative/depressing outlook on life(due to his recent break up). I would watch this movie again.
Geoff Stills is about to get married. His best friend, Matt Czuchry, lies to Stills' fiancee, and leads Czuchry and pal Jesse Bradford on a two-hour distant bachelor-party trek, in which Bradford winds up in love with a nice exotic dancer, and Stills battered and in the drunk tank. Czuchry is banned from the wedding, and has an epiphany which gets him back into everyone's good graces.
Czuchry is a brilliant young degenerate who easily outargues his law school professor. Gets drunk every night, and has sex with random women. Is this the modern-day equivalent of those 1920s Demille movies? The ones in which everyone has a great time sinning for seven reels, only to find religion in the Eighth? We're clearly dealing with the elite here. Not only are they all seemingly very well-to-do at the least, but they are law students. The only reference to Christianity is to Stills' future mother-in-law. She disapproves of Stills and his friends on moral grounds, only to be chided for her lack of charity. At the end, Czuchry -- whose character name is one of the producers, the screenwriter, and the book this movie is based on -- may talk a good game of reformation and get back in everyone's good graces, but he's still the self-indulgent BS artist and sexual hound he was at the beginning. Does he actually believe the nice things he says, and will this lead him gradually into becoming a decent person? Given that the movie ends with him pursuing a blind girl to round out some weird list of handicapped sexual partners, the answer seems to be no.
Czuchry is a brilliant young degenerate who easily outargues his law school professor. Gets drunk every night, and has sex with random women. Is this the modern-day equivalent of those 1920s Demille movies? The ones in which everyone has a great time sinning for seven reels, only to find religion in the Eighth? We're clearly dealing with the elite here. Not only are they all seemingly very well-to-do at the least, but they are law students. The only reference to Christianity is to Stills' future mother-in-law. She disapproves of Stills and his friends on moral grounds, only to be chided for her lack of charity. At the end, Czuchry -- whose character name is one of the producers, the screenwriter, and the book this movie is based on -- may talk a good game of reformation and get back in everyone's good graces, but he's still the self-indulgent BS artist and sexual hound he was at the beginning. Does he actually believe the nice things he says, and will this lead him gradually into becoming a decent person? Given that the movie ends with him pursuing a blind girl to round out some weird list of handicapped sexual partners, the answer seems to be no.
Even though in reality Tucker Max may be a pretentious git and 'I Hope They Serve Beer in Hell' is by no means among the best in comedy, I actually enjoyed the film. I haven't read the novel but I liked the title and the actors so I have been looking forward to it. Then the negativity that surrounded it after release lowered my expectations and when I saw it last night I laughed.
The movie does try to use shock value (how often does one witness someone with a shitty ass on screen) but that doesn't work in its favour. The dialogues are quite extreme and even offensive to women but I liked how the women react to it. The Drew character mostly because of his transformation from heartbroken women hater to a devoted lover. For me the best scenes were with Drew and I enjoyed watching his love story with Lara unfold.
The acting is quite good. Matt Czuchry, Geoff Stults and Jesse Bradford are brilliant. Bradford steals the show with terrific dialogue delivery. This actor deserves some good scripts. Marika Dominiczyk is both sensual and sensational. Kerry Lyn Pratt is very likable.
'I Hope They Serve Beer in Hell' may not be a particularly great movie but it's fun once you're passed the misogynistic part of it. It doesn't really stay true to the title though.
The movie does try to use shock value (how often does one witness someone with a shitty ass on screen) but that doesn't work in its favour. The dialogues are quite extreme and even offensive to women but I liked how the women react to it. The Drew character mostly because of his transformation from heartbroken women hater to a devoted lover. For me the best scenes were with Drew and I enjoyed watching his love story with Lara unfold.
The acting is quite good. Matt Czuchry, Geoff Stults and Jesse Bradford are brilliant. Bradford steals the show with terrific dialogue delivery. This actor deserves some good scripts. Marika Dominiczyk is both sensual and sensational. Kerry Lyn Pratt is very likable.
'I Hope They Serve Beer in Hell' may not be a particularly great movie but it's fun once you're passed the misogynistic part of it. It doesn't really stay true to the title though.
Having read the book a couple of years ago, I followed the movie's production blog with great excitement.
Tucker mentioned possible Oscar nomination for the script, more than $200M at the box office and revolutionizing Hollywood.
I walked into the theater with 2 other male friends in late 20s - both lawyers, one of whom actually went to Duke. We'd been in the bar for an hour before hand so in merry mood after several beers. One of the guys just picked up the bar girl he'd been after for months, so cause to celebrate. I love independent movies. Edgy scripts. Darkness and the anti-Hollywood approach. Swingers is one of my favorite comedies in the ilk. The perfect movie for the perfect evening ...
There were 4 other people in the cinema. Hmmm. It did not seem to bode well.
And the movie begins. I began with a grin on my face, prepared to laugh my ass off throughout.
About 40 mins in, I was still waiting to laugh. One of my friends, who hadn't read the book, was yawning. Two of the others in the cinema got up and left.
So, let me cut a long story short: Poor script. Underlit. Cheap grain. Little empathy for any of the characters; no redeeming qualities whatsoever. The story arc fell totally flat. I could live with all that if the thing was actually FUNNY. Alas, I managed a couple of forced chuckles.
We left the cinema with me having to apologize to my friend for having put him through the boredom. We should have carried on drinking in the bar instead of wasting our time on this film.
Tucker tipped this as a classic of our time. I'm not even sure it would have merited a straight to DVD release. He said it would top The Hangover in both acclaim, artistic merit and box office. Half a billion dollars later, wide critical and audience reception, and marked as one of the best comedies of the year, if he'd put that sentence in the script, it would have been the funniest line in the whole movie.
Tucker mentioned possible Oscar nomination for the script, more than $200M at the box office and revolutionizing Hollywood.
I walked into the theater with 2 other male friends in late 20s - both lawyers, one of whom actually went to Duke. We'd been in the bar for an hour before hand so in merry mood after several beers. One of the guys just picked up the bar girl he'd been after for months, so cause to celebrate. I love independent movies. Edgy scripts. Darkness and the anti-Hollywood approach. Swingers is one of my favorite comedies in the ilk. The perfect movie for the perfect evening ...
There were 4 other people in the cinema. Hmmm. It did not seem to bode well.
And the movie begins. I began with a grin on my face, prepared to laugh my ass off throughout.
About 40 mins in, I was still waiting to laugh. One of my friends, who hadn't read the book, was yawning. Two of the others in the cinema got up and left.
So, let me cut a long story short: Poor script. Underlit. Cheap grain. Little empathy for any of the characters; no redeeming qualities whatsoever. The story arc fell totally flat. I could live with all that if the thing was actually FUNNY. Alas, I managed a couple of forced chuckles.
We left the cinema with me having to apologize to my friend for having put him through the boredom. We should have carried on drinking in the bar instead of wasting our time on this film.
Tucker tipped this as a classic of our time. I'm not even sure it would have merited a straight to DVD release. He said it would top The Hangover in both acclaim, artistic merit and box office. Half a billion dollars later, wide critical and audience reception, and marked as one of the best comedies of the year, if he'd put that sentence in the script, it would have been the funniest line in the whole movie.
I was compelled to make an account on this site to write a review after reading the three most recent reviews for I Hope They Serve Beer in Hell. Those three reviews were far more amusing than the movie itself. If they were fake (as I suspect)...nice. If they were genuine reviews...what is wrong with you? I'm not going to write an extensive, piece-by-piece review of this movie, because this is all you need to know: It really isn't funny. When I saw the movie, there were perhaps ten people in the theater. I do not recall hearing a single laugh from anyone. I was sincerely amused only once; I mostly just forced chuckles at things that I recognized from Tucker's book and web site--things that were infinitely more funny to read about than to see on screen. For whatever reason, Tucker's stories just do not translate well to film (or he did a very poor job of translating them to film). My one friend who came with me to the movie said, "It wasn't as good as I thought it was going to be." I would be embarrassed recommending this film to anyone. I still think Tucker's web site and book are pretty funny, but if you want to be entertained, don't bother with the movie version of I Hope They Serve Beer in Hell.
Wusstest du schon
- WissenswertesThe best man at the wedding is the real life Tucker Max.
- PatzerDuring the car ride in which the characters have the "pancakewich" discussion, the sky goes from night to daylight between shots.
- Zitate
Tucker Max: Here's to the people we've met, and the people we've fucked And to those of us who have had no such luck Here's to beer in the glass and vodka in the cup Here's to poking her in the ass so she won't get knocked up Here's to all of you and here's to me... Together as friends we should always be... But if we should ever disagree... Then fuck all of you and here's to me!
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Worst Films of 2009 (2010)
- SoundtracksI Like It, I Love It
Performed by Lyrics Born
Written by Theodore Dudley, Uriah Duffy, Gregory Allen Greene, Al Hudson (as Albert Hudson), Glenda Hudson (as Glenda Joyce Hudson}, Johnathon Meadows, Terry Wayne Morgan, B'nai NB Rice Rebelfront, Dave Robertson Jr. and Lyrics Born (as Tom William Shimura)
Courtesy of Anti- and Epitaph, a California Corp.
By arrangement with Bank Robber Music
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.429.299 $
- Eröffnungswochenende in den USA und in Kanada
- 366.909 $
- 27. Sept. 2009
- Weltweiter Bruttoertrag
- 1.429.299 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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