London River

Weeks after the terrorist attacks in London a mother calls her daughter, over and over again. She hasn't heard from her in a while and is getting more and more anxious about her, knowing she lived close to where the events took place. When she goes to London to find her she finds a man instead. A man who matches her in one important manner - he is searching for his son. The two of them continue their search together and slowly find out more about themselves and each other.

Dark and dreary, depressing and painful. Sometimes people get together for entirely the wrong reason and this is one of these occasions. They connect rather well and play their stories out in a believable way. As they go through their daily routine it becomes all too painfully clear where it will all end - but the real pain of this film is that it ends too quickly. It runs for 87 minutes and could have used another 15 without having grown less intense. The shortness makes it feel a little rushed, but only a little.

9 out of 10 steps in the dark

This movie is a gentle and deep melodrama using the July 2005 terrorist acts as a jumping off point for telling about clashing cultures united in grief. The story is certainly a hard look at racial biases and is strongly backed by Blethyn's character, whose repressed hysteria clashes with Kouyaté's attitude (more similar to a calm resignation). The director has also depicted a very serious and fascinating study on how Londoners were unprepared to react to such an emergency. Overall this is a poignant and insight-filled take on prejudice in post-11/7 London, well acted and directed. There have been other "Londoner" films about the same subject (or about terrorism in the UK) but this is the best by far in my opinion.

The bombing of several trains in London in 2005 shocked the world. Rachid Bouchareb's "London River" takes place in the immediate aftermath, with two people from dissimilar backgrounds trying to find out the fates of their loved ones. The protagonists are an English woman (Brenda Blethyn) looking for her daughter, and an African man (Sotigui Kouyaté in his final role) looking for his son. Beyond that, the movie also deals with stereotypes and prejudices, in particular about Muslims. No doubt these sorts of things were personal for the director, as he's an ancestrally Algerian man who grew up in France.

It didn't get a wide release, but deserves recognition. No CGI, fast-paced shots, or pulse-pounding soundtrack, just the focus on how the even affects these individuals. It forces the viewer to ask "What would you do in this situation?"

What worked:

• performance by the lead actors
• amazing screenplay and storytelling; minute details about the characters and the scenes are taken into attention and well done

What didn't work: -the ending was as expected but i think few more scenes could have made it better

• the title of the movie is ambiguous to me;maybe it's metaphorical I was not so sure about the title

Final verdict: Recommended

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Elisabeth (Brenda Blethyn) lives a reclusive life on the shores of Guernsey, until her life is torn apart when she learns of the July 7th terror attacks in London, where her daughter lives. Meanwhile, Ousmane (Sotigui Kouyate) is a black Muslim immigrant from France who has also come to London to look for his son, who he has not seen from birth. When he discovers a photo and some contact details, he gets in touch with Elisabeth and they embark on a soul shattering quest to find their flesh and blood that takes them on a journey of discovery and hope, to the gravest depths of despair.

In the extras section of the DVD, even Blethyn herself comments on doubts she had about accepting the script for London River, on account of how close it was to the attacks and the official enquiry etc. not coming out. But it's good that she pushed her doubts aside, because her performance is one of the more compelling things about this old fashioned feeling drama, tending to headlines from very recently. With the feel of some TV drama from the early 90s, director Rachid Bouchareb has laced his daring and challenging drama with some personal touches here and there that give it a neat feel of it's own. The execution never hits with it's maximum impact, and it's over too quickly to really make it shine. But the subtle, under-stated performances from the two lead actors and it's realistic feel of a tragedy and the cruelty of life unfolding lift it well above average. ***