Als der Morddetektiv Thomas Craven den Tod seiner aktivistischen Tochter untersucht, deckt er nicht nur ihr geheimes Leben auf, sondern auch eine korporative Vertuschung und eine Regierungsa... Alles lesenAls der Morddetektiv Thomas Craven den Tod seiner aktivistischen Tochter untersucht, deckt er nicht nur ihr geheimes Leben auf, sondern auch eine korporative Vertuschung und eine Regierungsabsprache, die einen Agenten anzieht, der mit der Reinigung der Beweise beauftragt ist.Als der Morddetektiv Thomas Craven den Tod seiner aktivistischen Tochter untersucht, deckt er nicht nur ihr geheimes Leben auf, sondern auch eine korporative Vertuschung und eine Regierungsabsprache, die einen Agenten anzieht, der mit der Reinigung der Beweise beauftragt ist.
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- Auszeichnungen
- 1 Nominierung insgesamt
- Young Emma
- (as Maria Gabrielle Popa)
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Plenty of guys you love to hate, and the flashbacks of the hero with his child were lovely. I really doubt a US Senator would be so sleazy, but what do I know?
Man, they sure want a lot of characters. Minimalism is my preferred style, so it's hard to think of things to say. I like Gibson, despite his personal problems, which are none of my business.
As "Tom Craven" (Mel Gibson) peels away the truth, so we also get wrapped up in the complexity of this story which touches on political thriller, tenuous loyalties, and--most intriguing--a mysterious character "Jedburgh" (Ray Winstone) who sips whiskey and smokes cigars with our hero, but (as our hero is fully aware) could at any minute put a bullet through his head.
And what's the point of all this madness? The point, or subtle theme underneath all the rollercoaster action, is that each individual must make his or her own choice to act independently. That sentence may not make much sense to you reading it in a review, but trust me it's what drives this story. Returning back to what I said about politics and tenuous loyalties, this story is about reaching that point where you break from the predictable and act on your own. Or as a memorable line in the film goes, "you had better decide whether you're hanging on the cross, or banging in the nails."
Gibson and Ray Winstone were so perfect for the roles they played. The tension from both kept me clinging to my seat and wiping my brow. Gibson probably had his best role in this movie. I have seen most of his movies starting with Lethal Weapon and I could not see one potential likeness of Martin Riggs in Edge of Darkness, except for the fact he played a cop. As Craven, he was truly believable as a dad on a mission to make things right. Winstone is someone I didn't recognize even though he has been in a ton of movies. But after this, I will know and respect him for the rest of my life. Trying to understand his role was a treat, but while doing that, I kept my distance for fear he might have caught me trying to get too close. His thick Brit accent and command of those around him was absolutely a great treat.
Danny Huston is someone I came to enjoy since seeing him in 30 Days of Night as the lead Vampire. He did not disappoint but he could have had a meatier role. As far as I am concerned, he has been added to the list of great seasoned actors to look for anytime you expect to see quality acting.
I mean no disrespect to any of the actors. Everyone did a great job, including some of those in smaller, yet relevant roles.
Everything about the movie was believable and memorable. Some of the violence that you will need to endure will catch you off guard. There is no need to brace yourself because you will get caught off guard.
Excellent emotional roller coaster getting an 8 and a great big "welcome back" hug for Mel.
I give this movie three stars out of four, or 8 of ten points for great characters, intrigue, and some startling action scenes. It looses the 2 points because it does tend to slow down a little and become more dramatic at times but if you are a Mel Gibson fan you probably won't mind that at all. This movie reminded me a little of Taken, with a whole lot of Enemy of the State, and just a touch of Jason Bourne. Mel Gibson is engaging in his first acting role in years, although he definitely looks older now. It's hard to watch Gibson here without thinking of Martin Riggs in Lethal Weapon and there is some carryover but here Craven played by Gibson is the older, caring, Father who is also a cop although there is still some of of the craziness that made Mel so dynamic in a number of his roles. In some ways Mel reminded me here a little of Clint Eastwood in movies like Absolute Power and In the Line of Fire as the more mature protagonist who combines maturity and cunning with a fierce side that comes out in battle.
It's not giving anything away to say that the story is about Mel Gibson's character trying to find out who killed his daughter as that much is in the trailer. Mel plays a veteran detective and so has skills and resources we civilians don't. The movie takes a while to develop and takes great pains to show the love of Craven for his daughter in the opening scenes and then periodically remind us in flashbacks. There are a lot of characters which seem to be critical to building the intrigue of the movie; activists, defense contractors, government officials and various henchmen. The movie does a good job for a while of hiding who is working for whom. Suspense does build for most of the movie but a good bit before the end it is evident what is going on and the movie shifts from an action thriller to more of an pure action movie.
Ray Winstone plays an intriguing role as Jedburgh, deftly showing protagonist and antagonist sides at different times in a mysterious role. Danny Huston plays a multi-dimensional character, Jack Bennet, that is fun to watch. Bojana Novakovic as Emma Craven is a sweetheart. Jay O. Sanders plays a solid role as Detective Whitehouse.
The movie is definitely heavy on violence and acting independent of authority although I don't remember any swearing or sex scenes. Still it requires a mature audience as the hero's actions are probably not ones you want your kids emulating in your house. As with so many movies it portrays sides of business and government at their worst. So,since it is light on sexuality and vulgarity I would suggest that if you let your older kids go that you still discuss the extreme portrayals of the police, use of force, business and government.
It's good to see Mel back in action.
I don't see enough Mel Gibson these days. I think he may have been blacklisted in Hollywood but he is still tops in my book.
I am not going to spoil the movie for anyone but will say I was REALLY captivated with this one. It grabbed my attention and kept throwing in some neat twists. This is a movie for those of us who enjoy using our mind and understanding the nuance the directors/writers invest for our enjoyment! If you haven't watched this one you need to. :)
Wusstest du schon
- WissenswertesRobert De Niro was originally cast as Darius Jedburgh, but dropped out due to creative differences after a few days on the set.
- PatzerWhen craven enters the boyfriend's house, he extends his gun through the partially opened doorway first, without seeing what's inside the room. Cops for decades have been trained specifically not to do that, for the obvious and common sense officer-safety and weapons-retention reasons that are revealed in the scene.
- Zitate
Thomas Craven: You had better decide if you're hanging on the cross, or banging in the nails.
- SoundtracksEmbraceable You
Written by George Gershwin and Ira Gershwin
Performed by Charlie Parker
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Al filo de la oscuridad
- Drehorte
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Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.313.890 $
- Eröffnungswochenende in den USA und in Kanada
- 17.214.384 $
- 31. Jan. 2010
- Weltweiter Bruttoertrag
- 81.126.522 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1