London Boulevard

This film was brimming with potential, an adept cast, some stylish directing & gritty yet beautiful set locations. However some of the story & the actions taken by its characters were implausible, & most of its ideas didn't develop effectively on screen.

Recently released gangster Colin Farrell meets a young female friend of reclusive celebrity actor Kiera Knightly & offers him a job protecting her from intrusive paparazzi. He shows up for work & What feels like a scene or two later they have (unconvincingly) fallen in love. parallel to this Farrels character is finding it hard to escape his past & is soon roped into a feud with gangster boss Ray Winstone. He is now faced with the dilemma of either returning to his previous nature or beginning a life of new found love in LA.

All this is played out with some very stylish moments, such as the dialogue between Winstone & Farrel in the restaurant or the artistic but realistic way in which the environment is captured. All the acting is well done & Its accompanied by a great soundtrack, but a huge amount of the script feels rushed & underdeveloped. As a whole it is entertaining if not taken to seriously but may not appeal to any serious film enthusiast.

I also felt that the ending of this film was brave but what I had seen prior to it lacked enough substance or attachment to make it stick & I think I would have been more satisfied with a conventional ending.

Colin Farrell is totally credible as a tough guy but the movie features other stunning performances like Keira Knightley and Ray Winstone, who make the film pleasant and interesting. Monahan borrows something from other famous flicks such as Martin Scorsese's The Departed and Carlito's way. The story plays out perfectly and the pleasures are many, including Farrell's reflective smiles when things go wrong and Knightley's depiction of a beautiful woman (with fame and money but always needy and selfish). Not to mention the London perfect locations and the believable depiction of the mob's underworld. The finale leaves a bit a bad taste but the story is wonderful on the whole

London Boulevard had many flaws but in the end I think it comes out with more good than bad. The actors give strong performances especially Winston and Farrell, and the plot definitely keeps you interested. This is a crime movie about gangsters, and doesn't offer much more than another story about the intertwining and complications of a certain group of gangsters.

I think some downfalls would be that some of the scenes tended to jump around and not flow into the next as smoothly but even this was not an issue much of the time. It had a strong sense of style which also made up for some weak moments in the plot, specifically around the middle of the film it looses momentum. If you like crime movies than this would surely entertain you on a Friday night but I wouldn't add it to your list of your top ten crime movies of all time.

I went into this film expecting a cool,tense,exciting Brit thriller. The trailer looked decent and the acting talent on show made me want to give it a go. Overall though it failed to deliver on the promising looking opening credits. It lacked any real tension or suspense, the story felt underdeveloped with too many subplots and a lot of it just fails to convince. Many parts of the film are just not believable enough.

The acting is fairly strong and there are a couple of elegant visual touches;(Farrell in the car for example).In my opinion,the soundtrack is the best thing about the film. Serge Pizzorno from Kasabian had a hand in the music on this one and he has done a good job with a 60's/70's spaghetti western/French art-house vibe if you can imagine such a thing!

Finally its worth noting that I asked my girlfriend to contribute her thoughts after seeing the film and she gave me a one word reply..........."sh*te"

You can guarantee if there's one area of the current employment sector which continually flouts the rules of a recession, it's the underworld London East End gangster. William Monahan's (screenplays for 'The Departed' and 'Body of Lies') directorial debut is an adaptation of Ken Bruen's 2001 novel 'London Boulevard' about a criminal who after being released from prison, attempts to go 'straight,' but despite his attempts, he can never truly escape his violent past. It's not a perfect film by any means, but capable direction, and solid performances from a primarily solid British and Irish cast, create a competent directorial debut for Monahan.

Mitchell (Colin Farrell) has just been released from Pentonville after a three year sentence for assault, when he exits the prison he is picked up by long-time partner in crime, and local enforcer, Billy (Ben Chaplin), who takes Mitchell to a party in his honour. Every East End drug dealing gangster is there to shake the hand of one of the most feared men in London, but all Mitchell wants is to get a job, and avoid being restricted to a sixteen by eight cell again. He manages to convince a beautiful, reclusive actress (Keira Knightly) and her pot-smoking-hippy-esquire-father-figure Jordan (David Thewlis) to hire him as a handyman around their paparazzi infested estate. But when the leading figure in the London underworld, Mr Gant (Ray Winstone) comes looking to place Mitchell high up in his crime organization, he must find a way to refuse the advances of such a dangerous man, while also protecting those closest to him.

For the first ten-to-fifteen minutes of the film, Colin Farrell's forced middle-class cockney accent takes centre stage, but once he settles into the role, his performance takes limelight as a sociopathic criminal with somewhat of a heart. His brash use of violence, and utter respect and protection of friends, family and confidants, provides a conflict within Mitchell that he constantly battles throughout the film. The only thing he knows what to do is enforce, and if he was a true gangster he would "kill everyone and take everything they had," but at the same time, the last thing he wants in his life is to return to that desolate hole known as prison. Aside from Farrell, both David Thewlis and Ben Chaplin give great performances as the hippy, wannabe actor and scared, low-level gangster respectively. While Anne Friel also plays the thieving, stubborn, childish sister of Mitchell's very well. Yet while Ray Winstone never puts a foot wrong, his role as the Underworld Godfather has become rather predictable and uninteresting, especially since every other word out of his Landan mouth is either f**k or c**t (or a combination of both). Monahan really missed a trick, by failing to provide Winstone's character with any further depth.

Also beside the main story as Mitchell battles his growing love for the reclusive actress and the life of a straight man alongside that of his violent past, and potential gangster future, is the sub-plot of Mitchell's old homeless friend Joe (Alan Williams) who is killed ruthlessly by a couple of youths and Mitchell's subsequent attempts to find out who is responsible. While it is an adequate underlying story to accompany the main narrative, neither Monahan's direction nor his screenplay seem to follow it to any decisive conclusion. It seems if anything, if this sub-plot is simply included to allow the subversion of the ending and provide a twist or surprise ending, which the film itself certainly does not need. 'London Boulevard' is a proficient first effort for Monahan, and while the film contains flaws, which you expect from a first-time director plying his trade, it is also an engaging gangster drama which is smartly written, and incredibly well-acted by many of the great British and Irish actors at the moment.