Eine aktualisierte Zeichentrickserie, in deren Mittelpunkt der gefangene Kreuzritter selbst als Partner steht und die sich mit seinen Superhelden-Kollegen im DC-Comics-Universum beschäftigt.Eine aktualisierte Zeichentrickserie, in deren Mittelpunkt der gefangene Kreuzritter selbst als Partner steht und die sich mit seinen Superhelden-Kollegen im DC-Comics-Universum beschäftigt.Eine aktualisierte Zeichentrickserie, in deren Mittelpunkt der gefangene Kreuzritter selbst als Partner steht und die sich mit seinen Superhelden-Kollegen im DC-Comics-Universum beschäftigt.
- Für 1 Primetime Emmy nominiert
- 1 Gewinn & 4 Nominierungen insgesamt
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The fan I am agree with the different points of view developed here, on the positive and negative sides and in my opinion, the positive slightly takes over. The show is a good surprise because it enables us to see Batman in totally new situations, not only lurking in the dark for the criminal element to rise. Hell, criminals don't always come at night ! In day or at night, in space, on earth and in the sea, why not ? After all, superheroes with or without superpowers were meant to define a modern day mythology, so why should they stick to our or their own particular and gloomy reality ? Batman is a true demigod devoted to justice in every one of its forms, I like the idea of him facing up new challenges, honing his capabilities beyond human perfection everywhere for the cause : as a member of the Green Lantern Corps, as a ghost striving to reanimate his earthly envelope, as a knight in medieval times. About his side-kicks, I particularly like Deadman and Wildcat because of their relative proximity to the universe of Batman in the comic book. Anxious to see Bronze Tiger and the Terrible Trio ! The introduction independent from the rest of the episode reminds of the good old James Bond series. The change of tonality is apparently consistent compared to The Batman, and it was on purpose, contrary to the works of Glen Murakami or Joel Schumacher. This show is an opportunity to rehabilitate old foes from the 60 (a similar choice is being made in the books, King tut recently appeared in Batman Confidential), as well as give more solidity to other DC heroes, it also brings a bit of detachment and lightness from all the darkness of the character, which I like most of the time, but that has gone too far now. A refreshing change.
I must admit that back then, I didn't like this series very much, comparing it unfavorably to Batman: The Animated Series.
However, as soon I started watching it, I found it to be a very entertaining series, with many great homages to many characters from DC comics, which are often overlooked in media adaptations.
The whole show is a love letter to the Silver Age of comics (Not only Batman) embracing the campy silliness of some of the stories with some cleverly written scripts.
Definately deserved to be a far more appreciated series.
However, as soon I started watching it, I found it to be a very entertaining series, with many great homages to many characters from DC comics, which are often overlooked in media adaptations.
The whole show is a love letter to the Silver Age of comics (Not only Batman) embracing the campy silliness of some of the stories with some cleverly written scripts.
Definately deserved to be a far more appreciated series.
Grab a healthy snack and get ready to enjoy a lighter and zanier Batman.
There are a few things that set this show apart from prior shows & cartoons: The show manages to balance a "fun" atmosphere without becoming campy, its often in the first-person narrative (Batman's), and the focus is exclusively on Batman in-costume.
In short, this is a character that enjoys what he does and whatever personal life he has is besides the point.
If you're looking for an operatic interpretation of Batman then prepare to be disappointed. However, if you're a fan of the character then this is a perfectly reasonable way to introduce your children to a beloved character.
There are a few things that set this show apart from prior shows & cartoons: The show manages to balance a "fun" atmosphere without becoming campy, its often in the first-person narrative (Batman's), and the focus is exclusively on Batman in-costume.
In short, this is a character that enjoys what he does and whatever personal life he has is besides the point.
If you're looking for an operatic interpretation of Batman then prepare to be disappointed. However, if you're a fan of the character then this is a perfectly reasonable way to introduce your children to a beloved character.
I am having the best time watching this show! I have seen 4 episodes so far (Evil Beneath the Sea, Fall of the Blue Beetle, Eyes of Despero, Journey to the Center of the Bat). The show is so much fun and very funny besides! I love Batman's deadpan delivery of perfect hero-of-few-words lines. Aquaman's larger-than-life god-hero with his inane re-tellings of his own adventures really cracks me up! The stories are lively and interesting with more supernatural elements than I would expect in a Batman story. While several of the characters are familiar (Aquaman, Green Lantern, Plastic Man) there are many inventive heroes and villains unfamiliar to me.
I came to IMDb to see who was responsible for the wonderful tone of the show (i.e. "Who writes this stuff?") in order to check out their other work, but there are so many people involved I can't tell.
I came to IMDb to see who was responsible for the wonderful tone of the show (i.e. "Who writes this stuff?") in order to check out their other work, but there are so many people involved I can't tell.
I've been a fan of the Batman for 25 years, and got to experience first-hand the evolution of the character from campy cultural powderpuff to Dark Knight. As great as the change has been, sometimes it's necessary to stop trying to out-Frank-Miller the character. (Just look at what they did to the Spirit. Awful.)
The new "B:B&B" is a clever, fun, and completely refreshing take on Dark Knight and the DC Universe, using Silver Age-style artwork and contemporary snappy patter. Special kudos go to whomever is in charge of the music: rousing, brassy big band numbers that add to the show's flair. The new takes on classic characters like Green Arrow and Aquaman (the best take on Aquaman in television history!) is a double scoop of goodness.
Batman is, first and foremost, a comic character, and comics are, first and foremost, supposed to be fun. This series is *FUN*, a real blast to watch. If you can't handle the change, there's a half-dozen other anti-hero animated Batmans to sate your appetite. But you'll be missing out on a whole other dimension of the character. Highly, highly recommended!
The new "B:B&B" is a clever, fun, and completely refreshing take on Dark Knight and the DC Universe, using Silver Age-style artwork and contemporary snappy patter. Special kudos go to whomever is in charge of the music: rousing, brassy big band numbers that add to the show's flair. The new takes on classic characters like Green Arrow and Aquaman (the best take on Aquaman in television history!) is a double scoop of goodness.
Batman is, first and foremost, a comic character, and comics are, first and foremost, supposed to be fun. This series is *FUN*, a real blast to watch. If you can't handle the change, there's a half-dozen other anti-hero animated Batmans to sate your appetite. But you'll be missing out on a whole other dimension of the character. Highly, highly recommended!
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- WissenswertesIn the Season 2 episode Chill of the Night! (2010), which was agreed upon by fans to be one of the top 5 best episodes of the series, is also distinguished by having a few Batman-veterans making voice-over cameos. From Batman (1992) (and its spin-offs), Kevin Conroy (Batman) voices the Phantom Stranger, Mark Hamill (the Joker) voices the Spectre, and Richard Moll (Two-Face) reprises his role (very briefly) as Two-Face and as the mob boss who hires Joe Chill to kill Thomas Wayne. Also, from Batman (1966), Adam West (Batman) and Julie Newmar (Catwoman) voice Thomas and Martha Wayne.
- VerbindungenFeatured in Secret Origin: The Story of DC Comics (2010)
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