Ein Film über das wahre Leben des britischen Entdeckers Col. Percival Fawcett, der in den 1920er-Jahren auf der Suche nach einer geheimnisvollen Stadt im Amazonasgebiet spurlos verschwand.Ein Film über das wahre Leben des britischen Entdeckers Col. Percival Fawcett, der in den 1920er-Jahren auf der Suche nach einer geheimnisvollen Stadt im Amazonasgebiet spurlos verschwand.Ein Film über das wahre Leben des britischen Entdeckers Col. Percival Fawcett, der in den 1920er-Jahren auf der Suche nach einer geheimnisvollen Stadt im Amazonasgebiet spurlos verschwand.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 31 Nominierungen insgesamt
Empfohlene Bewertungen
I was so hyped for this movie after I read the book. What a let down , this should have been a throwback to the the classic Hollywood epics of the past. Instead it's kind of a bore, scenes set in jungle are amazing but there are too many slow drawn out parts that deal with drama back in civilization.
The acting by Hunnam is mediocre at best, Sienna Miller gives a great performance too bad she's not in more of the movie.
Overall it's not horrible but it's also just average
The acting by Hunnam is mediocre at best, Sienna Miller gives a great performance too bad she's not in more of the movie.
Overall it's not horrible but it's also just average
I'm sad to say that I was disappointed by this film in almost every aspect. It seems to me that the biggest problem it has is the pacing. For a two and a half hour long film, pacing is important to keep the viewers engaged and this movie just gets it completely wrong. It feels like three movies clumsily stuffed into one, and as if that wasn't enough, it adds a bunch of utterly irrelevant scenes which could have easily been cut out of the movie entirely. I, for one, was expecting to see at least some beautiful cinematography, but the movie fails to deliver even in the aesthetic aspect. I was also expecting to see a lot more of the actual journey to the Amazon, but instead we got scene after boring scene in England, where nothing of importance really happens. After about an hour and a half I was left wondering how so many critics found this movie watchable, desperately trying not to fall asleep. To make matters even worse, Charlie Hunnam delivers an awful performance and makes for an overall uninteresting lead. Surprisingly, the only performance worth watching in this film was, out of all people, Robert Pattinson. I'm certainly glad he's moving away from his Twilight years and I hope to see him in more roles like this one in the future. Overall, this was a forgettable, boring, mess of a movie.
That the movie succeeds is a credit to Hunnam, who comes of age both literally and figuratively in this movie with a performance of great humility, charm, and grit. A far cry from his breakout role as a motorcycle gang leader, and an even further cry from his awkward performance in Guy Ritchie's unique (and hopefully never-to-be-repeated) view of young King Arthur as a slum thug.
Props to audiences worldwide who are connecting with a 2 hour and 20 minute opus that is as far from the new Transformers attempt as the earth is from the moon. Shows that quality film-making will always find an audience.
Would have been nice if the script were historically accurate but perhaps that is asking too much.
Ironically, because of the internet, the amount of solid new archaeological evidence being released each 24 hours in today's world would be the equivalent of ten years of time in Fawcett's era. In particular, I am referring to the material of late which suggests lost civilizations submerged in both the Atlantic and the Pacific over 12,000 years ago (see Graham Hancock's lectures for more, most free on Youtube) would explain how Brazil, centered between the two, could indeed have hosted a "lost city" which, thousands of years ago, entertained guests from both realms.
Finally -- for hard-core history buffs only -- the written diagrams preserved even today in the Archives of Rio de Janeiro ("Folio #512") which constitute the last known "communication" from the ACTUAL final, ill-fated, Fawcett expedition were discredited because "experts" of the day claimed they contained elements of different language roots, not one root, and hence "must" be fake. However, if indeed the area was a centerpoint between two now-lost civilizations originating in two different oceans, the multiple language roots would be expected and natural, and not an indication of fraud. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Props to audiences worldwide who are connecting with a 2 hour and 20 minute opus that is as far from the new Transformers attempt as the earth is from the moon. Shows that quality film-making will always find an audience.
Would have been nice if the script were historically accurate but perhaps that is asking too much.
Ironically, because of the internet, the amount of solid new archaeological evidence being released each 24 hours in today's world would be the equivalent of ten years of time in Fawcett's era. In particular, I am referring to the material of late which suggests lost civilizations submerged in both the Atlantic and the Pacific over 12,000 years ago (see Graham Hancock's lectures for more, most free on Youtube) would explain how Brazil, centered between the two, could indeed have hosted a "lost city" which, thousands of years ago, entertained guests from both realms.
Finally -- for hard-core history buffs only -- the written diagrams preserved even today in the Archives of Rio de Janeiro ("Folio #512") which constitute the last known "communication" from the ACTUAL final, ill-fated, Fawcett expedition were discredited because "experts" of the day claimed they contained elements of different language roots, not one root, and hence "must" be fake. However, if indeed the area was a centerpoint between two now-lost civilizations originating in two different oceans, the multiple language roots would be expected and natural, and not an indication of fraud. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
An American biographical adventure; A story about a man who journeys into the Amazon at the dawn of the 20th century aiming for a city he called 'Z' and discovers evidence of a previously unknown, advanced civilization that may have once inhabited the region. It's a film that resembles, in style, exploration film epics of the mid-20th century. Charlie Hunnam gives a well measured performance as the British geographer, Army Major, and explorer Percy Fawcett. The story centres on passion and determination and obsession and escape but also the losses suffered by leaving home - his growing family and dutiful wife - in service of fantastical dreams. It is a biopic by numbers of a troublesome topic because Fawcett's history has many critics. Nonetheless, it is a stately adventure despite the slow pacing.
Having not known quite what to expect from this movie - had it been made anytime before 30 years ago that might have been easier - I actually found it fascinating, and it held my attention the whole way through. Based on a true story, it paints a vivid picture not only of the Amazonian region which Percy Fawcett and his men set out to explore, but also of the Western society they came from, but in a fairly balanced way - this didn't feel like another case of 'weren't Western white people before 1980 all absolutely dreadful' but rather a portrayal of a society with its own beliefs and attitudes (as all societies have) faced with the prospect of discovering another, much older, civilisation.
This wouldn't be a film for fans of action movies as such. Instead it offers a fascinating study of place, society and the often slow and hazardous process of discovery and its effect on the people - all of the people - involved.
This wouldn't be a film for fans of action movies as such. Instead it offers a fascinating study of place, society and the often slow and hazardous process of discovery and its effect on the people - all of the people - involved.
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- WissenswertesShooting on 35mm film posed significant logistical challenges in the middle of the Colombian jungle. "It was an act of absolute hubris to shoot this picture on film," said James Gray, who set up an elaborate routine to ship, process, and review the film during production. "First, we had to teach a young guy from Bogotà how to load the film, because nobody really knows how to do that anymore Then, every day after we finished our shoot, they'd put this film into a torn-up crappy cardboard box and load it onto a single-engine crop duster that would take off from this little runway. You're talking three flights every day just to get your film processed. The next morning, there was always this sense of dread when the satellite phone rang and you'd be thinking, 'I really hope the film arrived.'"
- PatzerIn many of the scenes the party is going visibly downstream while they are searching for the origin of the river.
- Zitate
Nina Fawcett: To dream to seek the unknown. To look for what is beautiful is its own reward. A man's reach should exceed his grasp, or what's a heaven for?
- Crazy CreditsNear the end of the credits, jungle noises resume.
- SoundtracksThe Rite of Spring: The Augurs of Spring, Dances of the Young Girl
Composed by Igor Stravinsky
Published by Boosey and Hawkes, Inc. (ASCAP)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Z. La ciudad perdida
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.580.410 $
- Eröffnungswochenende in den USA und in Kanada
- 110.175 $
- 16. Apr. 2017
- Weltweiter Bruttoertrag
- 19.263.938 $
- Laufzeit2 Stunden 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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