Accident - Mörderischer Unfall

Accident's trailer gives a promising setup of a thriller focused on a team of assassins who make their killings look like accidents, but there's no follow through. Thrilling this is not, especially when you start to get into the grind of just how many niggling details have to be accounted for to make a death believable as an accident and how many things have to come together in the right way and at the right time or the whole thing has to be called off and back to the drawing board.

The movie might at least be intellectually interesting, but nothing is particularly believable or smart (the film is only capable of telling us Louis Koo's character is a genius rather than showing us) and there's minimal plot, dialog, or character interaction. Questions that should be asked aren't. Questions that no one really cares about are lingered on too long. Louis Koo plays the main character, Brain, dominating the screen time, and the disappearance of each of the other capable actors, none of whom are around for long, is keenly felt. I've seen Koo give some fine performances, but here he must spend most of the movie alone and silent, with no one to play off of, which is a tall order for any actor, even if they have a stellar script, which Accident most certainly does not. The silence also conveniently leaves out the need for the film to flesh out Brain's theories and what he's thinking and we're just left to guess--perhaps the director thought this would be a clever style because it would put the audience in the same mindset as the main character, but it just put me in the mindset of wanting to go to sleep.

With the main character being a stony hired killer, there's no one to root for, and it doesn't take too many lingering shots of Brain furrowing his brow to convey the wheels of his genius brain are turning while conducting surveillance of mundane events until you stop caring. Slogging through to the ending adds little, so you might as well just move on when the boredom gets intense. There's really not any "twist" at the end that redeems things, as some reviewers try to make out; I don't know if the film's creators really even intended there to be. If you're "blown away" by the ending, either you haven't seen many movies of this sort, or you should probably consider yourself a pretty thick.

Accident is just another triumph of atmosphere over substance that relies on cheap tricks to bypass viewers' ability to think critically about the weaknesses of the script by implying things that never materialize and various other manipulations that leave you feeling used at the end when it becomes apparent that the things you had to forgive in the hope that this was leading somewhere have led nowhere worth going. Overheard (2009), also with Koo (and Ching Wan Lau and Daniel Wu), comes to mind as an example of a better surveillance-themed movie.

This film is underrated. Oh well, not every movie can be made by Marvel.

This film is about a professional hit-man and his team of self-styled "accident choreographers", who kill their victims by trapping them in well crafted "accidents" that look like unfortunate mishaps but are in fact perfectly staged acts of murder. He is consistently plagued by guilt, and the memories of his recently lost wife don't make things any easier. Even worse, one of his team members dies in an apparent "accident", which forces him to stay one step ahead of their competition.

One important thing that you need to understand about "Accident" is that it's a non-stop exhibition of paranoia because the scriptwriting is first-class as it straddles the line between chance and intent through a number of events that may signify an orchestrated murder by another party. The way this works is that some events are immediately shown to be acts of human intent – for example, the opening scene is clearly shown to be a murder that is made to look like an accident – but other events are left ambiguous, and you're not sure if it's an act of human intent or a moment of coincidence (or chance). So you're placed in the same situation as the protagonist because he's also not sure. And that's really the foundation of the entire movie, and it's a solid foundation to stand on.

It may be a surprise to you that the story moves slowly, but this could be considered a positive because it allows the paranoia to take center stage and it focuses a lot on developing the main character. The entire film revolves around this guy, making this just as much of a character piece as it is a series of suspense sequences. With that said, the "accidents" themselves are very cool and the direction is top notch. This was actually directed by Pou-Soi Cheang, and "Accident" was his best film in his filmography up to this point – representing an improvement over his previous titles. And I still think this is his best work, despite the fact that he has given us some very entertaining stuff between 2009 and the present day (such as "SPL 2: A Time for Consequences", "The Monkey King 2", and "Motorway").

The lead actor is Louis Koo, who earlier in his career appeared in a bunch of the "Troublesome Night" movies. Most fortunately, his roles subsequent to that franchise were far more reliable and entertaining. He's definitely an actor whose filmography is worth exploring because he's been in a lot of good movies. "Accident" is one of them, and I really liked his performance in this. It's a bit on the eccentric and gloomy side, but that's important for his character.

I definitely recommend "Accident", which is one of the better slow-burn suspense thrillers in recent memory. It is widely available on DVD, so be sure to check this one out.

if you like Johnnie's movies, this should be among your list remarkably, this movie is shot with only few characters but to an excellent portrayal not much talking with most of expression & meaning conveyed just by eye or facial movement

the curiosity & intense is able to get you focus through the entire movie unexpected death scenes much alike to the final destinations fame gives it extra entertainment

it's been quite some time we have enjoyed great hong Kong films since infernal affairs & exiled go watch it (definitely better than vengeance)

"Accident" is a Mystery - Thriller movie in which we follow a group of assassins who stage accidents to eliminate their targets. The leader of the group whose meticulously planned operations begin to unravel after a botched mission.

I liked this movie because it was very interesting, engaging and it had a nice atmosphere. The interpretation of Louis Koo who played as Ho Kwok-fai was very good and the supporting cast was competent, but they didn't reach Koo's interpretation. The movie was intriguing and its reliance on a methodical plot and action sequences worked perfectly. In addition, visually was sleek and stylish, with strong cinematography and enhanced psychological intensity. In conclusion, I have to say that "Accident" is a well-crafted thriller with plenty of tension and suspense, and I recommend you to watch it.

I honestly wanted to like this one, it is somewhat moody and slow and ponderous, which I normally don't mind if it is done well. Take David Lynch for example, to whom this movie is likened... Now he does that kind of thing probably better than anyone else I feel because he reaches right down deep into the subconscious, and even though one might not consciously understand exactly what is going on, there IS indeed a powerful atmosphere and you do really feel a tugging at your subconscious which can affect you rather deeply.

BUT... this movie here sort of tries to do that. Technically, it is put together really well, and the acting is fine. Even the basic idea of this special group who arranges 'Accidents' is intriguing. Unfortunately though, in my lowly and wretched opinion, there just isn't enough true substance behind it. Or... if it had even half of the kind of deep atmosphere that Lynch can create, then this could have worked better as more of an 'Art' film. But, I honestly feel that it simply just doesn't have enough going on to do that.

I usually don't mind 'Slow'... But, this one is really, REALLY SLOW, but without any underlying mood or strong enough vibe to make it truly interesting. Yes, the story and plot ultimately are quite good, and the running time most thankfully isn't drawn out unnecessarily which I feel would indeed have made it quite a bit worse. BUT... when all is said and done it really just comes across as very slight and I'm sure more superficial than the filmmakers intended.

There just is not enough characterization to interest you in the people. And, there also is simply not enough going on surrounding the intriguing concept I feel ultimately to make it truly satisfying or honestly in any way really entertaining. Just not much 'there' there...

So, I can see how some might be able to 'tune in' to the VERY mild and extremely understated vibe here and possibly enjoy it more so. But, to me the bottom line is that if you are going to make a story that is this extremely slow and somewhat mysterious, you absolutely HAVE to have more going on, at least in creating a substantial, palpable mood of some kind in order to justify the rather slight things that are happening on the actual screen.

So, yeah, because of what I felt was a pretty strong deficit in the result, despite a very intriguing idea, I really could only give this a '5' It wasn't awful, but I truly think it will leave many feeling like there is nothing much really there when it is over...