Die Muppets

The Muppets may quite possibly be one of the best movies of 2011. I don't just mean that as a fan. The Muppets had everything spot on – it was clever, entertaining, adorable, heartwarming, and absolutely hilarious. The magical thing though is that The Muppets pleases everybody -- average moviegoers and Muppet purists alike, and that I believe is its greatest triumph. On one side is a modern comedy, chock full of hysterical celebrity cameos and pop culture references. And on the other side is a nostalgic throwback to the Muppets era. Those who remember the old series will unquestionably find delight in seeing their favorite puppets reunite for another big show, literally.

Funnily enough, the movie treats the Muppet characters as if they were real life actors, with The Muppets shows and movies being their past careers. The Muppets haven't seen any action in years (a fact also true in real life), and each muppet has taken his/her own path in life with varying degrees of success. When crisis arises, the old troupe is forced to find each other and give it another go.

It is all weaved through a fascinating metanarrative that begs the question, what happens to the Muppets when they aren't The Muppets? After all this time away, can The Muppets make a comeback through a reunion and relive their former glory days? – a question ultimately answered by the movie itself.

The film opens with a common puppet named Walter, whose childhood consists of watching The Muppets and dreaming of joining them. His older brother Gary (Jason Segel) extends the invitation to come with him and his girlfriend of 10 years Mary (Amy Adams) to Los Angeles so that he can visit the Muppet studio. Much to his disappointment, the Muppet theater is abandoned and Walter even overhears an oil tycoon's (Chris Cooper) plot to tear down the place. Walter and Gary quickly seek out Kermit the Frog to reunite the Muppet crew and remedy the situation, but all the while Mary is upset that the turn of events is ruining her 10 year anniversary with Gary.

As you can imagine from the premise alone, the movie is a tribute to the Muppets in every sense. It travels respectfully through the old Muppet history, and relives it instead of trying to replace it. In fact, seeing how each one branched off from the group like members of an old band and "grew up" gave, I would say, substantially more character to each Muppet than they ever had before. I think fans will agree that this is the best possible way the muppets could have returned.

Simply put, I can't imagine anyone with a heart not enjoying this film. There's something in it for everybody, especially if you're in the mood for laughter and catchy musical numbers. The creative humor was a breath of fresh air. There is plenty breaking of the fourth wall and oh so much of that lovely deadpan irony and absurdist humor, reminiscent of old comedies like Airplane! The audience in the theater was cracking up almost every other moment, myself included. And while humor is its strong suit, the movie is also an incredibly heartwarming tale of friends that go their separate ways but are still connected through their hearts. Moviegoers and Muppet fans alike, go see this movie!

9/10

It's bad enough when you watch human actors doing a movie or a sequel that is obviously being done out of an ulterior motive, but with a bunch of F-in muppets?!?! Does the Henson estate owe taxes or are they losing their property? (which is the ridiculous premise of this movie) I really thought Segel would have done something special with this because of all of the attention given to his interests in this field and the fact that he put together a muppet-type play of his own. No! And!, he had someone help him with it as well (Stoller). I was even in a good mood when I rented it, expecting a new revitalized movie from a zealot in this field of entertainment. A random pick out of a lottery ball of kids' scripts would have been better than this, and because of this, my interest in Segel went far down. Cameos and "you sing it, audience!" are sure signs that the artist isn't secure with what is being performed and there are so many cameos that it even outshines the completely apathetic humor. Statler and Waldorf couldn't even trash this movie properly, and it's too bad because all of the resources were there.

There are very few of us twenty-somethings who grew up without the Muppets. Between Sesame Street, Muppet Show reruns, and videocassettes of the various Muppet movies, we saw these guys all the time. We even had one or two theatrical releases of our own during the '90s. (My personal favorite of those is The Muppet Christmas Carol, which is still annual holiday viewing.) In recent years, since the very underwhelming Muppets from Space, we've seen them pop up now and again, mostly in similarly underwhelming TV projects and in short (yet hilarious!) YouTube videos. I am quite happy to say that, in this newest movie, the Muppets are back in a big way!

The movie starts by introducing us to a new Muppet, Walter, and his strangely human brother Gary. Gary has planned a trip with his girlfriend, Mary, to Los Angeles, and he is taking Walter along to visit the home of his heroes, Muppet Studios. They find the studio to be in disrepair, and hear of an evil plot to destroy it. Can the Muppets, and everything we hold dear about them, be saved? To get my one complaint out of the way, I do feel that this movie was a bit rushed in places. I wanted more time with these awesome characters, and it did feel as if they were trying to get from one place to the next a bit too quickly.

That said, I spent nearly the entire movie with a smile on my face. These are the Muppets that I grew up with, doing what they are best at doing, with that gently edgy humor at which they have always excelled. While there are some moments that are very touching, it is mostly very funny, with lots of nods to The Muppet Show and The Muppet Movie. While new little Muppet fans should enjoy this, it will be much more meaningful to those who have a history with Kermit and Co.

Clearly made with love for Jim Henson and his creations of fur and felt, The Muppets is the most delightful movie I've seen in theaters this year.

Warm, charming and funny, just like the Muppets I remember from my childhood. I'm not often one for musicals, but this one - aided by the brilliant combination of fuzzy puppet singers and Flight of the Conchords composition - hits all the right notes. It's funny without nudging into blue territory, a talent that's becoming more scarce by the minute, with a heartwarming reunion storyline that slowly reintroduces the cast and reminds us why we grew to love them in the first place. Loaded with unexpected cameos and sly winks at the troupe's long history, it's clear that a lot of love went into the making of this picture; the screen positively resonates from beginning to end. Though I was hesitant to revisit this old territory at first, by the final act I was grinning warmly and nodding right along, utterly entranced.

This was the best Muppet Movie since 1981's The Great Muppet Caper, which is saying a lot, because I hold that film in very high regard.

The Muppets have been rather hit and miss since Jim Henson passed away. The Muppet Show was originally started by Henson and Oz as a more adult oriented, yet still family friendly comedy variety show as an outlet for gags and bits that wouldn't work on Sesame Street. It worked too, both kids and adults loved the show, and the first three films are classics in their own right. But, sometime in the 80s, The Muppets started to cater more towards Kids rather than adults. The Muppet Babies were first introduced in the third feature film which eventually spawned its own series. Henson then sold the franchise to Disney and sadly died shortly thereafter. It seems that, after the success of Muppet Babies, Disney decided to continue to move The Muppets in a more kid oriented direction ... one with a decidedly Disney flavor to it. This didn't really help the Muppets legacy in the long term. Kids grow up, and eventually grow out of kid shows and movies. And with very little, if any, appeal to adult audiences, The Muppets were soon forgotten by the generation who grew up in the 90s and 2000s.

But the generation that that grew up in the 70s and 80s had not forgotten the old Muppets, in fact they missed them dearly. Jason Segel is one of those people, and it is clear from this film that his enduring love of The Muppets and the influence they had on him as a child, was the driving force behind this movie.

This is a comeback movie. The Muppets start off in a bad way. People have forgotten them, their abandoned studio is about to be torn down, and they just aren't popular anymore. This is reflecting the actual situation The Muppets franchise was in at the time they were making the movie. And thus the plot lends itself to fourth wall jokes that were so prevalent in the early films.

It is, for the most part, a return to form. This is old school muppet humor at its best. You have the silly and catchy musical numbers, mixed in with a bit of sincere songs, celebrity cameos, fourth wall jokes, pop culture humor, a self aware plot that frequently pokes fun at itself, Fozzie's bad jokes, Statler and Waldorf's heckling, a Kermit and Miss Piggy romance plot, and just general wackiness and slapstick.

Still, as similar as it is to the old Muppet formula, it's also quite different. After Disney took over, human characters often played larger roles in the Muppet films. That is the case with this one. In fact, much of the plot and humor in this film is not centered around the muppets at all, but are centered around the two human characters and the new muppet. While some may be disappointed by this change, I have to disagree and say that, for this film, it works and works quite well. Still, it's clear that Disney doesn't have much confidence in The Muppets holding the film together on their own, like they did in the original (and best) Muppet Movie.

As a result there are times where the movie feels less like a Muppet Movie and more like a tribute to the Muppets. In some ways this is the film's strength, in other cases it is a weakness. Also, some of the bits in the second half seem a bit awkward and fall flat, often on purpose, but usually it isn't worth the payoff. Nevertheless, this film hits on an emotional and nostalgic level, especially for those who grew up with The Muppets. There were times when I actually felt a tear come to my eye. It's that moving.

The film's success so far has been warranted, and I'm hopeful that Disney will do the right thing and green light "The Cheapest Muppet Movie Ever Made", a project Henson and Oz had been pushing for since 1985. There were even plans to make it in 2009, but the project was set aside for this film instead. Hopefully, this last idea by Jim Henson will be the next sequel, the premise certainly looks like it has potential.