Ein Muppet-Fanatiker muss mit der Hilfe seiner beiden menschlichen Landsleute die Muppet-Bande neu gruppieren, um einen geizigen Ölmogul daran zu hindern, einen ihrer wertvollen lebenslangen... Alles lesenEin Muppet-Fanatiker muss mit der Hilfe seiner beiden menschlichen Landsleute die Muppet-Bande neu gruppieren, um einen geizigen Ölmogul daran zu hindern, einen ihrer wertvollen lebenslangen Schätze zu erbeuten.Ein Muppet-Fanatiker muss mit der Hilfe seiner beiden menschlichen Landsleute die Muppet-Bande neu gruppieren, um einen geizigen Ölmogul daran zu hindern, einen ihrer wertvollen lebenslangen Schätze zu erbeuten.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 18 Gewinne & 43 Nominierungen insgesamt
- Kermit
- (Synchronisation)
- …
- Miss Piggy
- (Synchronisation)
- …
- Gonzo
- (Synchronisation)
- …
- Swedish Chef
- (Synchronisation)
- …
- Scooter
- (Synchronisation)
- …
- Sgt. Floyd Pepper
- (Synchronisation)
- …
- Walter
- (Synchronisation)
Empfohlene Bewertungen
Walter, a puppet, has always been very close to his human brother, Gary. At an early age, the two of them discovered the Muppets and quickly became a devout fans. Years later, the now grown up brothers still live together, and Gary has been dating a woman named Mary for the past ten years. The human brother plans to take his girlfriend to Los Angeles for their tenth anniversary, and is taking his puppet brother along with him for a tour of the abandoned Muppet Studios, though Mary doesn't like Gary always bringing Walter along with them wherever they go. During the tour of the Muppet Studios, Walter sneaks into Kermit the Frog's old office, where he witnesses Statler and Waldorf selling the Muppet Theatre to businessman Tex Richman, and after the two leave the room, Walter overhears Richman's intentions to destroy the building and drill for oil underneath! The devout Muppets fan tells Gary and Mary about what he has just heard, and the three of them must try and reunite the Muppets so the old team can raise $10 million and save their theatre!
This 2011 blockbuster begins fairly well, showing Walter and Gary growing up together and their relationship. After this sequence, it shows them grown up and about to go on their trip to Los Angeles. This part features the first song in the movie, "Life's a Happy Song", and while this may not be "Rainbow Connection", it's still a good and catchy tune to start off with. Other standout songs follow, such as "Man or Muppet". The gags in the film may not usually be hilarious (though there are some hilarious moments, such as how long Walter screams after he hears Richman's intentions), but there are plenty of amusing moments, obviously largely thanks to the famous Muppets with their charm and antics. I guess they're not exactly the main characters here, which some fans have a problem with, but they still get PLENTY of screen time and are still thoroughly entertaining. Jack Black can also provide some laughs as himself here, even if this is not the funniest he's ever been. "The Muppets" doesn't rely entirely on its gags, as I found the plot consistently entertaining, and there are some poignant moments. Jason Segel and Amy Adams are both impressive as the human leads, and Chris Cooper is also convincing as the antagonist. Walter, a new Muppet introduced in this movie, is a lovable one, much like Henson's famous Muppets.
I've noticed a lot of negative reviews here, and I'm sure some fans of the Muppets gang have good reasons to dislike this movie, but I'm afraid I can't say I agree with any of them. The only theatrical Muppets movie I've ever been able to write a negative review for was the last one before this, which I found to be not only not very funny, but so too dreary and cruel for the Muppets. I felt like the Muppets I knew as a kid had gone so far away when I watched "Muppets from Space" several years ago, but that was certainly NOT how I felt when I watched this latest theatrical movie featuring Jim Henson's characters. I'm sure many people haven't been impressed with anything that has been done with the Muppets since Jim Henson's premature death in 1990, and for them, I guess there's no point in watching this, but if you're not one of those, and you want a good, lighthearted family film, I think this is a really good one to check out for the family. Yes, it is rated PG, but I've definitely seen far raunchier PG-rated films marketed in the "family" category, such as the unsatisfactory "Cheaper by the Dozen" remake.
The movie starts by introducing us to a new Muppet, Walter, and his strangely human brother Gary. Gary has planned a trip with his girlfriend, Mary, to Los Angeles, and he is taking Walter along to visit the home of his heroes, Muppet Studios. They find the studio to be in disrepair, and hear of an evil plot to destroy it. Can the Muppets, and everything we hold dear about them, be saved? To get my one complaint out of the way, I do feel that this movie was a bit rushed in places. I wanted more time with these awesome characters, and it did feel as if they were trying to get from one place to the next a bit too quickly.
That said, I spent nearly the entire movie with a smile on my face. These are the Muppets that I grew up with, doing what they are best at doing, with that gently edgy humor at which they have always excelled. While there are some moments that are very touching, it is mostly very funny, with lots of nods to The Muppet Show and The Muppet Movie. While new little Muppet fans should enjoy this, it will be much more meaningful to those who have a history with Kermit and Co.
Clearly made with love for Jim Henson and his creations of fur and felt, The Muppets is the most delightful movie I've seen in theaters this year.
I went to this movie expecting few laughs and an enjoyable night. My expectations were met and more. the songs were great, the plot was classic Hollywood plot but they made fun of it so it didn't bother me at all. I laughed at all the jokes without exception. I didn't know the whole cast so the surprise appearances affected me emotionally.
most importantly, I felt that the people who are doing that movie didn't acted on that movie for the money, for the box office or for the fame, they did it for pure love for the Muppet's(most of them anyways) and I felt that. I was asking my self why I loved this movie? and this is was the answer I got. As long as these kinds of movies being made, there is still hope for Hollywood.
Walter finds out that the Muppets aren't as popular as they used to be. He finds only remnants of the glory days in a dusty studio, but winds up uncovering a sinister plot intending to bury the Muppet franchise for good. With so much at stake, Walter goes to great lengths to find his idols and bring them back together. With the help of Gary, Amy, Kermit, Fozzie, and the rest of the gang, Walter sets in motion a reunion scenario where if the Muppets put on one last show they can raise enough money to stop the maniacal Tex Richman (Chris Cooper) from ending the Muppet's hopes of survival.
It's almost like The Blues Brothers, where if "the band" gets back together all will be saved. The only difference is that for the audience it's like a reunion, too. We haven't seen the Muppets together save for a few commercials and music videos here and there. I would be lying if I said I didn't get goosebumps seeing Gonzo with his chickens, or the Swedish Chef and his man-hands. Without even trying this film grabs you right in the heart, squeezing every ounce of childhood you have left in there.
It is really evident that Segel took the task of acting and, more importantly, writing, very seriously. His heart really comes through. He didn't want to do an injustice to the franchise that gave him so much pleasure as a youngster. It's as if he wrote Walter as a Muppetization of himself (which really comes through during one particular musical number). He follows the Muppet formula of combining cultural references with the power of celebrity and the importance of silliness and childlike inhibition.
Has any of the magic left the Muppets? I don't think so. I must admit that some of the story points were a bit ridiculous, and sometimes a little too on the nose (yes, I am aware that it was trying to be, but doing it too much becomes tedious). I wasn't entering the film expecting completely revamped Muppet style. It was by the book, aimed appropriately at both children and adults, without ever stepping too far in either direction.
The BIG question remains...now what? The whole point of the movie is to show that the Muppet's have basically become an afterthought. A fond memory that quickly fades. Will this film attract a slew of Muppet followers? Will there be another film? Television show? Who knows. The movie ends optimistically, but how could it not? The thought of a world without the Muppets is scary. It's nice knowing that somewhere Kermit and the gang are waiting for their next queue. To light the lights, put on make up, and all that jazz.
So go treat yourself to a little taste of your childhood. It will do the soul good.
Wusstest du schon
- WissenswertesAfter finishing the movie, the filmmakers gave Jason Segel the Muppet version of himself to keep.
- PatzerWhen Scooter turns his head to the side, it can be seen that he has no actual eyes on his face, only on his glasses. This is just how this character has always been designed.
- Zitate
Kermit the Frog: What? You kidnapped Jack Black? That's illegal!
Fozzie Bear: But Kermit, what's more illegal: briefly inconveniencing Jack Black, or destroying the Muppets?
Kermit the Frog: Kidnapping Jack Black, Fozzie!
- Crazy CreditsThe credits feature the cameo celebrities singing "Mahna Mahna" with their Muppet co-stars.
- VerbindungenFeatured in WWE RAW: Raw Halloween 2011 (2011)
- SoundtracksMe and Julio Down by the Schoolyard
Written and Performed by Paul Simon
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Los Muppets, el regreso
- Drehorte
- Bonanza Casino - 4720 N Virginia Street, Reno, Nevada, USA(Pachoolo Casino exterior establishing shot)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 88.631.237 $
- Eröffnungswochenende in den USA und in Kanada
- 29.239.026 $
- 27. Nov. 2011
- Weltweiter Bruttoertrag
- 171.802.998 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1