Alcarràs: Die letzte Ernte

This movie is so much more than just a "Spanish family drama". Between somewhere warm, welcoming and cold, harsh and melancholic. The family perfectly portrays the generational changes and different problems through a persons lifetime. Also seemingly stands tall against globalisation and "greenwashing". The solar panels in my reading represent the end of the era of human labour, and also points out the flaws of the new green movements.

I could go on for hours about the minor details, but let me conclude my thoughts in one simple sentence: A complete masterpiece that has its own flaws and unique features.

Considering that this is the second movie of Carla Simòn, I can assume that she will get even better at directing.

Whatever happens, I'll keep my eyes on her work from now on!

See the emotional perspectives of a family owned apple farm and realize the absolute beauty of mundanity and ordinarity in such lives. The work, play, tradition and love being portrayed is done masterfully through calm and strong integrity. It is not often one stumbles across a film so well-crafted with a clear sense of motivation and devotion. I personally really liked this one.

Each character is represented as they are, in regard to themselves, their environment and who they represent. The subtility of the distractions one faces as uncertainty slowly corrupts parts of their lives and how they live as a result.

The one rave scene was tastefully portrayed and I'm happy to see some hakken.

The only positives were the amazing performances of children, teenagers, and the very old in the film. It deserved an acting ensemble prize at best. Carla Simon deserves praise for extracting realistic performances. Little else. The script was predictable on change in values that are influenced by pecuniary factors. The crane removing an old car which later removes fruit trees was too contrived for the script. Was it, as the ultimate Golden Bear winner, more deserving than the Grand Prize of the Jury winner, from Korea, Hong Sang Soo's film "The Novelist's Film"? I don't think so. M. Night Shyamalan and his jury that he headed got it wrong, in my view.

Alcarràs. I can say it in two ways: very good film and I really liked it.

It's a sad but especially tender movie.

For me, as I am from Barcelona, this movie is clearly a western in which the family, the land and work are the same thing. And fruit, and love.

And It is also a beautiful movie, natty, warm and pleasant which portrays in a soft manner the strength that rural life requires.

Its language is fresh, direct and very honest.

Full of things simply explained without becoming sentimental, it speaks of something that is lost, that has been snapped up.

I like the children's role in it. It doesn't become burdensome, as is usually the case with children's performances, it is nice and funny but without going overboard.

A balsamic drama very sweet in form but bitter in content.

It is frankly fair the existance of such a good fictional film set in that rural reality.

Yesterday I went to the theater with my girlfriend to watch this film which I didn't know anything about. And from the very beginning I was surprised with the quality of it. Everything was masterfully done. The set, the camera angles, the performances, the characters, the dialogues, the plot... All was highly realistic and beautiful at the same time. 100% recommended.