Witch Hunt

America can only remain a free nation if the judicial process is fair, untainted, and subject to review. During the early 1980's, it seems that the residents of Bakersfield, CA sacrificed their judicial rights for the illusion of Law And Order. WITCH HUNT is a riveting documentary about a group of citizens who became the target of a joint task force of Law Enforcement and Social Services that illegally and immorally usurped their power. The State's position was that this police and social service unit provided an opportunity for sexually abused children to be heard, and allow the law to apprehend and punish their abusers. However, as the the film clearly demonstrates, Child And Family Services, with the aid of an overzealous police force, were able to orchestrate children's testimony, and allowed the local government to create a non-existing threat to the community. Bakersfield became a city under siege by pedophiles-perverted by "Sexual Weapons Of Mass Destruction". WITCH HUNT shows that these 'dedicated and thoughtful public servants' invented a phony threat to the community, and then rode it for all it was worth. This 'Response To Evil' allowed them to parade before the media and appear to be 'Tough On Crime', when really they did nothing but railroad innocent citizens by using Child And Family Services to badger and bully innocent children until they gave them the 'sexual horror' that they craved. In no way should this film be viewed as a fair and balanced treatment of child molesters, but what this documentary shows us is that Law Enforcement and Social Service Agencies are able to foster a climate of hysteria which might allow citizens to give up an unbiased legal system for the illusion of Safety. In the commentary to the film, we find that when Child and Family Service personnel were told by the children that 'nothing happened', the impressionable children were badgered and bullied and told that they were 'in denial'. What is truly alarming is that, given these conditions, this gross travesty of justice could happen to any of us.

Sean Penn is an accomplished actor, but this documentary in which he is not seen, is unquestionably the most important film of his distinguished career. In the 1980s, a Satanic abuse panic spread throughout the United States, the most notable examples of which were McMartin and Bakersfield. The latter started as allegations of regular child sexual abuse, but grew into lurid tales of Satanism. One man was accused of murdering his son; the fact that the boy was very much alive did nothing to dampen the enthusiasm of the witchfinders.

Any claim of sexual abuse that includes women should automatically be suspect; one woman is passable, but a group of them? They just don't do that sort of thing, yet the fantasies persist to this day. These poor people were sentenced to dozens and in some cases hundreds of years in prison after being convicted on hundreds of charges on no evidence worthy of the name.

Jeff Modahl spent 15 years behind bars; he was freed only after a tape came to light of a therapist, (so-called) and law enforcement coaching one of the young non-victims. John Stoll served 20 years, being freed on his 61st birthday. Even more sadly, two of those accused died in prison without clearing their names.

"Witch Hunt" includes much archive footage, interviews with parents, children (some now with children of their own), and some comments from the unrepetent persecutors who claim there was no actual witch hunt.

This documentary is more relevant than ever at the time of review in light of the ongoing persecution and wilful miscarriages of justice being enacted here in the UK.

Although this film is a powerful indictment of legal injustice, and the criminal destruction of families and lives, much of the ground it covers already was examined by a "Dateline" episode in 2004, where the horrendous persecution of John Stoll and the other Bakersfield unfortunates finally was exposed.

It would be better to look back at the genesis of this vast "moral panic" that so gripped us from the 1980s to early '90s - since the Bakersfield case was but one of many. The most famous, at the time, was the McMartin Day School case in Southern California, in which toddler caregivers were accused of satanism and child sexual abuse on "evidence" that was nothing more than fairy tales spun from thin air. In all, other cases wrecked dozens if not hundreds of persons, mostly one or two people at a time, far from media attention, hauled up on the most outrageous of allegations. As noted in the movie, scars and devastation this nonsense left behind is unhealed today.

There is a reason, I think, why the background of this hysteria is so deliberately obscured: The idea of widespread child abuse, which mutated into fantastic, lurid accusations of "satanism" and ritual murder, was fabricated and popularized by radical feminists in the 1970s as a means of attacking "the patriarchy" that dominated Western society from "our house" to Bauhaus to the White House. Broadcast via indulgent, even solicitous media and academia, most of the country and the world believed adult males committed child sexual abuse as commonly as they wore shoes. In a reversal of how this trendy bit of ugly slander gained traction through incessant publicity and repetition, its progenitors are protected today. The subject merely has been dropped into the memory hole; as relentlessly presented the crazy charge was then, so energetically ignored the entire episode is today. Gloria Steinem and Ms. magazine? Not a subject for discussion. Robin Morgan? Mustn't be interviewed. You want to hold responsible the counterintuitive authors of this toxic blueprint? What are you - reactionary?

For the victims of this genuine witch hunt in Bakersfield, there is another reason this tragic subject isn't the subject of documentaries, films and television miniseries - and rarely mentioned at all except in courageous films like this one, and that's because the working-class people who spoke in drawls and drove pickup trucks were the victims, not the villains.

To give everyone a little background of what was happening before Jagels was elected, there were many named city and government officials, as well as business owners and campaign managers, who were involved in a loosely knit society of abusing 10-14 year old boys. These children were being used as sex slaves, and many other completely horrendous acts that these men forced upon these kids. The most famous (or infamous) of these children was Robert Mistriel, who was accused of killing a high official, Edwin Buck. Apparently Mistriel was a hustler (male prostitute) when he was referred to Buck from another molester, who at the time was a co-owner of the newspaper. Mistriel was needless to say treated as a sex slave, among other things, and eventually could not take the abuse any longer and apparently conspired to kill Buck with an acquaintance. Mistriel was put on trial in 1983 and was sentenced to 31 years to life in prison, and has adamantly stated he was not the one who killed buck. Here's the kicker... all those officials who molested these children were well- known by law enforcement for doing these acts; they were never reprimanded for their actions, and never denied they had taken part in these actions.

Here's my take on WHY they concocted the entire child molestation ring; to deflect the fact that Bakersfield had molesters in the highest positions of city government.

There isn't enough money in the world to pay back the men and women who were (and were not) featured in this film as the victims of false accusations and imprisonment.

That being said, I do wish the documentary had at least asked some obvious questions. The DA's motive for arrests and convictions was clearly enough stated; get convictions seeming to clear the county of "bad guys" thereby furthering political careers.

But who was doing the arresting? Who was handing down orders to do so? Who decided which people would get arrested and charged? Who was coming up with the elaborate details of these false charges? These questions leave a lot to wonder about. And in a film where you (or at least I) believe what is being put forth, which is the truth of the accused, you want there to be no stone unturned. You don't want there to be any question for the doubter that if the "right" people had been asked the "right" questions, we might have a different result.

Ask the damn questions. Get answers from the people who still may even profit from the long ago verdicts. And if you can't, say so. At least say something about having tried.

Make no mistake - I think this movie does a fantastic job on shedding light on a very dark side of humanity. And It left me wanting to give the most heartfelt hug to ALL the victims (both the charged and the then-children).

Still, other questions include; What of the neighbors and surrounding community? What about family? What about friends or former friends? Why weren't any of them interviewed? What did they think originally? What do they think now in lieu of the reversals of convictions? The first person approach is powerful and poignant. But those prone to the sort of hysteria which prompted this sort of thing to gain ground in the first place will ask, with sword in hand, "why?"