Fast verheiratet

These are just in the first 30 minutes of this piece of crap.

1. There's the "this Korean, that Korean" in buddy's engagement party song 2. What's with the inexplicably mute father's Asian girlfriend? 3. Why does the Asian guy at Michigan have the phoniest accent? 4. There's the Indian guy at restaurant he's applying for, from 40 year old Virgin, who I guess is funny, because he says "fuck" with a Jamaican accent.

Stopped watching this crap after 30 minutes. This is why Hollywood sucks. There are too many white, Jewish guys who have their yarmulkes so far up their privileged Lilly asses, they don't know what the world is really like.

While the movie started strong and quickly reached the first set of wedding delays, once the characters moved to Michigan, things bogged down quickly. Without spoiling the movie, the antics in the Wolverine State were more like bad SNL skits than part of this movie.

The characters, both primary and secondary, were very likable and were also very well developed. Some of the fringe characters (I talking to you, Dakota!) tended to be overly done and one-note. They could have been scaled back to fit their place in the movie thus adding to rather than subtracting from the story. (Math in a movie review? Who would have guessed?) Tom's job hunt problems seemed to be oriented toward setting up jokes than based in reality. A man with his background would have landed a position in Ann Arbor in a New York minute. However, Violet's drama was much better written and more believable.

Once back in San Francisco, everything picked up again and you began rooting for the home team to finally make it to the goal line.

So go enjoy the beginning and end but be ready to take a 30-minute nap in the middle. Maybe the Director's Cut with actually cut out the boring parts. One can hope.

In Los Angeles, the chef Tom Solomon (Jason Segel) meets the psychologist Violet Barnes (Emily Blunt) in a New Year's Eve party and they immediately fall in love with each other. One year later, Tom proposes Violet to get married and they schedule their wedding date. However, the application of Violet to the University of Michigan to a master's degree is accepted and Tom declines to the offer of his boss Chef Sally (Lauren Weedman) to be the chef of a famous restaurant that belongs to her. His best friend and assistant Alex Eilhauer (Chris Pratt), who is married with Violet's sister Suzie Barnes-Eilhauer (Alison Brie), accepts the position. They postpone the wedding and Tom and Violet move to Berkley for two years. While Violet befriends her Professor Winton Childs (Rhys Ifans) and colleagues, Tom has difficulties to find a job and work is a restaurants specialized in sandwiches. Two years later, when Tom is ready to return to Los Angeles, Violet is invited to be assistant professor in Michigan. What will happen to the couple?

"The Five-Year Engagement" is a delightful romantic comedy with the lovely Emily Blunt in the lead role. The plot combines romance, drama, comedy and black humor in right doses and the only boring moment is when Chris Pratt sings – probably he is a better chef than singer. Jason Segel shows great chemistry with Emily Blunt and is easy to understand the relationship problems due to professional realization. The beauty of Dakota Johnson is amazing but her shallow relationship of her character with Tom is not well explored. One of the best moments is when Tom has lunch with his parents. My vote is seven.

Title (Brazil): "Cinco Anos de Noivado" ("Five-Year Engagement")

The five-year Engagement, starring Emily Blunt and Jason Segel, is a rom-com focusing on the engagement of the two main characters they play. Many happened during the five year period.

The film may get you interested in the first 30 minutes, cause it does have some funny scenes and the regonizable faces of Kevin Hart and Mindy Kaling. As it goes on, you will lose interest in the film just like I did. Many subplots are going on and not every one can keep you interested.

It started to feel long and you will think "Please hurry up and just get married".

So it is basically like a long typical rom-com. Nothing special.

Grade: B-

There are risks when romantic comedy is injected with "truth." Too little, and it feels like a desperate attempt to give the film credibility. Too much and it starts to feel uncomfortable as the comedy is buried in what appear to be a string of life lessons. The Five-Year Engagement tries to find a balance between comedy and truth and after a bit over two hours, almost succeeds.

That's not to say the film is bad. It's far from it, especially compared to what usually passes for a romantic comedy these days. Its leads (Emily Blunt and Jason Segel) have a surprising, easy chemistry and director Nicholas Stoller (who co-wrote with Segel) uses the talented supporting cast to add new perspective and layers to what is a pretty straightforward story.

Violet (Blunt) is a post-doctorate student. Tom (Segel) is a rising star of a chef in San Francisco. They get engaged on their first anniversary and while most romantic comedies would end here, The Five-Year Engagement does something that romantic comedies fail to do - showing what happens after the "happy ending." In doing so, we get to see every crack, seam and bump in their relationship, from Tom's resentment at leaving his dream job behind to follow Violet after she receives a fellowship at the University of Michigan, to Violet's increasing frustration at how Tom changes during his relocation.

It's a credit to Segel and Stoller that the situations that arise do so organically and don't feel forced in for shock value, and when things start to deteroriate, we not only see it coming, we solemnly nod because it is inevitable.

The film has issues, though, and they almost capsize the film. The most glaring one is the running time. The film clocks in at a bit over two hours, and you feel every grueling minute of it. The pacing and editing are a near disaster and at times, watching feels more like a chore than a good time. This is partially because the film, while billed as a romantic comedy, is only funny in spurts. The serious 'truths' of being in a relationship take center stage, which is in itself not a bad thing, but in a comedy, it really drags the film down.

The ending is typical rom-com schmaltz, though, as if the filmmakers snapped out of their malaise, thought "hey, aren't we making a comedy?" and wisely ended the film on an acceptably quirky note.

In the end, The Five-Year Engagement is serviceable entertainment, but could have been a lot more had they been able to strike the delicate balance they were trying for.

Daniel FilmPulse.net