Cellar Door

The premise for 'Cellar Door' intrigued me. When you name your movie that and then make the movie about the mystery of what is behind the cellar door, then it should be a fun ride to go on and hopefully have a good pay off. Unfortunately the film wasn't as much about that as it had implied, and the ride wasn't as fun as it should've been.

This was more of a regulation thriller with a side story revolving around the cellar door. Now I've got no problem with regulation thrillers - if they're done well. This one however was a bit flat. In fact the whole movie was a bit flat. It was lacking some punch and some X-factor.

I found myself really having to strain to keep my attention on the film and that's a shame. There were a lot of little tweaks that I think could've made this a better experience. 5/10.

Following a loss young couple Sera and John decide to move out of the city. They find a town they like but every house they like is well out of their price range. They are just about to give up when they are shown another house. It is large, beautiful and over a hundred years old; the owner invites them to spend the night. When they wake up he has departed leaving a letter stating that they can have the house for nothing... the only condition is that they must never open the cellar door. If they do they lose the house. They agree to the terms and make themselves at home but it isn't long before the subject of what is behind the cellar door is raised, and just how would anybody know if they looked. Tensions rise further when a woman John had an affair with starts harassment proceedings against him at work.

This film turned out to be very different from what I expected. Instead of a horror it is a psychological thriller. Tensions rise nicely as John tries to keep his secrets from Sera and she is firm that they must not break the rule concerning the cellar door... just what can be down there that could demand it remains locked? Jordana Brewster and Scott Speedman are solid as Sera and John and Laurence Fishburne stands out as Emmett, the man giving them the house. The setting; both the house and surroundings give the film a good atmosphere. I can understand why many viewers are disappointed that one obvious question isn't answered but I quite liked that; it leaves the viewers free to have their own ideas. Overall I'd not call this a must see but if the like psychological thrillers it is worth a watch.

In the beginning I thought that the premise was something psychological or allegoric and the pitch was something in the lines of, Adam and Eve meet Alex Forrest, for those of you that don't know who she is, it is the character of Glenn Close in Fatal Attraction, by the end I realized that I was wrong, that there wasn't a metaphor and that the twists and turns were so forced that what could have been great idea didn't go anywhere.

Personally I hate open endings and I find them disrespectful to the audience and frustrating.

Two hours is too much time to invest in a movie without a conclusion or a clear ending.

I cannot believe that I watched that movie twice. First at the beginning of November and today again. I watched it and thought: "Kind of familiar." Well, I continued to watch it.

After the movie wrapped up, I was like: "Dang, I watched it already."

It's how forgettable this movie is. Oh my God, I was so dumb wasting the same amount of time twice. It's a very bad movie. Forgettable, basically background noise. I wouldn't wonder if my troglodyte-brain sees that movie in the "what to watch"-list and I choose that movie again at the beginning of January.

It's really bad. And I cannot believe how dumb I am for watching it twice... 🙄

Cellar Door just failed to deliver in my opinion. Even though there's a non-predictable twist it's still not good enough to stand out from the rest in the thriller genre. Director Vaughn Stein must be an avid television watcher as his movie is nothing more than a mediocre tv-movie copy. If you want to make a good movie you firstly need a good soundtrack, certainly not that typical tv-movie piano soundtrack. Just that alone makes your movie look cheap. Add to that some average acting and you have the perfect recipe for a movie that nobody will remember. I have no clue why Lawrence Fishburne would even think in participating even if he has a very small role. He's probably just a poster filler, a name that attracks an audience. I wouldn't waste your time with this one unless you like forgettable Sunday afternoon tv-movies.