Ein Ehepaar, das nach einer Fehlgeburt einen Neuanfang wagen will, bekommt das Haus seiner Träume geschenkt - mit einer Bedingung: Sie dürfen die Kellertür nicht öffnen.Ein Ehepaar, das nach einer Fehlgeburt einen Neuanfang wagen will, bekommt das Haus seiner Träume geschenkt - mit einer Bedingung: Sie dürfen die Kellertür nicht öffnen.Ein Ehepaar, das nach einer Fehlgeburt einen Neuanfang wagen will, bekommt das Haus seiner Träume geschenkt - mit einer Bedingung: Sie dürfen die Kellertür nicht öffnen.
Randy Sean Schulman
- Steven
- (as Randy Schulman)
Zach Feiner
- Zac
- (as Zachary Feiner)
Jesaar Landavaso
- Happy Client
- (Nicht genannt)
Kyle Stoltz
- HR Department Executive
- (Nicht genannt)
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Following a loss young couple Sera and John decide to move out of the city. They find a town they like but every house they like is well out of their price range. They are just about to give up when they are shown another house. It is large, beautiful and over a hundred years old; the owner invites them to spend the night. When they wake up he has departed leaving a letter stating that they can have the house for nothing... the only condition is that they must never open the cellar door. If they do they lose the house. They agree to the terms and make themselves at home but it isn't long before the subject of what is behind the cellar door is raised, and just how would anybody know if they looked. Tensions rise further when a woman John had an affair with starts harassment proceedings against him at work.
This film turned out to be very different from what I expected. Instead of a horror it is a psychological thriller. Tensions rise nicely as John tries to keep his secrets from Sera and she is firm that they must not break the rule concerning the cellar door... just what can be down there that could demand it remains locked? Jordana Brewster and Scott Speedman are solid as Sera and John and Laurence Fishburne stands out as Emmett, the man giving them the house. The setting; both the house and surroundings give the film a good atmosphere. I can understand why many viewers are disappointed that one obvious question isn't answered but I quite liked that; it leaves the viewers free to have their own ideas. Overall I'd not call this a must see but if the like psychological thrillers it is worth a watch.
This film turned out to be very different from what I expected. Instead of a horror it is a psychological thriller. Tensions rise nicely as John tries to keep his secrets from Sera and she is firm that they must not break the rule concerning the cellar door... just what can be down there that could demand it remains locked? Jordana Brewster and Scott Speedman are solid as Sera and John and Laurence Fishburne stands out as Emmett, the man giving them the house. The setting; both the house and surroundings give the film a good atmosphere. I can understand why many viewers are disappointed that one obvious question isn't answered but I quite liked that; it leaves the viewers free to have their own ideas. Overall I'd not call this a must see but if the like psychological thrillers it is worth a watch.
A lot of people gave this movie a really bad review. However, even though the movie is a slow burn it was very watchable. I liked the characters, the filming style was pretty good, loved all the piano music. The storyline did seem okay. Had a few twists and turns and a little bit of who done it. Seemed the movie had a message to tell. But the ending. Well could've been better! Nothing much else to say. It's sad that Imdb still requires us to type a really long review or it doesn't get approved! What is wrong with short and sweet? Who really wants to read a really long review? Getting to the point is perfect!
Cellar Door starts with an intriguing premise, hinting at a mysterious horror story full of suspense and deep-rooted tension. However, it soon becomes clear that the film's potential remains untapped. What begins as an atmospheric buildup, luring the audience with the promise of dark secrets and spine-chilling moments, gradually devolves into an uninspired, drama-filled soap opera with no real stakes or satisfying resolution.
The movie's singular rule-"Just don't open the cellar door"-is paradoxically both the center of attention and a total misdirection. One would expect that such a warning would be pivotal to the story, propelling the plot with intense anticipation. Instead, it plays no significant role at all, leaving viewers scratching their heads. How does a film build its entire narrative on a concept that never materializes into anything meaningful? The result is a frustratingly aimless experience with no payoff, no tension, and an underwhelming narrative arc.
In the end, Cellar Door fails to deliver on every front, leaving audiences with more questions than thrills and a lingering sense of wasted time.
The movie's singular rule-"Just don't open the cellar door"-is paradoxically both the center of attention and a total misdirection. One would expect that such a warning would be pivotal to the story, propelling the plot with intense anticipation. Instead, it plays no significant role at all, leaving viewers scratching their heads. How does a film build its entire narrative on a concept that never materializes into anything meaningful? The result is a frustratingly aimless experience with no payoff, no tension, and an underwhelming narrative arc.
In the end, Cellar Door fails to deliver on every front, leaving audiences with more questions than thrills and a lingering sense of wasted time.
I enjoyed this film; well acted and not a horror, more a mystery who dunnit. It is a relatively slow burn, but I was intrigued by the characters and invested in them. The characters, though few in number, were all fleshed out with their own unique quirks and motivations, adding depth and complexity to the story. A score of 7 may be a little high, but so many reviewers giving this a 3 or 4, in my opinion, is rather mean. It contains some blood and a little violence, which is nothing you won't have seen on a BBC production; it is well crafted and unexpected. I don't think anyone who is a Who Dunnit fan or enjoys a good mystery will believe their time was wasted by watching this. Look elsewhere if you are after blood, gore, and supernatural happenings.
The premise for 'Cellar Door' intrigued me. When you name your movie that and then make the movie about the mystery of what is behind the cellar door, then it should be a fun ride to go on and hopefully have a good pay off. Unfortunately the film wasn't as much about that as it had implied, and the ride wasn't as fun as it should've been.
This was more of a regulation thriller with a side story revolving around the cellar door. Now I've got no problem with regulation thrillers - if they're done well. This one however was a bit flat. In fact the whole movie was a bit flat. It was lacking some punch and some X-factor.
I found myself really having to strain to keep my attention on the film and that's a shame. There were a lot of little tweaks that I think could've made this a better experience. 5/10.
This was more of a regulation thriller with a side story revolving around the cellar door. Now I've got no problem with regulation thrillers - if they're done well. This one however was a bit flat. In fact the whole movie was a bit flat. It was lacking some punch and some X-factor.
I found myself really having to strain to keep my attention on the film and that's a shame. There were a lot of little tweaks that I think could've made this a better experience. 5/10.
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
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- Weltweiter Bruttoertrag
- 39.830 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
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