IMDb-BEWERTUNG
6,1/10
20.857
IHRE BEWERTUNG
Die Geschichte eines jungen Mannes, der sein Leben lang nach Rache gesucht hat, nur um sich einer größeren Herausforderung zu stellen, als er es ursprünglich erwartet hatte.Die Geschichte eines jungen Mannes, der sein Leben lang nach Rache gesucht hat, nur um sich einer größeren Herausforderung zu stellen, als er es ursprünglich erwartet hatte.Die Geschichte eines jungen Mannes, der sein Leben lang nach Rache gesucht hat, nur um sich einer größeren Herausforderung zu stellen, als er es ursprünglich erwartet hatte.
Mike Patton
- The Narrator
- (Synchronisation)
Filip Ciprian Florian
- Killer No. 10
- (as Florian Ciprian)
Empfohlene Bewertungen
I really can't understand why those bad reviews about this movie, this was a great entertainment, never been bored for 2 hours. This could just have been directed by Tarantino, nobody would have noticed and everyone would loved it. The story is imaginative, i mean this is not just the story of a a young man who has spent his life searching for revenge like stated in the plot line. (i will not spoil but the beginning says it all). Also the acting is great, every role is carefully, naturally and so damn well interpreted. Demi Moore was a bit unlucky about that not very interesting character, and in my humble opinion like stated before kind of a waste of Demi's talent. Anyway i would even say theatrical, with Kevin McKidd's performance. If i could choose a mix of films to describe this one i would say: Sin City + Kill Bill + A Clockwork Orange + Dark City ...all with a nice perfume of old japan vs wide west western.
8/10
8/10
After seeing the relatively low rating on this movie I decided to just give it a go without expecting too much.
Boy was I wrong! One of the most compelling intros I've seen this year, with humor, fast paced storytelling and very, very stylishly done, what's not to like? Well: the story is fast but not so much original. The action is good but didn't quite blow me off my chair. Woody Harrelson is fun, but this role seems to be typecast for him, don't expect too much out of the ordinary. Harnett pretty much copies the role he had in Lucky number Slevin. Gackt makes his debut I think and does so convincingly.
Should you see this movie? Yes! It's beautifully made, switches visual styles, languages and mood a lot and does so convincingly. Just don't expect to many surprises from the writing department. 8/10
Boy was I wrong! One of the most compelling intros I've seen this year, with humor, fast paced storytelling and very, very stylishly done, what's not to like? Well: the story is fast but not so much original. The action is good but didn't quite blow me off my chair. Woody Harrelson is fun, but this role seems to be typecast for him, don't expect too much out of the ordinary. Harnett pretty much copies the role he had in Lucky number Slevin. Gackt makes his debut I think and does so convincingly.
Should you see this movie? Yes! It's beautifully made, switches visual styles, languages and mood a lot and does so convincingly. Just don't expect to many surprises from the writing department. 8/10
Depicting the history of man's taste for intraspecies slaughter, the rather nifty, silhouette-animated opening sequence sets up the events leading to the movie's post-apocalyptic, gun-controlled future setting. In these surroundings arise two warriors, each seeking out the villain of the piece for a reason of his own.
This star-loaded feature seems to have everything going for it: a cast of proved pedigree (including Ron Perlman done-up like Rob Zombie); a stylised comic book setting (with the use of modern-day comic heroes as "ancient" legends); and some nifty narration. Unfortunately, I found it quite difficult to give much of a shi t about the story and characters, insipid and generic as they were. The action sequences, whilst hardly the worst I've seen, fail to make much in the way of impact, and half the lines delivered are mumbled, necessitating quite a bit of frustrating backscanning. Admittedly, Harrelson's bartending mentor and Perlman's ennui-stricken Big Bad provide a smidgen of interest, but they're no match for the aesthetically-appealing mediocrity of the film they find themselves in...and can someone tell me what the point of Demi Moore's character was? In summation, a beautifully bland beat 'em-up which took up two hours too many of this viewer's life.
This star-loaded feature seems to have everything going for it: a cast of proved pedigree (including Ron Perlman done-up like Rob Zombie); a stylised comic book setting (with the use of modern-day comic heroes as "ancient" legends); and some nifty narration. Unfortunately, I found it quite difficult to give much of a shi t about the story and characters, insipid and generic as they were. The action sequences, whilst hardly the worst I've seen, fail to make much in the way of impact, and half the lines delivered are mumbled, necessitating quite a bit of frustrating backscanning. Admittedly, Harrelson's bartending mentor and Perlman's ennui-stricken Big Bad provide a smidgen of interest, but they're no match for the aesthetically-appealing mediocrity of the film they find themselves in...and can someone tell me what the point of Demi Moore's character was? In summation, a beautifully bland beat 'em-up which took up two hours too many of this viewer's life.
I had no idea what this film would be like before I watched it - I saw it was sci-fi and watched it anyway. During the (most impressive) intro, I saw just about every Hollywood name I ever knew mentioned. It has quite an impressive cast.
Set in an indeterminate timeless point in the future where all firearms have been outlawed and the gangs rule the streets, a couple of strangers decide to take them on. Nothing hugely original in the story; I think the cast signed on because of the way it was filmed. It looks amazing. Maximum points to the lighting guys and the set designers - at first I thought it reminded me of a living computer game, however, about half way through it, I changed my opinion to more like a graphic novel.
All the cast seem to be enjoying being in an 'arty' flick, but just sort of mumble their lines. These (slightly over the top) dialogue sequences are intercut with a few fight scenes which are okay as they go, but nothing you haven't seen before.
Yes, it all looks great - every scene is a visual treat on the eyes. There just isn't much more to it than that. I don't know what it was aiming for. Some scenes are downright comical (intendedly so I'm guessing?), others are way too up themselves and serious.
It's probably a great film. I enjoyed it at first, but it got a little old a little too soon. Serious art-house sci-fi fans only. Perhaps the failings are on my part?
http://thewrongtreemoviereviews.blogspot.co.uk/
Set in an indeterminate timeless point in the future where all firearms have been outlawed and the gangs rule the streets, a couple of strangers decide to take them on. Nothing hugely original in the story; I think the cast signed on because of the way it was filmed. It looks amazing. Maximum points to the lighting guys and the set designers - at first I thought it reminded me of a living computer game, however, about half way through it, I changed my opinion to more like a graphic novel.
All the cast seem to be enjoying being in an 'arty' flick, but just sort of mumble their lines. These (slightly over the top) dialogue sequences are intercut with a few fight scenes which are okay as they go, but nothing you haven't seen before.
Yes, it all looks great - every scene is a visual treat on the eyes. There just isn't much more to it than that. I don't know what it was aiming for. Some scenes are downright comical (intendedly so I'm guessing?), others are way too up themselves and serious.
It's probably a great film. I enjoyed it at first, but it got a little old a little too soon. Serious art-house sci-fi fans only. Perhaps the failings are on my part?
http://thewrongtreemoviereviews.blogspot.co.uk/
What a pleasant surprise! So many symbols, details and colors. This movie is, like it says in the summary - moving pictures. Of course, the comparison with Sin City is inevitable, but this is different. Original. Poetry of composing colorful images. And yet, it still looks like a comic book brought to life. Or a theater of shadows. Or puppets (which is what Bunraku is all about, as a traditional Japanese theater). Everything made of drawings, cardboard and wood, except for some vehicles (Europeans will feel some nostalgia seeing old Fiat 600 and Reanault R8 Gordini) and swords. Surreal and yet very much close to what we imagine as real. Cast is excellent, as well as direction, editing, music and camera. Why not 10 stars then? There are some theatrical element I thing are not adequate for the whole composition. But you don't have to be so picky. Watch it and enjoy the art of making movies as moving pictures.
Wusstest du schon
- WissenswertesThe title of the film is based on a four-hundred-year-old form of Japanese puppet theater, a style of storytelling that uses four-foot-tall puppets with highly detailed heads, each operated by several puppeteers who blend into the background wearing black robes and hoods.
- PatzerWhen shooting the burning arrow, we see Yoshi's finger wrapped around it. This would not work in reality, as not only would the arrow go entirely it's own way without any control, but it would also cause friction burns, and probably cuts, on the finger. That is a mistake one makes only once.
- Zitate
The Narrator: An eye for an eye, a tooth for a tooth, will forever make better grammatical balance than turning the other cheek.
- VerbindungenFeatured in Bad Movie Beatdown: Review of 2011 (2012)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Nine Assassins
- Drehorte
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 129.706 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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