Zwei Freunde, die ihr ganzes Leben miteinander verbracht haben, geraten in eine Sackgasse, als der eine ihre Beziehung abrupt beendet, was für beide Konsequenzen hat.Zwei Freunde, die ihr ganzes Leben miteinander verbracht haben, geraten in eine Sackgasse, als der eine ihre Beziehung abrupt beendet, was für beide Konsequenzen hat.Zwei Freunde, die ihr ganzes Leben miteinander verbracht haben, geraten in eine Sackgasse, als der eine ihre Beziehung abrupt beendet, was für beide Konsequenzen hat.
- Für 9 Oscars nominiert
- 153 Gewinne & 378 Nominierungen insgesamt
Lasaírfhiona Ní Chonaola
- Female Singer
- (as Lasairfhíona Ní Chonaola)
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I couldn't tell if it was trying to be profound, subtly comedic, thought-provoking or all of the above. It kind of failed at all of them.
I don't think it deserves the praise it has received - it was okay, it had some mildly amusing moments but it had one storyline which doesn't really go anywhere and I soon lost interest. In Bruges was superb and I watched again in advance of going to see this. Maybe I shouldn't have, as this just doesn't get anywhere near it for comedy, warmth or character development.
The acting is brilliant, the scenery is spectacular, but I just didn't get it. It was... okay.
I don't think it deserves the praise it has received - it was okay, it had some mildly amusing moments but it had one storyline which doesn't really go anywhere and I soon lost interest. In Bruges was superb and I watched again in advance of going to see this. Maybe I shouldn't have, as this just doesn't get anywhere near it for comedy, warmth or character development.
The acting is brilliant, the scenery is spectacular, but I just didn't get it. It was... okay.
Enjoyed this far more than I expected. The plot feels both incredibly simple and deeply symbolic. So much so it leaves you pondering it's meaning long after the credits roll.
What's better - to lead a simple but honest, good life or be remembered for something deeper and more far reaching - and indeed why should there be a choice between the two?
The love for the animals gives the characters a sweet charm and innocence, and they're all still likeable despite strangeness and flaws.
It is strange, at times funny, poignant, sweet, and most certainly watchable. Great acting all round and a breath of fresh air.
What's better - to lead a simple but honest, good life or be remembered for something deeper and more far reaching - and indeed why should there be a choice between the two?
The love for the animals gives the characters a sweet charm and innocence, and they're all still likeable despite strangeness and flaws.
It is strange, at times funny, poignant, sweet, and most certainly watchable. Great acting all round and a breath of fresh air.
Super locations. Great photography. Masterful Production design. The acting is world class. So why didn't I enjoy this film? Because it promises to say something and goes nowhere. I'm obviously in the minority here but I wish my expectations hadn't been raised so high. It's dark but a slow almost empty darkness. I'll forget this film very quickly. Which is a good thing for me but doesn't say much for the quality of the story. It feels like there was much more there somewhere but it didn't make it out. Perhaps watching it on a rainy Monday evening didn't help. Also please don't go thinking this is a comedy or anything at all like 'In Bruges'. It's very far from funny. It's very far from the quality of that film.
I sat down prepared for an outstanding movie, what I got was nothing close to what I was expecting.
As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.
However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.
Go in for the acting and you will not be disappointed, however the overall story might let you down.
As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.
However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.
Go in for the acting and you will not be disappointed, however the overall story might let you down.
It is a well told dark comedy that keeps you wanting more, in a time when Ireland was full of despair, not long after the war of Independence and a long-suffering period that brought about a post-colonial inferiority complex (still hasn't been addressed to this day), a struggle for an identity, a repressive church, superstitions, isolation, mass emigration, poverty and to top it all off a brutal civil war. This film does a great job to put you in the psych of the time and to top that off the cinematography, costumes, music and atmosphere are wonderful. The film is itself a bit of a conundrum, on one hand it leaves you thinking nonstop about the story and the premise, while on the other hand you feel cheated by its abruptness.
Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.
Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.
It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.
My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.
8/10.
Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.
Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.
It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.
My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.
8/10.
Colin Farrell Reunites With Brendan Gleeson
Colin Farrell Reunites With Brendan Gleeson
Colin Farrell and Brendan Gleeson talk about reuniting with writer/director Martin McDonagh 14 years after making dark comedy cult classic In Bruges for McDonagh's new film, The Banshees of Inisherin.
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- WissenswertesColin Farrell had several incidents with animals during the shoot. Jenny, the miniature donkey, kicked him while he was hand-feeding her. Second, the dog portraying Brendan Gleeson's pet bit him. Thirdly, a horse leading a cart Farrell was in sat in tried to reverse the cart into the ocean.
- PatzerIn the first scene in Colm's cottage, an old phonograph with a horn is seen, and heard playing a record. The record is spinning at 33 1/3 RPM, instead of 78 RPM, which was the ONLY speed used to play records in the early 1920's. The slower speed was not used until LP records were introduced in the late 1940s.
- Zitate
Priest: Do you think God gives a damn about miniature donkeys, Colm?
Colm Doherty: I fear he doesn't. And I fear that's where it's all gone wrong.
- VerbindungenFeatured in CBC News: Toronto: Folge vom 16. September 2022 (2022)
- SoundtracksThe Banshees of Inisherin
Written and Performed by Brendan Gleeson
Performances also include Conor Connolly, James Carty, and Ryan Owens
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- Los espíritus de la isla
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Box Office
- Bruttoertrag in den USA und Kanada
- 10.582.266 $
- Eröffnungswochenende in den USA und in Kanada
- 184.454 $
- 23. Okt. 2022
- Weltweiter Bruttoertrag
- 50.250.625 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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What is the streaming release date of The Banshees of Inisherin (2022) in Canada?
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