IMDb-BEWERTUNG
5,9/10
6038
IHRE BEWERTUNG
Ein Pariser Model muss nach Madrid zurückkehren, wo ihre Großmutter, bei der sie aufgewachsen ist, gerade einen Schlaganfall erlitten hat. Doch ein paar Tage bei dieser Verwandten zu verbrin... Alles lesenEin Pariser Model muss nach Madrid zurückkehren, wo ihre Großmutter, bei der sie aufgewachsen ist, gerade einen Schlaganfall erlitten hat. Doch ein paar Tage bei dieser Verwandten zu verbringen, wird zu einem unerwarteten Albtraum.Ein Pariser Model muss nach Madrid zurückkehren, wo ihre Großmutter, bei der sie aufgewachsen ist, gerade einen Schlaganfall erlitten hat. Doch ein paar Tage bei dieser Verwandten zu verbringen, wird zu einem unerwarteten Albtraum.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Lle Godoy
- Persona Agencia 1
- (as Mikel Godoy)
Marta Crespo
- Enfermera
- (Synchronisation)
Esther Vaquero
- Presentadora Informativo
- (Synchronisation)
José Gigar
- Conductor Coche Accidente
- (as José Emilio Gimeno)
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The critical grandmother
La Abuela (The Grandmother) tells us the story of Susana, a model who has to leave her life and her work in Paris to return to Madrid. Ella's grandmother, Pilar de Ella, apparently just suffered a stroke. Years ago, when Susana's parents died, her grandmother raised her as if she were her own daughter. Now Susana needs to find someone to take care of her grandmother Pilar de ella, but what should only be a few days with her grandmother will end up becoming a terrifying nightmare.
I have to say, if you've seen "The Skeleton Key" from 2015, you'll know what this film is about from the beginning, this thanks to the first scene they show, no matter what as the movie progresses they play with the viewer to mislead him into thinking it might be a ghost tape or possible possession; On the contrary, if you haven't seen the tape I mentioned above, it can definitely become an interesting story.
Something interesting is the complicated situation that Susana will go through, she has her life made, she has important things to do and she puts everything on pause to take care of her grandmother, forgetting for a moment the horror genre, the director Paco Plaza shows us in a way briefly how difficult it can be to provide palliative care to a person whose life expectancy is relatively short due to illness.
The film promises much more than it really offers, but the best thing it has are the performances by Almudena Amor as Susana and Vera Valdez as Pilar, on the one hand Susana goes from being the worried granddaughter to being the terrified granddaughter of the strange events that she experiences with her grandmother and Pilar goes from being a needy grandmother to becoming a gloomy being; however, they could have better explained the interaction of the grandmothers with the granddaughters, since it feels like a gap without further character development, almost at the end they show a somewhat important connection, albeit briefly.
Paco Plaza seeks to convey terror with moments of tension with his dark shots, or some creepy images trying to give a sinister atmosphere, but he does not succeed, the problem is that the pace of the film is slow, certainly one would expect a better polished story and little predictable by the director of "REC" or "Veronica" that we can not say they were great tapes, therefore the result is a predictable movie with few scares, nothing out of the ordinary.
Rating: 7.0.
La Abuela (The Grandmother) tells us the story of Susana, a model who has to leave her life and her work in Paris to return to Madrid. Ella's grandmother, Pilar de Ella, apparently just suffered a stroke. Years ago, when Susana's parents died, her grandmother raised her as if she were her own daughter. Now Susana needs to find someone to take care of her grandmother Pilar de ella, but what should only be a few days with her grandmother will end up becoming a terrifying nightmare.
I have to say, if you've seen "The Skeleton Key" from 2015, you'll know what this film is about from the beginning, this thanks to the first scene they show, no matter what as the movie progresses they play with the viewer to mislead him into thinking it might be a ghost tape or possible possession; On the contrary, if you haven't seen the tape I mentioned above, it can definitely become an interesting story.
Something interesting is the complicated situation that Susana will go through, she has her life made, she has important things to do and she puts everything on pause to take care of her grandmother, forgetting for a moment the horror genre, the director Paco Plaza shows us in a way briefly how difficult it can be to provide palliative care to a person whose life expectancy is relatively short due to illness.
The film promises much more than it really offers, but the best thing it has are the performances by Almudena Amor as Susana and Vera Valdez as Pilar, on the one hand Susana goes from being the worried granddaughter to being the terrified granddaughter of the strange events that she experiences with her grandmother and Pilar goes from being a needy grandmother to becoming a gloomy being; however, they could have better explained the interaction of the grandmothers with the granddaughters, since it feels like a gap without further character development, almost at the end they show a somewhat important connection, albeit briefly.
Paco Plaza seeks to convey terror with moments of tension with his dark shots, or some creepy images trying to give a sinister atmosphere, but he does not succeed, the problem is that the pace of the film is slow, certainly one would expect a better polished story and little predictable by the director of "REC" or "Veronica" that we can not say they were great tapes, therefore the result is a predictable movie with few scares, nothing out of the ordinary.
Rating: 7.0.
The Grandmother can be a nice addition to the terrifying old people sub-genre. Being a Paco Plaza's film, of course it has some nice scares and dread. But, with a predictable plot, it offers nothing much more other than that.
I really wanted to like this movie, I have enjoyed previous Plaza's films and the trailer for this one had me intrigued. The film has a great production desing and photography and a creepy score, but the plot was too predictable. Skeleton Key already pulled something like this. And also it was too slow burned for my taste. Glad I waited till it got to streaming.
Paco Plaza continues to demonstrate his skill behind the camera, but as he did in Veronica, he does not get rid of the gimmicky and plays it safe with the effective. It seems that he has found his comfort zone and does not want to leave that bubble.
The film fails in how predictable it is, as you don't need more than 15 minutes to know how the story and the final climax will develop.
The best is the interpretative duel between the grandmother, magnificent Vera Valdez, and the no less spectacular performance of Almudena Amor, carrying almost all the interpretative weight of the film and coming out much more than successful.
In conclusion, you are left with a bittersweet taste because this director with these actresses should have produced a much more rounded product.
The film fails in how predictable it is, as you don't need more than 15 minutes to know how the story and the final climax will develop.
The best is the interpretative duel between the grandmother, magnificent Vera Valdez, and the no less spectacular performance of Almudena Amor, carrying almost all the interpretative weight of the film and coming out much more than successful.
In conclusion, you are left with a bittersweet taste because this director with these actresses should have produced a much more rounded product.
I stumbled upon the 2021 Spanish horror movie "La Abuela" (aka "The Grandmother") from writer Carlos Vermut and director Paco Plaza here in 2022. I had not heard about the movie prior to watching it, but I will say that I was lured in by the movie's cover/poster, and the synopsis seemed fair enough.
And now having seen "La Abuela", I must say that this is a slow burn of a movie. The pacing of the narrative from writer Carlos Vermut is really slow and sort of mundane. If you are expecting a great horror experience, then "La Abuela" is not the best of choice.
The storyline was just ultimately too weak and slow paced for my liking. Sure, I will say that the concept of the storyline was definitely interesting, but it was just brutally killed by a very monotonously directed movie that moved ahead in snail pace.
I wasn't familiar with the cast list in "La Abuela", but I will say that the cast actually carried the movie well enough, especially when taking into consideration the severe limitations imposed by the script and storyline.
I managed to sit through the entire movie, but I wasn't particularly entertained, much less impressed. And there wasn't a single scary moment throughout the 100 minutes that the movie ran for.
My rating of "La Abuela" lands on a three out of ten stars. The movie was just lacking in crucial areas and moments to be worthwhile.
And now having seen "La Abuela", I must say that this is a slow burn of a movie. The pacing of the narrative from writer Carlos Vermut is really slow and sort of mundane. If you are expecting a great horror experience, then "La Abuela" is not the best of choice.
The storyline was just ultimately too weak and slow paced for my liking. Sure, I will say that the concept of the storyline was definitely interesting, but it was just brutally killed by a very monotonously directed movie that moved ahead in snail pace.
I wasn't familiar with the cast list in "La Abuela", but I will say that the cast actually carried the movie well enough, especially when taking into consideration the severe limitations imposed by the script and storyline.
I managed to sit through the entire movie, but I wasn't particularly entertained, much less impressed. And there wasn't a single scary moment throughout the 100 minutes that the movie ran for.
My rating of "La Abuela" lands on a three out of ten stars. The movie was just lacking in crucial areas and moments to be worthwhile.
Wusstest du schon
- WissenswertesIt was scheduled to be released on October 22 2021. Later, was postponed for October 29 2021. On October 16 was announced that the release was postponed to January 5 2022. On December 23, after the increase in COVID-19 cases, was postponed for an undetermined date. On January 11 was announced that the release finally would be on January 28.
- Patzer(at around 11 mins) When the pilot announces the arrival to the airport of Madrid he says, "Welcome to the airport Adolfo Suárez Madrid" but this is incorrect as the airport's name, which they will always say is: "Adolfo Suárez Madrid Barajas".
Then they say they are going to land on the T4S. This terminal is only used for out of Europe or Non-Schengen planes, such as to Tokyo, America, etc. Paris is in Europe and part of the Schengen, the used terminal would have been T4 instead.
- VerbindungenFeatures La ruleta de la suerte (2006)
- SoundtracksElegía al jardín de mi abuela
by Vainica Doble
Written by Carmen Santonja / Gloria Van Aerssen / A.J. Nieto
Courtesy of Sony Music Entertainment España, S.L.
SGAE
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.343 $
- Eröffnungswochenende in den USA und in Kanada
- 2.585 $
- 24. Juli 2022
- Weltweiter Bruttoertrag
- 3.033.653 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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