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Psych
S. 3.E. 16
Alle FolgenAlle
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
IMDbPro

An Evening with Mr. Yang

  • Folge lief am 29. März 2011
  • TV-PG
  • 43 Min.
IMDb-BEWERTUNG
9,4/10
2285
IHRE BEWERTUNG
Maggie Lawson in Psych (2006)
Psych: An Evening With Mr. Yang
trailer wiedergeben1:11
1 Video
11 Fotos
KomödieKriminalitätMystery

Füge eine Handlung in deiner Sprache hinzuSerial killer Mr. Yin Yang who murdered 6 victims in 1995 resurfaces to play his cat-and-mouse clues games as he did with police officers back then. He has never been defeated and chooses Sh... Alles lesenSerial killer Mr. Yin Yang who murdered 6 victims in 1995 resurfaces to play his cat-and-mouse clues games as he did with police officers back then. He has never been defeated and chooses Shawn as his next opponent and the clues come fast and furious to save a young woman. Each c... Alles lesenSerial killer Mr. Yin Yang who murdered 6 victims in 1995 resurfaces to play his cat-and-mouse clues games as he did with police officers back then. He has never been defeated and chooses Shawn as his next opponent and the clues come fast and furious to save a young woman. Each clue has to do with something in Shawn's past. Shawn also attempts to rekindle an old high ... Alles lesen

  • Regisseur/-in
    • Mel Damski
  • Autoren
    • Andy Berman
    • James Roday Rodriguez
  • Stars
    • James Roday Rodriguez
    • Dulé Hill
    • Timothy Omundson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    9,4/10
    2285
    IHRE BEWERTUNG
    • Regisseur/-in
      • Mel Damski
    • Autoren
      • Andy Berman
      • James Roday Rodriguez
    • Stars
      • James Roday Rodriguez
      • Dulé Hill
      • Timothy Omundson
    • 13Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Psych: An Evening With Mr. Yang
    Trailer 1:11
    Psych: An Evening With Mr. Yang

    Fotos10

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 5
    Poster ansehen

    Topbesetzung17

    Ändern
    James Roday Rodriguez
    James Roday Rodriguez
    • Shawn Spencer
    • (as James Roday)
    Dulé Hill
    Dulé Hill
    • Burton Guster
    Timothy Omundson
    Timothy Omundson
    • Carlton Lassiter
    Maggie Lawson
    Maggie Lawson
    • Juliet O'Hara
    Kirsten Nelson
    Kirsten Nelson
    • Karen Vick
    Corbin Bernsen
    Corbin Bernsen
    • Henry Spencer
    Cybill Shepherd
    Cybill Shepherd
    • Madeleine Spencer
    Rachael Leigh Cook
    Rachael Leigh Cook
    • Abigail Lytar
    Jimmi Simpson
    Jimmi Simpson
    • Mary Lightly
    Ally Sheedy
    Ally Sheedy
    • Mr. Yang
    Sage Brocklebank
    Sage Brocklebank
    • McNab
    Emma Lahana
    Emma Lahana
    • Waitress
    Gemma Levinson
    • Hostess
    Guyle Fraizer
    Guyle Fraizer
    • Officer Fraizer
    Tae Helgeth
    • Old Pedicurist
    Beulah Wong
    • Receptionist
    Liam James
    Liam James
    • Young Shawn
    • (Nicht genannt)
    • Regisseur/-in
      • Mel Damski
    • Autoren
      • Andy Berman
      • James Roday Rodriguez
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen13

    9,42.2K
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    Empfohlene Bewertungen

    10alexander-w-tripp

    One of the best

    Still to this day ranks up there as one of the best episodes of all TV.
    1Zaffy-1

    Hate episodes like this one

    I hate every cop/crime/whodunnit series episode with "serial killer versus the lead" stories. So cliche, so overdone, so boring.

    I hate lighthearted series trying to do drama, especially when the writing and the actors cannot support it. I am sorry, but the lead (who is not a gifted actor anyway) cannot act drama to save his life. It was embarrassing watching him trying to act seriously.

    But most of all I hate the whole "will they or won't they" love drama between tv characters. So cliche, so overdone, so boring, at the end you just do not care if those two will hook up or not.

    This show is good for its silliness. Hopefully they haven't tried another drama episode like this and just stayed in what they do best: a nice lighthearted series. But usually those annoying serial killers have the nasty habit to return.
    4brian-btapple

    Worst episode

    Other than the kiss near the end, this is a terrible episode. Faced with the possible murder of a young waitress, simply because he hit on her earlier in the day, Shawn shows practically no real concern. Shawn is selfish, immature and insensitive, but this is ridiculous. This series works best as a light hearted farce with a few serious moments thrown in. Any attempts at a full episode of real emotion falls flat.
    bob the moo

    Season 3: Continues to be light, fresh, funny and really entertaining

    Looking at the way Monk has gone, I cannot help but watch Psych with an air of caution. The success of the show is down to such a simple formula week-to-week that I doubt it would work as it does of/when it starts mixing it up in an attempt to stay fresh. The start of season 3 has Shawn's mother enter the fray and I was worried that this would be the start of the rot in the way that movie series usually have to introduce a baby etc as a device to make the same characters seem fresh and allow for story lines. Fortunately this doesn't happen and for the vast majority of season 3, Psych sticks to the formula that I so enjoyed in season 2.

    It goes like this: we have a mystery that Shawn solves by way of his amazing skills of deduction, which he has to dress up as psychic visions in order to get a consultant's fee. He works alongside his friend Gus (who provides business sense and a car) and, although death is always involved, essentially goes through the case with a carefree wit and a bagful of popular culture references and irreverent approach to life. It sounds really simple but it is not easy to make something so silly work like Psych has done for the last few seasons. And it is silly – no point in denying it, the writing is good enough to provide solid stories to frame the silliness into engaging enough episodes but really it is silly. What makes this a non-issue though is that it is a lot of fun. As before this stems from the quick wit, mugging and references (self, films, music, TV etc) that it throws up. How many other murder mysteries have a pineapple in every episode? And how many do but yet also have good mystery plots? Well, just Psych I guess.

    Season 3 stays fresh apart from a few missteps. The introduction of some "serious" threads don't work – the clumsiest being Lassiter's ex-wife in a later episode, although I assume this is to allow a romance to be part of his character in season 4. Likewise the final episode, although reasonably exciting, is a warning to all those involved that the show simply doesn't work as well when it moves away from the light-hearted fun that is its engine. For almost all the episodes though, it manages to maintain this fresh air and it comes off the consistent delivery of the dynamics of Shawn and Gus. At some point I guess the writers will let this slide or change the dynamics or characters in order to create narrative but this has not happened yet (and I hope it does not as it destroyed season 5 of Monk – which still has not recovered). These two play off one another and everything else with glee and aplomb, matching the structure of the episodes in throwing out references here there and everywhere. Big Punisher references, 80's high school movies, 80's slasher films and even references to their own critics (a character saying they're tiring of Shawn's mugging gets "what are you, Entertainment Weekly?" as the hilarious response).

    The cast don't disappoint either and keep their focus on their jobs. Hill and Roday know their jobs are to deliver these characters in a fresh and fun way, keeping things free-flowing and enjoyable for the audience. They do this really well and deliver on the writing with a great double-act that regularly has me laughing. I'm not saying that their performances are Shakespearian but they have a set of things to do and they do these really well. Again I live in fear of the day the writers decide that the show should have development and depth because I don't think Roday will be as good at that, but then the show itself won't be either – but this has not happened (yet). Lawson is good and manages to keep her character fresh with an edge of sex appeal but not to the point where it gets in the way. Omundson is weak when the script needs more from his character in terms of depth but in regards the general situation he is funny and plays it well (ironically he is less funny when trying to be funny in the "outtakes"). Bernsen and Nelson are also good and all of these supporting players do better in season 3 in regards carrying things when the main two are off-screen. Not a lot is put on them but generally they have better material this time.

    Psych continues to be something I struggle to recommend to people because it is not "brilliant" in the way that some things of real quality will appeal to many – this is a bit too silly for everyone to enjoy. However, season 3 yet again repeats the charm of the series as a whole, building on solid plots and writing consistent characters to formula, the whole thing is a great deal of fun that makes for easy and enjoyable viewing. I look forward to season 4 and hope it can maintain what it is doing and not collapse like its companion Monk has done over the last few years.
    1appnzllr-1

    Overarching mysteries

    Overarching mysteries are the worst. It was a development in several series that ruined my enjoyment of those series. I would like to see a regular episode ten times more than ones like this.

    Verwandte Interessen

    Will Ferrell in Anchorman - Die Legende von Ron Burgundy (2004)
    Komödie
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Die Sopranos (1999)
    Kriminalität
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      One of the clues has the running joke "Bruton Gaster".
    • Patzer
      There many inaccuracies with the train scene, including: There have been no steam-powered coal trains in California since the 1950s. The locomotive is of a distinctive design used only by the Canadian Pacific Railway for passenger service, and would not have pulled coal trains in California. Coal trains use hopper cars to carry their cargo and would have no reason to have any boxcars in the consist. Cabooses have not been in general use on mainline American trains since the early 1980s. Any mainline freight train would move fast enough that wind would blow in through the empty boxcar door and move the pictures around, and this does not happen.
    • Zitate

      Juliet O'Hara: What I'm saying is that I think, maybe, the best things, the richest things aren't supposed to come easily, and that sometimes the moments that make the most sense happen when everything else doesn't and, well, I think you deserve more than popcorn tonight.

    • Verbindungen
      Featured in Psych: Extradition: British Columbia (2009)
    • Soundtracks
      Say Hello, Wave Goodbye
      Written by Marc Almond and Dave Ball

      Performed by David Gray

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    Details

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    • Erscheinungsdatum
      • 29. März 2011 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Drehorte
      • West Coast Railway Heritage Park, Squamish, British Columbia, Kanada(Train scenes)
    • Produktionsfirma
      • Tagline Pictures
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    Technische Daten

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    • Laufzeit
      • 43 Min.
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    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 16 : 9

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