Neptune Frost

I watched this film with 3 of my friends. 4 of us together, all young white guys, and we all liked it.

I especially LOVED IT! <3

This is a unique, creative masterpiece of a film. It's artsy, experimental, clearly limited budget - but it all works out great.

Sure, there's little plot. But not every movie needs a plot to be good, some movies are just great pieces of art, an experience - and this is one of those.

I can promise you, as far as such promises are possible, that you have never seen anything like it before. And as a development in the new genre of Afrofuturism, I personally believe that this movie could be a pivotal moment in the history of African film. A pioneer to inspire others about what can be made.

Don't judge this movie by any standards you're familiar with (especially Hollywood). View it through the lense of something new, fresh, exciting, and I'm sure most would agree with me that this is something truly special. An experience absolutely worth watching.

Take Sun Ra's Space is the Place. Update it to modern day Africa. It runs like Powaqaatsi if that movie had an actual plot. Combine liberally with costumes and makeup reminiscent of Liquid Sky. Add in a teaspoon of 2001. A dash of Viridiana. Fold in liberal amounts of Marxist poetry. Beware, it's a musical. Probably the only sci-fi-ish musical ever attempted. The musical parts often drag on in parts, especially the anti-Imperialism poetry jams. However, it's well worth the watch for all the color! Contains enough gender bending to qualify as a product of the 21st century. WTF did I just watch, will be your reaction upon the conclusion. Tunes reminiscent of Aphex Twin, Deep Forest, and the Red Army Choir. Destined to become a cult favorite in 20 years or so.

It seems like everything went into aesthetics with this one. There are really cool ideas and backgrounds and characters, but instead of plot development, we just get a lot of concepts shouted at us instead. This would have been better simply as an album or long music video, in my opinion. I am a huge Saul Williams fan and had hoped for a more complete movie experience.

Watching this felt exactly like what it feels like to be the only sober person in a club full of drunk people. If you've ever been a designated driver and had to listen to the cooing and obnoxious behaviors of drunk people, that is the equivalent to what watching this movie felt like. This movie was an incoherent acid trip, but not in a fun way. Unnamed characters, with no dialogue, would look at the camera and have post processing special effects applied to them with the same quality you'd expect in a high school film class. Except the high school film class would at least add dialogue and a coherent plot.

I waited optimistically for this film to make sense. You cling to the hope that, if you suffer through 20 minutes of the oddity that you would be rewarded with something that makes it all click into place. But that thing never comes. This movie remains the same pointless spectacle from beginning to end, except at least in the beginning the spectacle is interesting. By the time the audience makes it 5 minutes into the movie, the visual spectacle isn't even interesting anymore.

Neptune Frost is completely trippy. Black codes from the underground meets cloud networks but all expressed as some kind of extended contemporary dance piece.

Parts are simply incoherent but there is always something to look at. It is interesting to have 2 or three characters in the foreground having a poetry recital while in the background there are often dancers interpreting the music that we are all hearing.

There are a number of ideas going on here and I really enjoyed this film as a creative and engaging although the stilted dialogue was a bit too theatrical for its own good.

It was very much like some kind of theatre / contemporary dance piece where the words are clues to the story but not the whole story at all.

I read somewhere that the music was 3 albums worth and when I saw the drummers at the end I was ready for the film to finish so that editing felt like a natural arc. I saw this film at a film festival and I hope it gets wider release. It is exciting and visually and musically very much a success on its own terms. There is a narrative but I think that is secondary.