1 1/2 Ritter - Auf der Suche nach der hinreißenden Herzelinde

I just saw it at Lufthansa, maybe not the best motivation but I was pleasantly surprised anyway. For humor a German film would not be my first choice. I took the original German sound with English subtitles and appreciated that (being Dutch). The movie is not spectacular in its story or plot and has a classic happy end, but the mix between let's say full medieval scenery and very contemporary culture I found interesting and funny enough. For sure, there is some sex, but more as sound than image and on the level of relatively modest western moral standards, but I would say that adds to the fun of watching this movie. So why this movie? The photography is done very well, very nice to look at, spectacular fighting scenes sometimes, beautiful characters and clothing. It can be slow at times, and indeed never really hilarious, but actually I find that more of a compliment than when it would have gone over the top there. When you do not want a Hollywood film once again, don't want to be annoyed but instead just have entertaining watch time, this movie is a good choice.

I really was disappointed after watching this movie. The cast was promising, a lot of famous Germans actors and comedians are participating in this movie. Even the plot was promising but i don't know what happened. Some sequences were way too long, the beginning was lame and funny scenes weren't that funny. And this movie is NOT for the whole family, my advice: please leave your kids under 12 years at home, because an important topic is sex. I wished there were more funny moments in it. There is no spirit in this movie. Of course there were some points where i had to laugh, mostly when the character called Erdal was on screen. This was not a good German comedy.

There isn't even a year between this and the release of Til Schweiger's previous film, "Keinohrhasen" ("Rabbit without Ears"). Thankfully, he didn't write the script this time around, so in the ever-growing Schweiger canon this film stands out: Instead of making a romantic comedy about an irresponsible manchild who learns to commit to a meaningful relationship by the end, this one is a broad medieval comedy. It has therefore more in common with similar German period spoof films, like the "7 Zwerge" ("7 dwarfs") movies or the earlier films by Michael Herbig, although none of these are set in medieval times.

A big advantage of Schweiger giving screenwriting duties to other people is the fact that he plays a different character than in all his other movies. His stale performance in "Keinohrhasen" didn't convince me of his acting talent, but I found him rather enjoyable here. He is still sloppily mumbling through his lines and his face muscles rarely move, but put a silly wig on him and write him as somewhat socially awkward, and you can make his role kind of funny and refreshing.

All the other players in this movie, most of them television personalities rather than actors, don't venture out of their comfort zone, and are therefore not as refreshing. The casting of Thomas Gottschalk as King Gunther is technically spot-on, but unfortunately Gottschalk takes his role far too seriously. Same for Udo Kier. The only genuinely good performance comes from Rick Kavanian, but that doesn't mean he made me laugh.

That's because the script is painfully unfunny. Some of the comedy bits are lifted from better films, and stupid pseudo-gags are extended way beyond what is appropriate. Which might be the reason behind the long running time. There is no justification for this movie being almost two hours long, it just makes its glaring writing and pacing issues even more apparent.

Many movies like this feature some anachronistic jokes, which often makes it hard for me to develop some interest or belief in their fictional worlds, but those jokes are often reserved for quick one liners, and since these films are typically quite fast-paced, they don't take me out of the story. In "1 1/2 Ritter," however, the pacing is painfully slow, so there is nothing to compensate for all the jokes that don't land or take you out of the movie. The performances, as described above, are very low-energy, so even they don't compensate for the lack of genuine comedy writing. Compare this to the movies I listed as comparisons above (which, mind, are no masterpieces either).

As a director, Schweiger is clearly out of his depth directing action scenes. A movie like this doesn't need good action because, unlike most historical dramas, the story doesn't require extended fight scenes, but that didn't stop Schweiger from including them anyway. And because he apparently couldn't afford a stunt double to perform some good choreography, all of them consist of rapidly edited close-ups of Schweiger going "hrrrng!" and violently punching his enemies.

As for improvements: At least the pictures in the film have a little more colour in them than in "Keinohrhasen," the camera work in general is pretty good, and the soundtrack is well-placed and might even be listenable if you listen to it independent from the movie.

Thanks to Rick Cavanian, Didi Hallervorden and Roberto Blanco 4-5 scenes are remotely funny, the rest of the movie had me cringing with pain due to unfunny jokes and horrific acting. Furthermore the plot has no continuity and failed to generate any suspense. Most chapters are introduced by showing the scenery or close-ups of some plants which isn't a bad thing per se, but these sequences are rather longer than needed. The soundtrack, while good (despite obvious Gladiator and The Dark Knight influences), doesn't seem to be aware of what's going on in the movie, the protagonists are accompanied by happy-go-lucky tunes almost all the time, in peril or not. Don't waste your time with this.

I was incredibly surprised that I enjoyed this film, but I found it to be one of the best 'Friday Night' comedies I have seen for a long time. Even though the film is subtitled and scripted in German (never my first port of call for issues of comedy) I laughed out loud (genuinely, not the trite LOL of social media) at several points. It is an historical romp that sensitively touches on several issues and has several modern day references that could ruin a film, but actually fit in. I loved the idea of a psychiatrist analysing the German equivalent of Robin Hood and concluding 'You've got a problem!' and I thought the idea of fans of a boy band throwing their chastity belts at the singers instead of their underwear an amusing sideline. The sensitive addressing of certain issues puts this film ahead of the crass denials of The Holy Grail and other similar comedies. I also loved the idea of inviting a sympathetic gaoler - and his daughters - to your own wedding a pleasant touch. This film has touches of the Holy Grail, Robin Hood Prince of Thieves, The Man of La Mancha, Les Visiteurs, The Blackadder, Time Bandits and Jabberwocky all mixed together but given an unique feel - all in German with sub titles. I also found the slightly unusual musical score refreshingly good - I would like to know if a recording of just the score is available. The Knight of the title is a Superstar Knight who falls from favour - and is imprisoned - because he failed to protect the Princess he was meant to be guarding, but he is then given a chance to redeem himself by searching for the kidnapped princess, whom he adores. The Half-a-Knight from the title is a Christian Moorish con-man (what a concept!) whose very existence touches upon many modern issues, and whose role is sensitively played. I suspect the negative reviews are from viewers who could not see beyond the mixing of modern with medieval (there was a decision to add a New Kids on the Block concert that makes little sense apart from the comic issues that arise therefrom). Perhaps those reviewers should remember that this is a comic romp and is not intended to be historically accurate! In fact there are some interesting performances here (albeit no great acting moments), sensitive treatment of certain issues and the occasional genuine laugh-out-loud moment of real comedy. I will definitely watch this film again (and again)