Whitechapel

I have watched the entire series, all 4 at least three times... This show really started out well, with a copycat Jack The Ripper storyline... Series 2 and 3 were also really good. This series really exemplifies what a gritty, thought provoking UK series is... it exemplifies what a series should be even in the States...

The only issue I have is that series 4 goes more paranormal than the previous 3 series... I believe that is what killed the show. I think if the writers stayed the course with investigating murders, and linking them to historical crimes... the show would still be on.

I will sadly miss seeing new episodes, and will have to watch only the 4 series that are available...

Great show!

I have to disagree with the reviewer who said this was ITV at it's worst. I found the characters to be enjoyable, if somewhat predictable. I rather wish this was a prelude to a series as I would enjoy seeing the team after they had come together finally in the end. If this had been a longer series, say 6 episodes it would have been even better. They could done a lot more character development. I do admit that the last episode felt a bit rushed (which is the reason for my previous statement). Bring on more Rupert.... This was a different kind of character from his role in Spooks. A bit of stretching is always good for an actor :) how about someone from the working class next eh? :)

This is something a bit different from the usual police procedural and it works very well because of the stylish and stylised direction and some great acting. The different sides of policing are painted with a broad brush but are essentially true, from the squad-room boys' club to the top brass—all management-speak plus old boys' network. Anyone who works in a company, private or public, of any scale, has seen these in action even today!

Phil Davis is cast very much to type as the cynical, angry, working policeman but the twist here is that he is the one who makes major mistakes every time about the perpetrator of the crimes and the possible suspects.

Steve Pemberton manages to be creepy and sympathetic at the same time.

Rupert Penry-Jones' subtle and far-from-heroic presentation of the "useless" plastic fast-tracker is spot-on, as is his gradual realisation that he's out of his depth and is being cast adrift by his "puppetmasters". He's been brilliant at the slow transformation into a real investigator, going with his instincts instead of by the book. It's a very unshowy but intense and believable performance and one of his best to date. The premise is highly imaginative by its nature but the mix of factual background and stylised dramatisation is so effective because it exercises the imagination. So many people, on the net and round the water-cooler, are talking about this drama, who dunnit and how the main characters are going to pan out, whether successful or failed or shattered. That's the mark of a really successful piece of TV!

Whitechapel on paper seemed as an interesting idea to work from, and in reality it was like that exactly. Some of the character development may come across as rather hackneyed at some points, but what made Whitechapel work especially for me was its atmosphere. The atmosphere is resolutely creepy and gripping, and this is helped by some top notch production values and haunting music.

The writing is thoughtful and well written and the story lines are always compelling and well paced with some genuinely shocking scenes to boot. The direction is taut, and the acting is another high point of Whitechapel, Rupert Penry-Jones is spot on, a more cold and cynical Phil Davis is perfectly cast and Steve Pemberton steals every time he's in with a performance that is both creepy and sympathetic at the same time.

Overall, a gripping and quite excellent series. 9/10 Bethany Cox

"Whitechapel" is rather like a Dan Brown novella. What it lacks in actual writing talent, it more than makes up in storyline.

The previous commenter skewered this 3-part ITV crime drama, a modernist re-do of the Jack the Ripper murders, but the high scores (9.0 out of 10 at time of writing) tell a different tale. Those who are watching are clearly enjoying this fast-paced, oddly dark series. I suspect this is a reflection on other lacklustre series offered today, as much as its own qualities, but equally it could be because of its ambitious narrative. It's one of those programmes which charms the viewer despite its flaws.

Rupert Penry-Jones, he of Spooks/Cambridge Spies and son of television grande dame Angela Thorne, leads a cast of unevenly talented actors who have been given the impossible task of updating the Jack the Ripper murders. But it's not just the crime which has been updated, but for once, so has the copper.

Like many "paper cops", who have more education than experience, DI Joseph Chandler (Penry-Jones) seems a bit wet to his hard-bitten colleagues in the force. His Savile Row suits, David Beckham haircuts, fashionably large Tag Heuer Grand Carrera Chronograph Calibre 17 watch (Penry-Jones is a big Tag fan), as well as homeopathic remedies for tension -- a mint pomade for the temples -- scream out metrosexual for these 'lager and crisps' men. It's all too much when he asks them to shower and look more respectable in a suit, not to mention actually read whole books on the Ripper murders, which they reluctantly do.

East Londoner extraordinaire, DI Miles (Philip Davis), especially doesn't like this new state of affairs. It's possible that he sees a future when policemen will be more like Penry-Jones than the rogue-copper-with-a-heart-of-gold version he represents; he constantly refuses to acknowledge the lad may have some good ideas. His colleagues agree, save for one DI Chandler wannabe, played by Sam Stockman. With his off-the-peg suits, and "crapuccinos" (as they are teasingly referred to by others), it seems even the lower orders may desire a more polished style.

The series is never bogged down by details of the old Ripper saga, perhaps due to the eccentric Ripperologist who hovers around the story, played to the hilt by the excellent Steve Pemberton. Could the mastermind of the modern Ripper murders, replicated to the exact detail, be none other than a man whose entire life is dedicated to Jack the Ripper? Or perhaps like an Agatha Christie murder, the obvious is too, well, obvious?

Whitechapel may have any number of flaws, not the least of which are hackneyed character development, seeming like a cross between Prime Suspect, Morse and cult-classic Edge of Darkness, but it packs a very intriguing punch all the same.