Adam - Eine Geschichte über zwei Fremde. Einer etwas merkwürdiger als der Andere.
Originaltitel: Adam
IMDb-BEWERTUNG
7,1/10
36.416
IHRE BEWERTUNG
Adam, ein einsamer Mann mit Asperger-Syndrom, baut eine Beziehung zu seiner über ihm wohnenden Nachbarin Beth auf.Adam, ein einsamer Mann mit Asperger-Syndrom, baut eine Beziehung zu seiner über ihm wohnenden Nachbarin Beth auf.Adam, ein einsamer Mann mit Asperger-Syndrom, baut eine Beziehung zu seiner über ihm wohnenden Nachbarin Beth auf.
- Auszeichnungen
- 3 Gewinne & 3 Nominierungen insgesamt
Empfohlene Bewertungen
Fresh and tangy, "Adam" is not your typical summer romance. The comedy emerges naturally from the situations that surround two appealing characters who develop a sweet, slightly complicated relationship. The acting is strong, especially Hugh Dancy's characterization of the title character. Rose Byrn as Beth is as easy to watch as she is easy to like.
I liked writer and director Max Mayer's ideas. Other people might have used a broader brush, but Mayer's narrative develops a simple momentum and a believable conclusion. Mayer avoids deliberate gags or gag-reflex resolution, and creates a film that is tender and very pretty. Adding to "Adam"'s appeal was the astronomy motif with its layers of stars, planets and pulsars. I thought the metaphor linking the the universe's creation to the distance that separates objects in space was particularly resonant, and I encourage people to pay attention to shooting stars.
I liked writer and director Max Mayer's ideas. Other people might have used a broader brush, but Mayer's narrative develops a simple momentum and a believable conclusion. Mayer avoids deliberate gags or gag-reflex resolution, and creates a film that is tender and very pretty. Adding to "Adam"'s appeal was the astronomy motif with its layers of stars, planets and pulsars. I thought the metaphor linking the the universe's creation to the distance that separates objects in space was particularly resonant, and I encourage people to pay attention to shooting stars.
As someone who actually does suffer from Asperger's Syndrome, it is easier for me than it might be for some people to understand and relate to many of the things that Adam says and does. I have been apprehensive in the past about viewing films that deal with this sort of subject, as I have learned that many of them paint stereotypical, unrealistic, and occasionally belittling portraits of people in my place or other similar situations. I was pleasantly surprised upon viewing this, as it really hit home in many ways. I often found myself saying "this reminds me of me" when watching Adam live his life from day to day (though we are very dissimilar in that I would never have a tantrum in front of a girl). Finally, this is quite possibly the most down to earth movie of its kind, as there is nothing that happens in it that cannot or is overly unlikely to happen in real life. Unfortunately, I cannot give it a perfect rating, because as impressive as its portrayal of Asperger's syndrome is, the story itself is weak and uninspiring and not as compelling and heart-wrenching as it ought to be.
Greetings again from the darkness. The first feature film from writer/director Max Mayer is terrific! It is what makes indie films such a treasure ... a small, little personal story that packs a wallop.
Many will remember Hugh Dancy from King Arthur and Jane Austen Book Club. In both, he was eye candy for the girls. Here he stretches his acting chops as Adam, who lives with Asperger's Syndrome. At first, he just strikes us as a guy with no real social skills. It's not until he meets his new neighbor (Rose Byrne) that we begin to understand why he's just not quite right.
Watching their relationship grown in a believable way is a tribute to both actors and a very solid script. A few sub-plots are juggled: death of a parent, living alone, loss of a job, etc, but the key to the film is the relationship and how it keys in our need to connect.
This is the type of film I wish more people would get a chance to see. It has so much more to offer than the over-hyped Hollywood junk that gets forced down our throats at the local megaplex. Adam won't crack the $200 million gross, but Adam will have an impact on you and create some interesting after-film discussion. Isn't that the real fun of movies anyway?
Many will remember Hugh Dancy from King Arthur and Jane Austen Book Club. In both, he was eye candy for the girls. Here he stretches his acting chops as Adam, who lives with Asperger's Syndrome. At first, he just strikes us as a guy with no real social skills. It's not until he meets his new neighbor (Rose Byrne) that we begin to understand why he's just not quite right.
Watching their relationship grown in a believable way is a tribute to both actors and a very solid script. A few sub-plots are juggled: death of a parent, living alone, loss of a job, etc, but the key to the film is the relationship and how it keys in our need to connect.
This is the type of film I wish more people would get a chance to see. It has so much more to offer than the over-hyped Hollywood junk that gets forced down our throats at the local megaplex. Adam won't crack the $200 million gross, but Adam will have an impact on you and create some interesting after-film discussion. Isn't that the real fun of movies anyway?
The adjectives used to market "Adam" include: romantic, funny, delightful, poignant, uplifting, humorous. I have to disagree with most of those, especially: funny, humorous and delightful. A comedy it is not.
But that's not to say that it isn't good. It's actually quite good. "Adam" is a tumultuous romantic relationship story centered on a young man with Asberger's syndrome. The main characters are Adam (Hugh Dancy), his love interest Beth (Rose Byrne), her father (Peter Gallagher), her mother (Amy Irving) and Adam's guardian (Frankie Faison). Each of these characters have their own story line which perfectly complements the main story. All of the characters have been vividly painted with complexity, emotion, and authenticity.
This is one of the most complete films in terms of quality of writing, direction, and overall superb technical film-making.
Of the adjectives to describe "Adam" I would use: genuine, sentimental, and heartbreaking. It is one of the best written films of its kind, but loses stars because of mis-marketing. It's not even close to a romantic comedy, perhaps it's a romantic drama if it can even be categorized.
But that's not to say that it isn't good. It's actually quite good. "Adam" is a tumultuous romantic relationship story centered on a young man with Asberger's syndrome. The main characters are Adam (Hugh Dancy), his love interest Beth (Rose Byrne), her father (Peter Gallagher), her mother (Amy Irving) and Adam's guardian (Frankie Faison). Each of these characters have their own story line which perfectly complements the main story. All of the characters have been vividly painted with complexity, emotion, and authenticity.
This is one of the most complete films in terms of quality of writing, direction, and overall superb technical film-making.
Of the adjectives to describe "Adam" I would use: genuine, sentimental, and heartbreaking. It is one of the best written films of its kind, but loses stars because of mis-marketing. It's not even close to a romantic comedy, perhaps it's a romantic drama if it can even be categorized.
So, I watched this movie with my autistic ex, before I knew I was autistic myself. My review is biased because I was trying the whole time to understand the motivations of the female character, Beth, and I found her to be completely incomprehensible. Fast forward a few years, and I realise it's because she's the Neurotypical in the relationship, so of course her motivations and actions are incomprehensible to me.
Adam's role was played fantastically, there were several points that moved me to tears. Particularly the scene where he hears Beth at the door, asking him to come out, but even though he wants to, he can't. It was a perfect prtrayal of social anxiety.
The only reason I don't rate it much higher is because it was also cringey in parts to watch and I found it uncomfortable. I don't like the feeling of watching people do socially awkward things and feel painful empathy on their behalf; it's like watching all of my social faux pas played out on screen. It's not a bad movie, I think objectively it was done very well, I just didn't personally like everything about it.
It is a decent portrayal of male autism. For an excellent portrayal of female autism watch Please Stand By, and for a perfect visual expression of pattern matching watch Temple Grandin, particularly the scenes with the wallpaper and the spoons.
There were, however, a few things about this movie that I feel were irresponsible on the part of the film makers.
The movie implies that it is too difficult for autistic people to have relationships. Yes, it's difficult in different ways than it would be for neurotypicals, but I don't like the way they choose to show that. I also just really didn't like how Beth insinuated herself in Adam's life for no apparent reason (that I could understand). I feel that for an autistic audience her motivations could have been explained somehow, because she was a bit baffling. I also worry that if this is the only movie anyone sees about autism, it gives a bit of an off perspective. The dialogue in the scenes with the racoons made me uncomfortable. We're not all that weird.
I do like that it showed an autistic who was able to work with correct accommodations in place, and when those were taken away he struggled. I liked that they showed how he was able to come up with creative solutions to problems, even though those were not the same ones an NT would have. I like that they showed him info-dumping at a party (when you talk at length about your special subject of interest because it's something you feel comfortable with because small-talk is too complicated to navigate) and his avoidance of eye contact.
I feel like I'm being mean to rate it so low, you know what I'll put it up to an 8. It is a really good film, like I said, I just don't like it. I hated Beth so I had no female protagonist to relate to and from memory (I saw it in about 2015 and don't intend to watch it again) I don't think it passes the Bechdel Test. Nah, you know what I'm leaving it at a 7.
That's my personal, subjective vote. I liked it better than Mary and Max, anyway.
Adam's role was played fantastically, there were several points that moved me to tears. Particularly the scene where he hears Beth at the door, asking him to come out, but even though he wants to, he can't. It was a perfect prtrayal of social anxiety.
The only reason I don't rate it much higher is because it was also cringey in parts to watch and I found it uncomfortable. I don't like the feeling of watching people do socially awkward things and feel painful empathy on their behalf; it's like watching all of my social faux pas played out on screen. It's not a bad movie, I think objectively it was done very well, I just didn't personally like everything about it.
It is a decent portrayal of male autism. For an excellent portrayal of female autism watch Please Stand By, and for a perfect visual expression of pattern matching watch Temple Grandin, particularly the scenes with the wallpaper and the spoons.
There were, however, a few things about this movie that I feel were irresponsible on the part of the film makers.
The movie implies that it is too difficult for autistic people to have relationships. Yes, it's difficult in different ways than it would be for neurotypicals, but I don't like the way they choose to show that. I also just really didn't like how Beth insinuated herself in Adam's life for no apparent reason (that I could understand). I feel that for an autistic audience her motivations could have been explained somehow, because she was a bit baffling. I also worry that if this is the only movie anyone sees about autism, it gives a bit of an off perspective. The dialogue in the scenes with the racoons made me uncomfortable. We're not all that weird.
I do like that it showed an autistic who was able to work with correct accommodations in place, and when those were taken away he struggled. I liked that they showed how he was able to come up with creative solutions to problems, even though those were not the same ones an NT would have. I like that they showed him info-dumping at a party (when you talk at length about your special subject of interest because it's something you feel comfortable with because small-talk is too complicated to navigate) and his avoidance of eye contact.
I feel like I'm being mean to rate it so low, you know what I'll put it up to an 8. It is a really good film, like I said, I just don't like it. I hated Beth so I had no female protagonist to relate to and from memory (I saw it in about 2015 and don't intend to watch it again) I don't think it passes the Bechdel Test. Nah, you know what I'm leaving it at a 7.
That's my personal, subjective vote. I liked it better than Mary and Max, anyway.
Wusstest du schon
- WissenswertesThe chief executive officer of Halloran, in the letter regarding Adam's interview, is named Tamar Ganish. The film's production designer is Tamar Gadish.
- PatzerWhen Beth has her picture hanging up inside Adam's closet, he turns around to look at her and the clock next to Beth says 10:40. Then Adam looks at the picture again in confusion then looks at Beth again a few seconds later and the clock next to Beth then reads 10:39.
- Zitate
Adam Raki: I can see that you're upset, but I don't know what to do.
Beth Buchwald: Could you give me a hug?
Adam Raki: Yes.
Beth Buchwald: Adam, I'd like you to give me a hug.
- VerbindungenEdited into Adam: Alternate and Deleted Scenes (2009)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.277.396 $
- Eröffnungswochenende in den USA und in Kanada
- 68.377 $
- 2. Aug. 2009
- Weltweiter Bruttoertrag
- 3.037.173 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What is the Brazilian Portuguese language plot outline for Adam - Eine Geschichte über zwei Fremde. Einer etwas merkwürdiger als der Andere. (2009)?
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