Kurbaan

Rensil D'silva's Kurbaan is an edge-of-the-seat thriller that seldom loses its grip on your attention. Credible performances from its leads, and a nail-biting screenplay make up for the plot holes that threaten to eat into this otherwise engaging film. Set in post-9/11 America, Kareena Kapoor and Saif Ali Khan star as Avantika and Ehsaan, professors at a Delhi campus who move to New York after a whirlwind romance, that involves making out in the college staff room, and a prompt marriage. Avantika, who was teaching in the States prior to her stint in India, returns to her original job, and Ehsaan accompanies her, hoping to find a position for himself too. The couple moves into an Indian neighborhood in suburban New York, where Avantika stumbles upon the shocking secret that her husband is part of a sleeper cell of Islamic fundamentalist terrorists that's hatching a plot to bomb the New York subway. She enlists the help of a news channel cameraman Riyaaz Masood (played by Vivek Oberoi), who infiltrates the gang to foil their attack. More compelling than the similarly themed New York, Kurbaan scores for its brisk pacing, and for the fact that it doesn't offer an over-simplistic view of the terrorism issue. The film allows enough room for all perspectives and avoids romanticizing the terrorist as a victim seeking revenge, even if characters like Bhaijaan (played by Om Puri) and Aapa (played by Kirron Kher) make the same point repeatedly. It's in a dramatic classroom scene in which Vivek Oberoi's character Riyaaz confronts white students and their predictable logic, that the film reveals its neutral stance. The key problem with Kurbaan, however, is that it can't decide if it wants to be a serious film addressing a burning issue, or a commercial potboiler set against the backdrop of terrorism. How else do you explain such lapses in logic as Riyaaz's needlessly heroic decision to explore a possible terrorist situation himself, instead of alerting the cops right away? Or the terrorist group's decision to include Riyaaz in their mission without as much as a thorough background check. Even the love scene between Saif and Kareena, although aesthetically shot, has a distinctly 'filmi' logic - Avantika's seducing Ehsaan to get her hands on vital information that could prevent the attacks. Another careless oversight on the part of Kurbaan is the more-or-less insignificant role the FBI plays in all of this. Anyone who's traveled to the United States post 9/11 or even watched a handful of recent Hollywood thrillers will tell you that America became a different country since September 11 happened. Even a mention of words like 'bomb' or 'terrorist' could get you into serious trouble. Which is why it's a little alarming to note that Ehsaan roams about freely on the streets of New York without bothering with so much as a guise, when the FBI have clear photographs of this most-wanted terrorist. Or that he can walk into a bar and stab a man to death, or escape from a run-in with the cops. Just watch the recent Harrison Ford-starrer Crossing Over in which the FBI swoops down on a teenage Bangladeshi girl for a class essay she wrote in which she may have sounded at best 'casual' to the Twin Towers attack. These irregularities might be dismissed as nitpickings in an average masala entertainer, but they stand out in a film like this which prides itself on attention to detail and credibility of intent. Despite its hiccups, Kurbaan works as a suspenseful thriller, sucking you into its drama even though you may have figured out where the story's going. Refer to that terrific scene in which Ehsaan reveals his real identity to Avantika, or the one in which Riyaaz's secret is accidentally revealed to Ehsaan. There is genuine intrigue in these moments, and you're undeniably hooked. Kurbaan is convincing also for the remarkable acting by its three leads, who are a pleasure to watch. If Saif Ali Khan approaches his part with restraint and minimalist fuss, then Kareena Kapoor goes for a simmering, slow-burning performance that eventually punches you in the gut. Vivek Oberoi, despite the occasionally rickety accent, throws himself into the role and turns in a sincere, spontaneous delivery. As an ensemble, the trio turns Kurbaan into one of the best-acted pieces you've seen all year. Armed with Hemant Chaturvedi's efficient camera-work and Salim-Suleiman's rousing music score that never distract from the storytelling, director Rensil D'silva makes a confident debut with a film that is both respectable and engaging. It's a compelling thriller that doesn't shy away from touching prickly issues.

Many films in Bollywood have tried to bring out the topic "Global Terrorism". This one does the same.The difference about Kurbaan is that this movie was directed masterfully.

There have been comparisons between Kurbaan and New York. Although the two deal with similar topic, both have a different form of approaching terrorism. Although there are a few similarities, it is not the same.

Avantika (Kareena Kapoor) teaches at the university and falls in love with colleague Ehsaan Khan (Saif Ali Khan). The two get married and shifts to New York City. Life starts normally for Avantika and Ehsaan.But not for soon. There Avantika becomes witness to some terrorist operations in her neighborhood headed by a Muslim fundamentalist (Om Puri). Soon she realizes that she is a pawn to a huge conspiracy. She secretly seeks help from a television reporter Riyaaz (Vivek Oberoi) who attempts to infiltrate the terrorist outfit to foil their big plan.

The movie initially portrays the love between the two leads swiftly changing its identity to a social film and it definitely engages the audience.

Saif Ali Khan has yet proved his skills as an actor. Through the character of Ehsaan Khan he passes a very strong message to all of us. This should easily be one of Saif Ali Khan's finest performance after Omkara.

Kareena Kapoor has certainly found the right track this time. After a box office flop(Kambakkht Ishq), Kareena has managed to bring out the best in her and has without a doubt delivered a fine performance and is a delight to watch on screen. She has managed to bring out the right emotion required, and has done justice to her role.

Vvek Oberoi has come back with a powerful performance. Just when we thought he is out of Bollywood he has proved us all wrong. An outstanding performance by him has brought him back into the "dream world" yet again. He was easily the surprise element of the film.

Rensil D'Silva makes a confident debut with his taut grip on the subject and confident direction. He is one director to look out for. Brilliant direction by Rensil has managed to grip the attention of the viewers.

Salim-Sulaiman's background score with Arabic overtones to it enhances each scene. The soundtrack is soulful with justifiably no lip-sync songs, which work efficiently in the background.

How can 1 ignore the magnificent cinematography by Hemant Chaturvedi. Every sequence was shot with brilliance and is just breathtaking.

The movie is strong in every department and would definitely manage to strike a cord with the movie viewers.

This movie is a must watch and should not be missed. Its not always you get to see such a powerful movie from Bollywood.

Though a native of India, Avantika (Kareena Kapoor) is currently a professor at a college in New York. On a trip to visit her ailing father in Delhi, Avantika meets and falls in love with another professor, the dapper and dashing Ehsaan (Saif Ali Khan). After a whirlwind courtship - which seems to take place in a slickly-produced shampoo commercial - the star-crossed lovers set up a new life for themselves as a married couple in the States. But all is not unadulterated marital bliss for the newlyweds, as Avantika quickly discovers that Ehsaan is, in reality, a secret Islamic terrorist who married her strictly as a means of getting easy ingress into the United States. The other major character is Riyaz (Vivek Oberoi), a war correspondent for a local news station, who allows himself to be recruited into the sleeper cell of which Ehsaan is a member.

Though "Kurbaan" starts out as a fairly typical - i.e., overly cutesy - Bollywood romance, it quickly transitions into an admittedly bloated but moderately gripping action-movie thriller with serious social overtones. Perhaps because this is an Indian film, the terrorists, though by no means the "heroes" of the story, do get to air their grievances in a somewhat more sympathetic and even-handed fashion than they would were it an American-made production. On the other hand, like most Indian films, this one suffers from over-length and a tendency towards hyperbole when understatement might have been the better course to take. And while the Indian actors are all fine, the American performers leave much to be desired (perhaps the result of an Indian director, Rensil D'Silva, not being able to identify poor line readings when delivered in another language). In addition, the action sequences are often clunky and unconvincingly staged, especially when contrasted with something like the expertly executed "24."

Yet, despite its flaws, "Kurbaan" combines suspense, social commentary, romance and clue-gathering in generally appropriate proportions, which makes the two-hour-and-forty-minute running time pass reasonably quickly.

Overall the movie gives two messages: 1) The Non-Muslims should leave the Muslims alone. 2) 9/11 was carried by Muslims.

But the fact is the it was not. And the whole world knows about, but a subliminal message is given in the movie that Muslims were responsible about 9/11.

Yes both the good and bad side of a human society is shown in the movie i.e. the good Muslims and the Bad Muslims and i believe that it is common in every society irrespective of any religion.

Om Puri is a superb actor and i have always been a great fan of him.

One should watch this movie for the sake of entertainment, however this movie might bring up some emotional anger factors at some points.

"New York" & "Kurbaan".... seems like there was a race between the buddies Adi & KJo. The similarities are aplenty and let me not go there on a listing spree. Having accredited and acclaimed for one of the finest screenplay in "Rang De Basanti", expectations are bound to run high from Rensil D'Silva. Paradoxically in "Kurbaan" the screenplay turns out to the weakest link, owing to which the Titanic starts going down under with each passing reel. The DOP also needs to share the blame for giving it a feel of suspense thriller/ whodunit at unwarranted places.

° Saif Ali Khan: The character seems to be a direct lift from "Fanaa". He puts up a strong performance however the the fallacies in the movie overshadow his effort. The smooth talking professor/ love story did not quite gel well.

° Kareena Kapoor: "Love is blind, marriage restores sight" is an apt phrase to describe her character. Avantika appears to be either an emotional fool or fickle-minded. Poor writing indeed.

° Vivek Oberoi: Not quite there.

° Om Puri: The fundamentalist part of the character is straight lift from "Shoot on Sight". However he seems to be having a streak of poor/ impulsive planner.

° Kiron Kher: Get the diction spot on and everything good ends there.

° Nauheed Cyrusi & Dia Mirza barely had few scenes.

° Khulbushan Kharbanda's character was unwarranted.

Coming from the house of KJo music is generally one of the strong points and therefore a few songs are quite good.

There are too many coincidences/ cinematic liberties in the movie. Coming to the premise, the writing of KJo attempts to give a balanced view of both sides of the coin. Sadly the research is inadequate and can be aptly termed as school homework. The writing hardly manages to touch a layer or two at the most. The planning/ plotting/ execution - if the actual terrorists would watch "Kurbaan", they would fall of their chairs and die laughing.