God on Trial

This is not a movie you need popcorn for, neither doubly surround nor a big screen. But it is the movie I chose to make an IMDb account for.

Indeed, "movie" is somewhat the wrong term, "play" is more accurate.

Facing their death in Nazi gas chambers, a group of Jews put God on trial. The charge: violating the covenant. The story portrays differing characters, from the fearful believer, to the scholar, from the scientist to the simple man - everyone with differing views and arguments. The lively debate with strong arguments on all sides in front of this horrible setting is what makes this film so great. To get the most out of the play one probably should have a (little) knowledge about the Jewish faith or the Old Testament and allow oneself to enjoy a religious-philosophical debate.

at first sigh, a lesson. about Shoah, faith, Judaism, resistance, hope. at the second - seductive film with a splendid performance of each actor. in fact - only a form of definition of sense in a Nazi camp. a form of fight for survive. the atmosphere, the dialogs, the tension of acting. all as parts of an admirable circle. a story who may be a parable. but, in essence, it is only slice of reality. and not just reality of Holocaust but measure of each day from each life. a terrible film. for its questions and for the images from a hell. and for precise - delicate manner to remember one of many trials in which God was not only defendant but, in same measure, prosecutor.

I watched the TV drama not knowing anything about the story of the trial of God. I found the writing to be emotive, considered and intelligent. The acting was of the highest quality, and the setting was perfectly geared to make the viewer feel, as much as possible, the oppressive environment in which the men found themselves. The way the story unfolded and the polarising views to be found were impressively handled. There are a lot of references made to Jewish history, however, when taken as a whole the need to know and understand Jewish history is not essential to the telling of the story and the explanation of our beliefs. I thought the drama was excellent. I would like to see this drama shown to pupils in school, I believe it would be an excellent educational tool, not only about the holocaust but about religion in general and where we place God in our lives.

an expected film. because it propose a solution to an old doubt. Where was God in the Shoah time ? the film does not gives answers. but it is an impeccable solution of the question who defines the conscience of humanity after the WWII. and this is the huge virtue of film. the realism. the exposure of doubts and slices of certitudes. the need of answer. the entire Jew tradition front to one of the basic fears. and the trial. as a form of prey or as form of exorcism against fear. it is one of films who must be seen by everyone. not for understand. not for know. but for remind. to feel. and to discover the Holocaust more than a Jew problem.

Films set in Nazi extermination camps are always confronted by certain production problems. Will the Jews look thin enough? Will they look like they're eaten by lice and other vermin? How to convey their interaction in such a wretched and desperate place? A place that most of us cannot begin to imagine. This drama succeeded (against my expectations) because it doesn't feel naturalistic. Of course Anthony Sher and Stellan Skarsgård and the others look like well-fed actors. But this does not detract from their performances because the emphasis in this film is on the arguments. How can anyone affirm a belief in God in Auschwitz? It's a good question, and many approaches and interpretations of God's actions are offered. The production could be criticised for feeling a little like a stage play. A bit wordy with many monologues. But the acting, the direction, and, above all, the writing are first class.