Die Geschichte dreht sich um ein Jahr im Leben dreier Männer, die versuchen, eine Runde des Stellenabbaus in einem großen Unternehmen zu überleben - und wie sich das auf sie, ihre Familien u... Alles lesenDie Geschichte dreht sich um ein Jahr im Leben dreier Männer, die versuchen, eine Runde des Stellenabbaus in einem großen Unternehmen zu überleben - und wie sich das auf sie, ihre Familien und ihre Gemeinden auswirkt.Die Geschichte dreht sich um ein Jahr im Leben dreier Männer, die versuchen, eine Runde des Stellenabbaus in einem großen Unternehmen zu überleben - und wie sich das auf sie, ihre Familien und ihre Gemeinden auswirkt.
- Auszeichnungen
- 2 Gewinne & 11 Nominierungen insgesamt
Empfohlene Bewertungen
Having been in these shoes, I appreciated this movie even more.
This is a solidly entertaining and believable film about professional men (and women) who lose their identities as they lose their jobs in corporate America economic decline.
Some folks rebound, others can't. I grew attached to the characters. Every performance was believable and tight.
I found myself rooting for success, even though it wasn't always in the cards.
The ending wrapped everything up in a tidy ball, which I like.
Bottom line: Solid entertainment with very few explosions.
This is a solidly entertaining and believable film about professional men (and women) who lose their identities as they lose their jobs in corporate America economic decline.
Some folks rebound, others can't. I grew attached to the characters. Every performance was believable and tight.
I found myself rooting for success, even though it wasn't always in the cards.
The ending wrapped everything up in a tidy ball, which I like.
Bottom line: Solid entertainment with very few explosions.
Whether we like it or not the last couple of years have been incredibly tough, and TCM though not perfect at least tries to make an honest film about downsizing in corporate America.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
This was a timely film given that the subject matter is the effect on men of losing their jobs and, as a result, their feelings of worth, their status within the world and to a certain extent their identity. It is not only timely in fact but it also had the potential to be very smart in regards the characters and the commentary on the challenges that start with money problems but go much deeper. To a certain extent the film manages to do this because it is at its best when it allows the characters to simply be on the screen and struggling with their situations, but there is a generalness to it that prevents it being consistently engaging and smart.
The nature of the characters is a big part of it – perhaps not for everyone but for most viewers the problems of laid off executives may not be the easiest subject to care too much about. I know ultimately they are all people, but the problems of those having to give up Ferraris or no longer being able to maintain the lavish lifestyle they once had is not the most accessible of things; and it is a problem that it never quite shakes off because again of this general approach. The characters are interesting still though and it is a decent stab at seeing the struggle of becoming unemployed after many years working, it just doesn't do it well enough. The main character comes over as arrogant and ungrateful for too long – it is necessary at first but later on it becomes grating as it combines with his own decision to live to the maximum of his means rather than being a little more modest and saving some of his large income. The older characters get away with this a bit more since their stories tend to be more about the emotional impact rather than events and this does buy the film some good material but not enough to make up for the weaknesses in its central character.
The cast help this a lot, even though they are nearly too distracting by how many famous faces there are. Affleck has the most time but does the least with it as he never manages to make a person from his situation and only just stops being annoying in time for a sentimental conclusion. Jones and Cooper are much better in their roles and they have more of the heart to play. Bello, Costner, Nelson and others are good in support; Walker is sadly only notable for how much weight he has put on since I first saw him in Oz.
The Company Men had potential to explore the male characters in a way that minimizes the distraction of their previous incomes however it doesn't quite manage it. The cast mostly do well but the central concept is too focused on events and too focused on an upbeat conclusion that the subject doesn't really merit.
The nature of the characters is a big part of it – perhaps not for everyone but for most viewers the problems of laid off executives may not be the easiest subject to care too much about. I know ultimately they are all people, but the problems of those having to give up Ferraris or no longer being able to maintain the lavish lifestyle they once had is not the most accessible of things; and it is a problem that it never quite shakes off because again of this general approach. The characters are interesting still though and it is a decent stab at seeing the struggle of becoming unemployed after many years working, it just doesn't do it well enough. The main character comes over as arrogant and ungrateful for too long – it is necessary at first but later on it becomes grating as it combines with his own decision to live to the maximum of his means rather than being a little more modest and saving some of his large income. The older characters get away with this a bit more since their stories tend to be more about the emotional impact rather than events and this does buy the film some good material but not enough to make up for the weaknesses in its central character.
The cast help this a lot, even though they are nearly too distracting by how many famous faces there are. Affleck has the most time but does the least with it as he never manages to make a person from his situation and only just stops being annoying in time for a sentimental conclusion. Jones and Cooper are much better in their roles and they have more of the heart to play. Bello, Costner, Nelson and others are good in support; Walker is sadly only notable for how much weight he has put on since I first saw him in Oz.
The Company Men had potential to explore the male characters in a way that minimizes the distraction of their previous incomes however it doesn't quite manage it. The cast mostly do well but the central concept is too focused on events and too focused on an upbeat conclusion that the subject doesn't really merit.
What a great story! The recession is not the story here - the different paths the characters take as they wrestle with reality and their own identities is the point, and their arcs are wonderfully developed.
This is the best performance I've seen from Ben Affleck. All of the main actors give textured, subtle portrayals that are natural and convincing despite familiarity with their faces.
This is the best performance I've seen from Ben Affleck. All of the main actors give textured, subtle portrayals that are natural and convincing despite familiarity with their faces.
I don't know much about business, but that doesn't mean it's hard to appreciate a good business movie. Despite a few dumbed down bits, The Company Men, comes with a feeling of authenticity with some heart and decent performances from everybody. That is good enough for me.
In a hundred minutes, The Company Men gives us a small taste of what The recession did to American business. It does so in a way that favours character over making anti-corporate statements. The movie chooses to zoom in on the lives of three sales executives and how they deal with job loss.
I've never been in love with Ben Affleck, but when he wants to, he can show some professionalism. In The Company Men he does just that, proving capable of hitting all the emotional notes when necessary, something I feel he missed in his previous film the Town.
The Company Men is actually a rather sad movie. It is only a hundred minute in length, but it feels longer. There is a good amount of talk, but nothing ever feels too contrived, wasted or unnecessary. Is it a brilliant film? No, but I can safely recommend it.
In a hundred minutes, The Company Men gives us a small taste of what The recession did to American business. It does so in a way that favours character over making anti-corporate statements. The movie chooses to zoom in on the lives of three sales executives and how they deal with job loss.
I've never been in love with Ben Affleck, but when he wants to, he can show some professionalism. In The Company Men he does just that, proving capable of hitting all the emotional notes when necessary, something I feel he missed in his previous film the Town.
The Company Men is actually a rather sad movie. It is only a hundred minute in length, but it feels longer. There is a good amount of talk, but nothing ever feels too contrived, wasted or unnecessary. Is it a brilliant film? No, but I can safely recommend it.
Wusstest du schon
- WissenswertesJohn Wells included real sentences and explanations from CEOs and their wives gathered from his research for the screenplay.
- PatzerThe shipyard visited by Ben Affleck and Tommy Lee Jones was supposedly closed only a few months before. However, it is obvious that it has been abandoned for many years.
- Zitate
Phil Woodward: Dress code pretty lax around here?
Bobby Walker: You should see casual-Friday...
- Crazy CreditsMidway through the credits, financial reports from various news sources can be heard for a minute.
- VerbindungenFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- SoundtracksSwept Inside
Written by Future Islands
Performed by Future Islands
Courtesy of Thrill Jockey Records
By arrangement with Bank Robber Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Company Men - Gewinn ist nicht alles
- Drehorte
- Daisy Buchanan's - 240A Newbury Street, Boston, Massachusetts, USA(bar where Gene finds Phil)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.441.272 $
- Eröffnungswochenende in den USA und in Kanada
- 647.797 $
- 23. Jan. 2011
- Weltweiter Bruttoertrag
- 8.087.000 $
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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