IMDb-BEWERTUNG
5,9/10
19.467
IHRE BEWERTUNG
Ein erholsamer Weihnachtsurlaub verwandelt sich in einen erschreckenden Kampf ums Überleben, als die Kinder beginnen, sich gegen ihre Eltern zu wenden.Ein erholsamer Weihnachtsurlaub verwandelt sich in einen erschreckenden Kampf ums Überleben, als die Kinder beginnen, sich gegen ihre Eltern zu wenden.Ein erholsamer Weihnachtsurlaub verwandelt sich in einen erschreckenden Kampf ums Überleben, als die Kinder beginnen, sich gegen ihre Eltern zu wenden.
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- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Empfohlene Bewertungen
Being a Horror Film person I have seen them all and was not expecting much from the trash that is flushed out to us. But I'm pleased to tell you that this movie was a nice surprise. The plot was basic, the characters were believable, and the movie had a nice pace. To most the premise itself seems to have been done before but No it has not the way that this film does it. All is revealed in this film and the cause is actually believable. I would highly recommend this film to anyone that enjoys horror films. The people that got on to give this one a low score obviously know nothing about the genre and need to go rate movies like High school musical or Paul Blart the Mall Cop. Official Chickencow post unaffiliated with any Film Company
A worthy British Horror film that delivers, despite a low budget. The twist is the use of children both as the perpetrators, and victims, of killing. Largely a cinematic taboo. Director Tom Shankland ekes the maximum value out of a single setting, and small cast, wringing every ounce out of an interesting idea.
Two related smug middle class couples spend the new year in the English Countryside with their children when something makes "good children go bad". The rustling trees and undergrowth are very reminiscent of the Happening. The malevolent children reprising themes from "The Omen", "The Brood" and "Village of the Damned". Shankland creates some genuinely scary scenes as the children turn on their bewildered parents. But insufficient prior characterisation means that the viewer tends to be more irritated by the adults poor decision making, than be sympathetic to their plight. The gratuitous "blonde in underwear" shot shows that Shankland understands the demands of the genre well! A generally pacey 84 minute story has expired as the film draws to its close, but the final shot is still pretty chilling, is a fitting coda, and offers the opportunity of a sequel. The fact that what has happened is not explained is a bonus, rather than a source of frustration, and the blood and gore, particularly as it is delivered by children, stretches the 15 certification to its limits.
Sufficiently off beat, both in terms of location and content, to satisfy the Horror crowd, and potentially a minor Cult classic.
Two related smug middle class couples spend the new year in the English Countryside with their children when something makes "good children go bad". The rustling trees and undergrowth are very reminiscent of the Happening. The malevolent children reprising themes from "The Omen", "The Brood" and "Village of the Damned". Shankland creates some genuinely scary scenes as the children turn on their bewildered parents. But insufficient prior characterisation means that the viewer tends to be more irritated by the adults poor decision making, than be sympathetic to their plight. The gratuitous "blonde in underwear" shot shows that Shankland understands the demands of the genre well! A generally pacey 84 minute story has expired as the film draws to its close, but the final shot is still pretty chilling, is a fitting coda, and offers the opportunity of a sequel. The fact that what has happened is not explained is a bonus, rather than a source of frustration, and the blood and gore, particularly as it is delivered by children, stretches the 15 certification to its limits.
Sufficiently off beat, both in terms of location and content, to satisfy the Horror crowd, and potentially a minor Cult classic.
The first 15 minutes set me on edge, the absentminded parenting, the whining annoyance of kids left run amok. Then the supposed weirdness starts. There are so many problematic elements of the adult functioning that watching this movie was difficult simply from these stupid choices, disbelief, and myopic perspectives. The movie does build well with the relentless creepiness of the children, but the mix bag of a movie left me uncertain about my enjoyment of it. Moments of feeling scared countered by frustration with the stupidity of the characters. The adolescent (or college aged) daughter was the only one able to see what was happening and make an choice that was sensible for the crazy situation.
I wasn't expecting that much from this movie, because it all just seemed very familiar. Evil children turning on their parents who are too dumb to notice anything's wrong until it's too late, there are at least a dozen movies like that. Combine that with an incredibly uninspired title and you get a movie that just sits on my shelf for years.
Unjustly, because as unoriginal and predictable this movie is...it's also really freightening! The scary atmosphere is done really well, and it helps that you don't actually see the children kill for the first two acts. It's all in the power of suggestion, and in the feeling of dread you get from every scene. The child actors are also great, their blank, unemotional stares send shivers down my spine. The plot follows the creepy kid formula beat by beat, but it's not a problem. Just take the obligatory first kill, the one that always looks like it's an accident. That scene is executed perfectly, really unnerving. The movie never really drops the ball from then on.
There's nothing ground-breaking about "The Children", there's not even anything interesting to the plot. It's very much style over substance, but the style is great and that's enough for me to recommend it.
Unjustly, because as unoriginal and predictable this movie is...it's also really freightening! The scary atmosphere is done really well, and it helps that you don't actually see the children kill for the first two acts. It's all in the power of suggestion, and in the feeling of dread you get from every scene. The child actors are also great, their blank, unemotional stares send shivers down my spine. The plot follows the creepy kid formula beat by beat, but it's not a problem. Just take the obligatory first kill, the one that always looks like it's an accident. That scene is executed perfectly, really unnerving. The movie never really drops the ball from then on.
There's nothing ground-breaking about "The Children", there's not even anything interesting to the plot. It's very much style over substance, but the style is great and that's enough for me to recommend it.
Horrid smug Middle class parents get killed by and kill their own children, what could be better? Who could not enjoy this? Well, other than 15 year olds who can't appreciate a horror film with *shock horror* time spent on genuine character development, a decent script and people behaving in a believable manner when confronted and confused by the horror they're confronted with.
The Children is great because it's a rare oasis in the desert of generic (mainly US) horror, these are parents who understandably find it difficult to accept their own children have become killers and are obviously not too enamoured with the idea of killing their own offspring (which explains to certain 15 year old fools why the adults are so easily overcome). There are no generic idiot teens walking into danger for no discernible reason, in fact the one teen Casey (played excellently by Hannah Tointon) is the strongest character in the film.
This is the best Horror film I've seen in quite a while...if it doesn't appeal to teenage horror fans...so much the better.
The Children is great because it's a rare oasis in the desert of generic (mainly US) horror, these are parents who understandably find it difficult to accept their own children have become killers and are obviously not too enamoured with the idea of killing their own offspring (which explains to certain 15 year old fools why the adults are so easily overcome). There are no generic idiot teens walking into danger for no discernible reason, in fact the one teen Casey (played excellently by Hannah Tointon) is the strongest character in the film.
This is the best Horror film I've seen in quite a while...if it doesn't appeal to teenage horror fans...so much the better.
Wusstest du schon
- WissenswertesCasey's tattoo is the cover art of the album "Agaetis byrjun" of the Icelandic band Sigur Rós.
- PatzerWhile Casey keeps smashing at the locked door and apparently partly breaking through it, it seems her actions also opened up the lock magically. Also Elaine should be still sitting in front of it, however Casey is able to open it the outside way without any obstacle in the way.
- VerbindungenFeatured in Killing Kids - Making of (2009)
- SoundtracksChristmas Everybody
Written by Eva Abraham / Andrew Waterworth (as Andy Waterworth)
Performed by Eva Abraham & The Nat Franklin Trio
Published by Hamworth Music
Courtesy of Hamworth Music
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- Weltweiter Bruttoertrag
- 1.300.051 $
- Laufzeit
- 1 Std. 24 Min.(84 min)
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- 1.85 : 1
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