Ein erfolgreicher Investmentbanker gerät ins Straucheln, als seine Ehefrau bei einem tragischen Verkehrsunfall stirbt. Mit der Hilfe einer Kundendienstmitarbeiterin und ihres jungen Sohnes b... Alles lesenEin erfolgreicher Investmentbanker gerät ins Straucheln, als seine Ehefrau bei einem tragischen Verkehrsunfall stirbt. Mit der Hilfe einer Kundendienstmitarbeiterin und ihres jungen Sohnes beginnt er, sein bisheriges Leben auseinanderzunehmen und ein neues aufzubauen.Ein erfolgreicher Investmentbanker gerät ins Straucheln, als seine Ehefrau bei einem tragischen Verkehrsunfall stirbt. Mit der Hilfe einer Kundendienstmitarbeiterin und ihres jungen Sohnes beginnt er, sein bisheriges Leben auseinanderzunehmen und ein neues aufzubauen.
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How Davis responds to her death is really strange...though not completely hard to believe. Instead of focusing on his feelings, Davis is mechanical in how he looks at things....analyzing and thinking with zero emotion. A few of his quirks include taking apart machines around the home and office...just to see how they work as well as sending a string of long meandering letters to a vending machine company...because he lost $1.50 in one of their machines! He obviously is compartmentalizing....in other words, locking away his feelings and closing the door on them in his mind. This does not mean he doesn't think about his wife...but when he does, it's in a very disconnected and strangely analytical fashion.
During the course of this strange nervous breakdown, his letters have an impact on the customer service rep who has been receiving them. Out of the blue, she calls him and they form a friendship....a very tentative and strange friendship. And, you start to realize that both of them are damaged souls...as is her very odd son. What's next? See the film.
Like so much of Jake Gyllenhaal's work, this film is incredibly strange and hard to predict. This actually is why I sought out this film.... I love how this actor takes risks and plays the most unusual actors. If you don't believe this, consider SOURCE CODE, NIGHTCRAWLER and BROKEBACK MOUNTAIN. These are NOT typical Hollywood releases and almost defy description...which I appreciate. After all, with over 26,000 reviews to my credit, there does often seem to be a sameness to a lot of films.
Apart from being different, is it worth seeing? And, is it any good? Yes, though I don't see the film as the type everyone would like, that's for sure. In many ways, the movie actually reminds me of Adam Sandler's REIGN OVER ME, a highly neglected film about a man who lost his family and simply refuses to come to terms with it. Both movies really make you think...both are also a bit unpleasant to watch but well worth seeing.
I think this is a brave movie...one worth watching. However, it doesn't have a nice, clean, happy ending....and I could understand folks not enjoying the movie as a result.
Anyway, all I knew about "Demolition" was that it tells the story of a guy who has to cope with the loss of his wife and, because of that title, I supposed that he was going to loose his mind and that his life was slowly going to spiral out of control. Kind of like 1993's "Falling Down" with Michael Douglas.
While it is true that there is a fair bit of demolition (literally) and quirkiness involved, ultimately this movie is about a man deconstructing his life, demolishing his prejudices in order to find his true self. Once again, Gyllenhaal truly inhabits his character and delivers a remarkable performance, almost as good as his Oscar-worthy role in "Nightcrawler" (which was inexplicably snubbed by the Academy). Gyllenhaal is slowly becoming one of the most talented actors in Hollywood these days! Although the rest of the cast is quite good -- especially the young Judah Lewis -- I'm not sure this film would have worked without him.
All in all, a strange yet interesting film. 7 out of 10.
This is not a lighthearted movie, to say the least; yet I would describe it as powerful and very "real." It is the complete opposite of a fairy tale and the complete opposite of romantic comedies - and that is very refreshing. It will cause you to think long and hard about your own relationships. You will continue to think about the movie long after you have left the theater.
If you like thought provoking movies that have very authentic characters and story lines, then I recommend this movie for you. The movie isn't all dark, it does have it's lighthearted moments and I felt it did a great job building the emotion as the movie went on.
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- WissenswertesDavis (Jake Gyllenhaal) is writing a complaint letter to Champion Vending regarding peanut MMs that got stuck. Champion Vending is in fact a real provider of Vending and Pantry services to the New York market. A portion of the movie was shot at Champions Corporate offices and Champion is featured 78 different times in the movie. Jean Marc liked the operation so much he asked to use the actual facility and logo.
- PatzerWhen Davis is in the diner and speaks to Karen while she's in the parking lot smoking pot, he says she's in a Corolla when she is clearly driving a Camry.
- Zitate
Davis: You must be Chris.
Chris: You fucking my mom?
Davis: No, I'm not. We were just sleeping...
Chris: [interrupts] She's fucking crazy. If you haven't noticed, she's a fucking pothead. She calls it cannabis 'cause it makes her feel like less of a fucking pothead.
Davis: You say fuck a lot.
Chris: So?
Davis: So you're just not using it properly.
Chris: The fuck does that mean?
Davis: That's what I mean. Fuck is a great word, but if you use it too much then it just loses its value and you sound stupid.
Chris: Fuck you.
Davis: Exactly. I feel nothing and you sound like an idiot. Have a good one.
[Davis leaves]
Chris: Who the f...
[thinks about it]
- Crazy CreditsAt the end of the credits, Davis says: "Warmest regards, Davis C. Mitchell".
- SoundtracksNocturnes, Op. 9: No. 2 in E-Flat Major
Written by Frédéric Chopin
Performed by Arthur B. Rubinstein
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing Line.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Demolición
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.978.592 $
- Eröffnungswochenende in den USA und in Kanada
- 1.100.042 $
- 10. Apr. 2016
- Weltweiter Bruttoertrag
- 4.366.460 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1