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Downton Abbey II: Eine neue Ära

Originaltitel: Downton Abbey: A New Era
  • 2022
  • 0
  • 2 Std. 4 Min.
IMDb-BEWERTUNG
7,4/10
35.100
IHRE BEWERTUNG
BELIEBTHEIT
2.251
138
Downton Abbey II: Eine neue Ära (2022)
Follow-up to the 2019 feature film in which the Crawley family and Downton staff received a royal visit from the King and Queen of Great Britain.
trailer wiedergeben2:31
14 Videos
69 Fotos
Feel-Good-RomanzeKostüm, DramaZeitraum: DramaDramaRomanze

Fortsetzung des Spielfilms von 2019, in dem die Familie Crawley und das Personal von Downton königlichen Besuch vom König und der Königin von Großbritannien erhalten.Fortsetzung des Spielfilms von 2019, in dem die Familie Crawley und das Personal von Downton königlichen Besuch vom König und der Königin von Großbritannien erhalten.Fortsetzung des Spielfilms von 2019, in dem die Familie Crawley und das Personal von Downton königlichen Besuch vom König und der Königin von Großbritannien erhalten.

  • Regie
    • Simon Curtis
  • Drehbuch
    • Julian Fellowes
  • Hauptbesetzung
    • Hugh Bonneville
    • Jim Carter
    • Michelle Dockery
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    35.100
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.251
    138
    • Regie
      • Simon Curtis
    • Drehbuch
      • Julian Fellowes
    • Hauptbesetzung
      • Hugh Bonneville
      • Jim Carter
      • Michelle Dockery
    • 277Benutzerrezensionen
    • 135Kritische Rezensionen
    • 63Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Nominierungen insgesamt

    Videos14

    Official Trailer
    Trailer 2:31
    Official Trailer
    Official Teaser Trailer
    Trailer 1:20
    Official Teaser Trailer
    Official Teaser Trailer
    Trailer 1:20
    Official Teaser Trailer
    Downton Abbey: A New Era
    Trailer 1:31
    Downton Abbey: A New Era
    Downton Abbey: A New Era
    Trailer 2:27
    Downton Abbey: A New Era
    Downton Abbey: A New Era
    Trailer 1:15
    Downton Abbey: A New Era
    Downton Abbey: A New Era
    Trailer 1:18
    Downton Abbey: A New Era

    Fotos69

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    Topbesetzung70

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    Hugh Bonneville
    Hugh Bonneville
    • Robert Grantham
    Jim Carter
    Jim Carter
    • Mr Carson
    Michelle Dockery
    Michelle Dockery
    • Lady Mary
    Elizabeth McGovern
    Elizabeth McGovern
    • Cora Grantham
    Allen Leech
    Allen Leech
    • Tom Branson
    Tuppence Middleton
    Tuppence Middleton
    • Lucy Branson
    Eva Samms
    • Marigold
    Karina Samms
    • Marigold
    Imelda Staunton
    Imelda Staunton
    • Maud Bagshaw
    Fifi Hart
    Fifi Hart
    • Sybbie
    Oliver Barker
    Oliver Barker
    • George
    Zac Barker
    • George
    Samantha Bond
    Samantha Bond
    • Lady Rosamund
    Laura Carmichael
    Laura Carmichael
    • Lady Edith
    Harry Hadden-Paton
    Harry Hadden-Paton
    • Bertie Hexham
    Penelope Wilton
    Penelope Wilton
    • Isobel Merton
    Douglas Reith
    Douglas Reith
    • Lord Merton
    Phyllis Logan
    Phyllis Logan
    • Mrs Hughes
    • Regie
      • Simon Curtis
    • Drehbuch
      • Julian Fellowes
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen277

    7,435.1K
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    Empfohlene Bewertungen

    8IonicBreezeMachine

    Much like the first Downton movie, A New Era may not have been necessary but it does a solid job in delivering what fans of the series want.

    Set in 1928, following the wedding of Lord Robert Crawley (Hugh Bonneville) son-law Tom Branson (Allen Leech) to Lucy Smith (Tuppence Middleton), film company British Lion sends a request to Downton Abbey asking to produce a film using Downton as the location. While Lord Grantham is not keen on the idea, Lord Grantham's eldest daughter and agent of the estate Lady Mary Talbot (Michelle Dockery) convinces Robert to approve the idea due to Downton's roof being in dire need of repair. As Downton reluctantly welcomes the film production to the estate with some members of the household staff excited while others repulsed, a discovery comes to light that Lord Grantham's mother, Dowager Violet Crawley (Maggie Smith) is the owner of a villa in the south of France that was willed to her by a late acquaintance of hers Marquis de Montmirai which has continued to be used by his surviving wife and son. As the Crawley's, except for Mary, head to the villa at the request of the current Marquis, Robert soon finds reason to question his legacy and lineage.

    Following the release of the first Downton Abbey film in 2019 wherein the $20 million production grossed $200 million worldwide, creator Julian Fellowes sated he and the cast had ideas for further continuation. After Fellowes finished working on The Gilda Age, Fellowes wrote the script in 2020 and following various work arounds for COVD protocols in 2021 the film began production. Released in 2022, the film didn't deliver the same numbers as its predecessor making $90 million against a $40 million budget, it was seen as a success overall due to the nature of the cinema landscape favoring blockbuster tentpoles while adult skewing material such as Downton went to streamers. As a film it's very much in line with the first Downton Movie where it's a chance to revisit the characters and world audiences fell in love with in the TV show.

    As with the previous film, Downton Abbey: A New Era is a very busy film with many things going on in both major plotlines and individual character moments so once again it's pretty much like you're watching an episode of the TV series except on a theatrical budget. The two major plotlines are both very rich with the filming plotline playing as a clever culture clash with elements of Singing in the Rain as we see this silent melodrama filmed at Downton need to be retrofitted into a "talkie" due to the rising popularity of talkies in the wake of The Jazz Singer. The movie production crew colliding with the ordered world of Downton is somewhat similar to the royal staff rolling over the Downton Staff from the previous film, but there's enough differences that it doesn't feel like we're retreading ground. The secondary plotline involving Violet's inheritance of the French villa does stretch disbelief to an extent and does risk going into "soap opera" territory, but the writings strong enough that it avoids that pitfall.

    If you enjoyed the TV series and the previous film, there's enough here to motivate longtime fans to indulge in a viewing. It's a very busy movie but it never feels overstuffed and most of the plot lines and revisits of characters hit instead of miss.
    7frizzardi

    Better than the first movie

    The plot interweaves two stories - one is an intriguing surprise about Lady Violet's past, the other is a more standard "new things happening at Downton", but at least it's better than the visit of the King and Queen that passed for a plot in the first movie.

    Several characters have a fitting closure - Molesley's was a bit of a surprise, but not too forced; ditto for Barrow.

    Acting is good as usual, and the new characters fit in nicely with the tried-and-tested cast. Scenography is top notch.

    I'd definitely recommend it for fans of the TV series, and for those who were disappointed by the first movie.
    9robfollower

    Superb!

    Downton Abbey has achieved another goal: it stands on its own in film cinema , as well as in television series production.

    For those who have followed the series from the beginning will not be disappointed with the latest offering of Downton Abbey "A New Era"! Julian Fellows is a very clever writer . Both upstairs and downstairs. A delightfully charming British drama.

    Downton Abbey continues to prove that perfection in music composition(The music score in this movie by John Lunn with the Downton theme is sublime) , writing, acting, wardrobe, directing, producing, cinematography, set design, location and casting, and in the finest attention to the minutest detail and period accuracy.

    If you're a Downton fan there is no way that you can miss this film! It unashamedly pulls at the heart strings as the story takes you on a journey of highs & lows with some unexpected turns.
    JohnDeSando

    The Downton mystique is alive and well. And the cinematography is superb.

    High-class soap-opera-like Downton Abbey: A New Era should be called what it really is: high-class melodrama. Here is a rambling story with too many characters, but who cares? Because it's told so well with each character clearly defined and loveable.

    After the binge-worthy six-sessions TV series in the early 2010's, the 2019 film, with its visit from royalty, held up well enough to spawn this sequel, Downton Abbey: A New Era, in which the aristocratic Crawley family is crawling into the 1930's, with The Great Depression, wars, and innovations imminent. The film creates a vitality even in a staid Brit world largely because of a robust screenplay and spot-on actors. Not to forget drone shots of the impossibly cinematic estate.

    In fact, no melodramatic villain appears, if you exclude the arch-disturber, Change. Writer Julian Fellowes and director Simon Curtis have crafted a rousing fable about a new era as it approaches the third decade of the 20th century through the lens of a visiting Hollywood production to the Abbey.

    Marry that modern incursion to the hidebound Brit tradition and you have a sentimental farewell to the old world, signified by the sharp-witted Dowager Countess Violet (Maggie Smith), who is ready to pass the estate and a newly-added villa in the south of France to the younger Granthams. A formidable subplot is the change the Hollywood production itself must face as sound trounces silent movies and same-sex relationships emerge, galaxies away from our modern acceptance of sexual orientations.

    The most moving scene is when the production learns it has to create a sound track in order to continue filming. Watching them sync the sound (dubbing so to speak) to the actors for the first time since they saw Jolson say a few words in The Jazz Singer is just as if we were in a time machine witnessing that monumental change almost 100 years ago.

    Downton Abbey is a state of mind, not a place, where our dreams of upper-class blissful isolation clash with the realities of life both for the rich and the poor. Throughout is a benign sense of humanity's essential goodness and our common bonds. Cinema has brought us together in time and sympathy-see A New Era in a theater with its glorious visuals and commanding sound-We've come a long way, Baby.
    8deason

    Hits the right notes

    Fans of the tv show and earlier film will get the most out of this, with plenty of dangling plot threads deftly picked up and woven into a satisfying series of resolutions.

    There's plenty of strongly emotional moments here. It plays like one of the Christmas specials but more so, and combines an appropriately high stakes 19th century historical family mystery with an examination of an industry on the cusp of a revolution, as metaphor for Downton and the Crawleys doing their best to survive in a changing world. Hints are given how they will manage it.

    This is not the place to start with Downton, and the movie assumes wise viewers know that. With so many characters, with so much history, the audience are given not so much introductions as little reminders.

    As is traditional, Maggie Smith gets most of the best lines, but there are no weak performances. There's even a scattering of wisdom here and there among the drollery and drama.

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    Handlung

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    • Wissenswertes
      In one scene, Lady Bagshaw and Mr. Carson are mistaken for a married couple. Imelda Staunton and Jim Carter have been married in real life since 1983.
    • Patzer
      They show two separate pieces of dialogue being recorded on the same disc. This was not possible at the time as no sound editing was possible.
    • Zitate

      Violet Crawley: Stop that noise. I can't hear myself die.

    • Crazy Credits
      There is no opening title card, only opening credits; the title card doesn't appear until the end.
    • Verbindungen
      Featured in Sunrise: Folge vom 16. März 2022 (2022)
    • Soundtracks
      Don't Let That Moon Get Away
      Performed by Gwen Jones & Eddie Carroll

      Licensed courtesy of Warner Music UK Ltd.

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 28. April 2022 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Focus Features
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Downton Abbey: Una nueva era
    • Drehorte
      • Highclere Castle, Hampshire, England, Vereinigtes Königreich(Downton Abbey)
    • Produktionsfirmen
      • Focus Features
      • Carnival Film & Television
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 40.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 44.141.550 $
    • Eröffnungswochenende in den USA und in Kanada
      • 16.000.495 $
      • 22. Mai 2022
    • Weltweiter Bruttoertrag
      • 92.651.384 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 4 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.39 : 1

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