Der Hobbit - Smaugs Einöde

Peter Jackson's ego that was held at bay all through the previous installment breaks free in this one. The lighthearted atmosphere from the book, that shone so brightly over the 1st part of the his version of the Hobbit, is no longer here, the strange story lines that were added to tie every thing together so no loose end is left and everyone watching the film knows that Peter Jackson did tell us all there was to know. An exact opposite of Tolkien's original who kept always saying (or implying) that middle earth has much more to it than he could ever cover with his stories. It's a difference in egos that doesn't always work for Jackson. Even though he did create a magnificent fantasy epic. Much darker than the first part, much more action packed very high quality of acting performances by all involved. The sins against the original book aren't as grave as those he committed with his LoTR trilogy, mainly because the Hobbit as I already said is a simpler story that doesn't allow for miss representations of the author's intentions. Jackson simply had to invent all these from scratch.

I'm all for re-imagining a story, but if you do so at least be honest and tell us that's what you did, like Tim Burton did when he made his version of Alice. Jackson never said any such thing, if he did it was kept a secret from most of the viewers, which is plain shame as far as I'm concern. I know everyone is going to hate this review to pieces, so many "Jacksoners" are following every bit of film he creates trampling in their wake over all those who dare oppose him. But I personally think that had he kept himself closer to the original, he would've ended with a better movie. It was so with the first part, but I feel like his ego couldn't share the credit with the original author anymore, so that's what we got. It's fun to watch - it's just a different story we're watching than the one we were promised.

After seeing the first Hobbit film I must admit that I could have cared less about seeing the second and indeed it took me a minute to get back into it and I was grateful for the film giving me a "12 months earlier" scene to sum up what I am supposed to be following. It wasn't that the first film was bad (it is too expensive to be bad) but more than constant action and movement with no consequences or realism to engage me, really left me looking at a video game that I had no investment in (and I say this as a gamer). I didn't hope for much better when I went to see this sequel and, as Theo Robertson has said, perhaps this helped me enjoy the Desolation of Smaug more.

The plot has more to it than one encounter after another and connecting it to the later films was a good move that made me feel there was more content here – although I think that was artificial, I will not deny that it worked. The action sequences retain the same problems as the first film, which is that nobody ever feels like they are in real danger no matter how long the fall, how low the odds or what is happening. The good thing is that because the film isn't one escape sequence after another, I didn't feel this so often – although it is undeniably still a problem in these films. The characters were a little better than before although perhaps I was just more interested in them. Smaug in particular is a great creation – visually and stylishly; just like the first film where my favorite parts were the still and tense sequences with Gollum, so too here the high point of the whole film is where Smaug is toying with his potential victims and it is such a shame that this was not done longer.

Visually the film remains a feast – although, befitting the time of year, it is a Christmas feast where everything is good but it is endless and eventually just feels indulgent and gluttonous. This remains the case because the film almost never feels like it was shot wholly on a location. I remember the LotR films impressing me with their natural beauty but here even a shot of people walking across a field seems to have been digitally enhanced and, as good as it looks, it does remove me from the film somewhat. Visual effects are impressive but it does really hurt to see Jackson leaning towards the George Lucas "if we can do it then we should do it" school of effects management. The cast do solid jobs – I liked Freeman and McKellan when they were allowed to be more than just special effects The dwarfs made more of an impression on me this time but the elves not so much – Bloom remains stiff while Lilly sports the only unconvincing effect in the film in the shape of her ears. Cumberbatch was strong as the voice of Smaug and I enjoyed Fry and McCoy in supporting roles (shame the latter missed out on more time due to his Doctor Who efforts during the 50th anniversary year!).

The Desolation of Smaug is a solid blockbuster; lots of action, a decent story and strong special effects – this is not the same as saying it is a great film though, but it does still entertain. The story remain distant due to the invincible characters and consequence free (but very seriously presented) action, which does prevent one being drawn into it. Of course I'll be there for the final film, but I really do hope than they focus on danger rather than spectacle and build the tension instead of just increasing the noise.

After reading some of the previous reviews, I wonder what it takes to engage the modern viewer. It seems we have become so jaded that we see the necessity of giving a one star review to something as phenomenal as this film is. It is filled with action, sets of remarkable creativity, amazing characters, in a complex plot that made me long for the conclusion. I know it doesn't follow the book religiously. Get over that. Even a fifteen hour miniseries based on a novel fails miserably. Of course, every English teacher on the planet knows that we are working in two entirely different mediums. Books and movies are different! What Peter Jackson has done is taken the primary plot and allowed his script writers to take what is given and supplement it with their own creativity. The first film, though imperfect, does set the stage for this superior second effort. What we get is nonstop action, moving the characters toward the object of their quest. Tolkien's rules are followed if not the letter of the plot. The first film was criticized for being too talky. Now this one is being criticized for not being talky enough. For me, the scene where the gang must escape an elven prison and face the orcs is one of the most delightful fifteen minutes I've ever spent in a movie theater. I don't expect an action film based on a book with voluminous characters to have character development like "Driving Miss Daisy." See the film for what it is and count yourselves lucky to have the luxury of being able to see the amazing accomplishments of the Peter Jackson's of the world.

When The Hobbit: An Unexpected Journey premiered on silver screen as the first in a trilogy of films based on J.R.R. Tolkien's The Hobbit, the response it received was mostly positive to mixed. The majority of criticism was targeted at the needless expansion of a single film story into three features but, in my opinion, it did commence this latest Middle-Earth adventure on the right note and, despite its sluggish pace, ended up providing a largely satisfying experience.

The Hobbit: The Desolation of Smaug is the second chapter of The Hobbit film series & picks the story right from where it was left off in An Unexpected Journey. Continuing the adventures of Bilbo Baggins who's accompanying thirteen dwarfs on their quest to reclaim the kingdom of Erebor, the film covers the journey ahead for these fellows which is full of dangers and even if they manage to get away with it & reach the Lonely Mountain safely, they have a stupendous dragon to deal with.

One thing I have always admired about this Middle-Earth franchise is the filmmaker's strong intent to keep the story very much within the realms of Tolkien's spirit. But this latest chapter marks a significant departure from such faithfulness & ends up being an immensely frustrating experience. There are a few things The Desolation of Smaug gets right but there are also way too many things that are wrong with it. Let's start with the things it gets right first.

Since the previous chapter was criticized for its sluggish pace, the filmmakers have vastly improved the pacing in this middle chapter with addition of many more action sequences to keep the entertainment going throughout its runtime. Production design continues to amaze. Cinematography encapsulates the picture with a darker layer which suits its tone. Visual effects has its share of highs n lows & Howard Shore's score is good but it also stumbles a little for the very first time.

Now coming to what's wrong with it... First, it slaughters the book in a manner that's plainly insulting to Tolkien. Second, the absurdly introduced love triangle, overindulgence of Elves & eye-rollingly cheesy dialogues are poor filler substitutes. Third, this film had a great opportunity to further develop its characters but thanks to its rushed pace & more emphasis on over-the-top action over a riveting narration, we still have difficulty in recalling the correct names of all the Dwarfs.

And that's not all. Martin Freeman is brilliant as Bilbo Baggins but his character is demoted into a secondary role for the centre stage is taken by Richard Armitage's Thorin. The remaining Dwarfs get only as much screen time as they did in the last chapter. Elves have never been as annoying as they are in this film for Legolas wasn't even needed in this adventure & Tauriel, who doesn't even exist in the novel but was created to bring a feminine energy to the series, is given a stupid love story to work with instead.

At last, I would like to talk about Smaug. Exquisitely designed, remarkably portrayed & meticulously detailed, this splendid beast of CGI is a jaw-dropping wonder to look at & the painstaking work that went into bringing this magnificent dragon to life truly deserves a bow. But thanks to its inefficient handling by the filmmakers, the cunning, proud & intelligent dragon of the novel is turned into a foolish creature here which is a shame because Smaug could've been as memorable to this trilogy as Gollum was to The Lord of the Rings.

On an overall scale, The Hobbit: The Desolation of Smaug is an emotionally unappealing but visually spectacular sequel which features a much more exciting, fiercely paced & action-packed entertainment that'll satisfy most filmgoers but for the devoted fans of Middle-Earth, it's a heartbreaking disappointment that adds even more insult to injury by abruptly ending at one of the most frustrating cliffhangers in cinema history, thus leaving the experience very much incomplete in the end.

The Lord Of The Rings trilogy blew me away, they were truly outstanding masterpieces that deserved every bit of recognition they got.

The Hobbit I delayed due to a laundry list of concerns, all of which are being confirmed now I'm finally getting around to them.

They look beautiful, they are a lot of fun, but compared to LOTR they are alike Mythica movies.

The whole franchise has become a cash grab, the Hobbit should have been one single movie and without all the excessive alterations. Yes I know LOTR had changes, but not to this devastating extent.

Desolation Of Smaug certainly has it's moments, I especially enjoyed the spiders and the not so jolly romp through the cursed forest. Thankfully the film isn't as goofy as the first either which was a welcome relief.

Alas it's no better, it still feels lackluster. This is The Hobbit, one of the greatest tales ever put to paper! So why do these movies feel so underwhelming? I enjoyed this I truly did, but not as much as I should have and that right there is the problem.

The Good:

Forest scene was great

Looks stunning

The Bad:

As neat as the barrels scene is it's about as realistic as Tara Reeds boobs

Second movie, second stock scream

Things I Learnt From This Movie:

Bilbo Baggins has never seen Arachnophobia (1990), don't.....pluck.....the web

Walnuts make great pillows

Whatever Cumberbatch was paid it was FAR too much