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Der Hobbit - Smaugs Einöde

Originaltitel: The Hobbit: The Desolation of Smaug
  • 2013
  • 12
  • 2 Std. 41 Min.
IMDb-BEWERTUNG
7,8/10
734.888
IHRE BEWERTUNG
BELIEBTHEIT
1.305
144
Ian McKellen, Richard Armitage, Orlando Bloom, Martin Freeman, Lee Pace, Benedict Cumberbatch, Evangeline Lilly, and Luke Evans in Der Hobbit - Smaugs Einöde (2013)
The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.
trailer wiedergeben2:32
28 Videos
99+ Fotos
Adventure EpicFantasy EpicQuestSword & SorceryAdventureFantasy

Die Zwerge, zusammen mit Bilbo Beutlin und Gandalf dem Grauen, setzen ihre Suche fort, Erebor, ihre Heimat, von Smaug zurückzugewinnen. Bilbo Beutlin besitzt einen geheimnisvollen und magisc... Alles lesenDie Zwerge, zusammen mit Bilbo Beutlin und Gandalf dem Grauen, setzen ihre Suche fort, Erebor, ihre Heimat, von Smaug zurückzugewinnen. Bilbo Beutlin besitzt einen geheimnisvollen und magischen Ring.Die Zwerge, zusammen mit Bilbo Beutlin und Gandalf dem Grauen, setzen ihre Suche fort, Erebor, ihre Heimat, von Smaug zurückzugewinnen. Bilbo Beutlin besitzt einen geheimnisvollen und magischen Ring.

  • Regie
    • Peter Jackson
  • Drehbuch
    • Fran Walsh
    • Philippa Boyens
    • Peter Jackson
  • Hauptbesetzung
    • Ian McKellen
    • Martin Freeman
    • Richard Armitage
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    734.888
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.305
    144
    • Regie
      • Peter Jackson
    • Drehbuch
      • Fran Walsh
      • Philippa Boyens
      • Peter Jackson
    • Hauptbesetzung
      • Ian McKellen
      • Martin Freeman
      • Richard Armitage
    • 1KBenutzerrezensionen
    • 538Kritische Rezensionen
    • 66Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 3 Oscars nominiert
      • 19 Gewinne & 90 Nominierungen insgesamt

    Videos28

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    Trailer #1
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    Trailer #1
    A Guide to the Films of Peter Jackson
    Clip 1:33
    A Guide to the Films of Peter Jackson
    Extended Scene
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    Ian McKellen
    Ian McKellen
    • Gandalf
    Martin Freeman
    Martin Freeman
    • Bilbo
    Richard Armitage
    Richard Armitage
    • Thorin
    Ken Stott
    Ken Stott
    • Balin
    Graham McTavish
    Graham McTavish
    • Dwalin
    William Kircher
    William Kircher
    • Bifur
    James Nesbitt
    James Nesbitt
    • Bofur
    Stephen Hunter
    Stephen Hunter
    • Bombur
    Dean O'Gorman
    Dean O'Gorman
    • Fili
    Aidan Turner
    Aidan Turner
    • Kili
    John Callen
    John Callen
    • Oin
    Peter Hambleton
    Peter Hambleton
    • Gloin
    Jed Brophy
    Jed Brophy
    • Nori
    Mark Hadlow
    Mark Hadlow
    • Dori
    Adam Brown
    Adam Brown
    • Ori
    Orlando Bloom
    Orlando Bloom
    • Legolas
    Evangeline Lilly
    Evangeline Lilly
    • Tauriel
    Lee Pace
    Lee Pace
    • Thranduil
    • Regie
      • Peter Jackson
    • Drehbuch
      • Fran Walsh
      • Philippa Boyens
      • Peter Jackson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1K

    7,8734.8K
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    8neil-476

    Great fun, but forget the book

    Bilbo Baggins and assorted dwarfs continue their journey to Erebor, overcoming various obstacles on the way (including hostile elves) before Bilbo has to try to fulfil his engagement as burglar under the fiery snout of antisocial dragon Smaug.

    The second Lord Of The Rings movie suffered from Middle Film Syndrome: Hobbit 2, despite occupying the same position in a trilogy, does not suffer to the same extent, and perhaps this is because it is exciting all the way through, yet follows on from a film which was pretty slow throughout its first half.

    It also contains large chunks which do not come from the novel - I'm pretty sure Legolas wasn't in the book. He is great fun here, as a much angrier soldier in the Elf Army. And new creation Tauriel is hugely enjoyable, resembling nothing so much as Uma Thurman's character from Kill Bill, albeit attractively played with the hint of a smile by Evangeline Lilly.

    Apart from being a more engaging movie than part 1, pretty much everything I thought about that movie still holds. I still have reservations about the dwarfs - their faces and hair feel obviously prosthetic and wigged, and it's still pretty difficult to tell them apart from each other except for the old one, the one wounded by the orc arrow, Thorin, and James Nesbitt's Irish one. I still have reservations about CGI orc faces - the prosthetic orc faces work noticeably better. I still have reservations about some of the action sequences, where more is not necessarily better (one sequence, in particular had the audience laughing because of the extent to which the Elvish derring-do was over-derring-done). And there are times when Bilbo looks cut out and pasted into a scene. And, once again, the 3D is indifferent.

    Otherwise, this was great fun. Loads of action, some nice character work, an excellent and nasty spider fight, a well-voiced and visually realised Smaug, and not the slightest yen to look at my watch.

    And a cliff-hanger. You swine, Jackson.
    8RealDuality

    A Fun Film, Particularly in 3D

    The second Hobbit film connects you better to the characters than the first in an entertaining ride with more danger, excitement, and humor. The action is well done, and the 3D adds to it, especially in the "whitewater rafting" scene. That part and the whole movie has good editing. In this one, two of the non-King dwarfs' presence is stronger (Balin and Kili). The she-elf warrior Tauriel and what comes with her works, adding some heart to the film.

    Besides Richard Armitage leading the way as the King under the Mountain with his great chemistry with fellow castmates, there are three actors who give specially noteworthy live-action performances. Lee Pace is one of the true highlights as Thranduil, who is an Elf King that deals with foreboding in a way that is different from Elrond. Ian McKellen's acting is comparable to him in The Lord of the Rings trilogy, as he takes advantage of Gandalf getting his own storyline and heart-pounding action scene. Martin Freeman is good once again as the brave titular character, and actually slightly better.

    The confrontation with Smaug is very enjoyable. It is a long movie, but the finale is the high point. Benedict Cumberbatch does an excellent job with the arrogant beast's voice, and the dragon looks really cool in 3D. I personally think that they ended it at the perfect place. When they divide a book up, it will inevitably result in a cliffhanger feeling. But, I am satisfied with how they handled it.
    7Platypuschow

    The Hobbit The Desolation of Smaug: Alike the first, impressive but not ground breaking

    The Lord Of The Rings trilogy blew me away, they were truly outstanding masterpieces that deserved every bit of recognition they got.

    The Hobbit I delayed due to a laundry list of concerns, all of which are being confirmed now I'm finally getting around to them.

    They look beautiful, they are a lot of fun, but compared to LOTR they are alike Mythica movies.

    The whole franchise has become a cash grab, the Hobbit should have been one single movie and without all the excessive alterations. Yes I know LOTR had changes, but not to this devastating extent.

    Desolation Of Smaug certainly has it's moments, I especially enjoyed the spiders and the not so jolly romp through the cursed forest. Thankfully the film isn't as goofy as the first either which was a welcome relief.

    Alas it's no better, it still feels lackluster. This is The Hobbit, one of the greatest tales ever put to paper! So why do these movies feel so underwhelming? I enjoyed this I truly did, but not as much as I should have and that right there is the problem.

    The Good:

    Forest scene was great

    Looks stunning

    The Bad:

    As neat as the barrels scene is it's about as realistic as Tara Reeds boobs

    Second movie, second stock scream

    Things I Learnt From This Movie:

    Bilbo Baggins has never seen Arachnophobia (1990), don't.....pluck.....the web

    Walnuts make great pillows

    Whatever Cumberbatch was paid it was FAR too much
    CinemaClown

    The Desolation of J.R.R. Tolkien's Spirit.

    When The Hobbit: An Unexpected Journey premiered on silver screen as the first in a trilogy of films based on J.R.R. Tolkien's The Hobbit, the response it received was mostly positive to mixed. The majority of criticism was targeted at the needless expansion of a single film story into three features but, in my opinion, it did commence this latest Middle-Earth adventure on the right note and, despite its sluggish pace, ended up providing a largely satisfying experience.

    The Hobbit: The Desolation of Smaug is the second chapter of The Hobbit film series & picks the story right from where it was left off in An Unexpected Journey. Continuing the adventures of Bilbo Baggins who's accompanying thirteen dwarfs on their quest to reclaim the kingdom of Erebor, the film covers the journey ahead for these fellows which is full of dangers and even if they manage to get away with it & reach the Lonely Mountain safely, they have a stupendous dragon to deal with.

    One thing I have always admired about this Middle-Earth franchise is the filmmaker's strong intent to keep the story very much within the realms of Tolkien's spirit. But this latest chapter marks a significant departure from such faithfulness & ends up being an immensely frustrating experience. There are a few things The Desolation of Smaug gets right but there are also way too many things that are wrong with it. Let's start with the things it gets right first.

    Since the previous chapter was criticized for its sluggish pace, the filmmakers have vastly improved the pacing in this middle chapter with addition of many more action sequences to keep the entertainment going throughout its runtime. Production design continues to amaze. Cinematography encapsulates the picture with a darker layer which suits its tone. Visual effects has its share of highs n lows & Howard Shore's score is good but it also stumbles a little for the very first time.

    Now coming to what's wrong with it... First, it slaughters the book in a manner that's plainly insulting to Tolkien. Second, the absurdly introduced love triangle, overindulgence of Elves & eye-rollingly cheesy dialogues are poor filler substitutes. Third, this film had a great opportunity to further develop its characters but thanks to its rushed pace & more emphasis on over-the-top action over a riveting narration, we still have difficulty in recalling the correct names of all the Dwarfs.

    And that's not all. Martin Freeman is brilliant as Bilbo Baggins but his character is demoted into a secondary role for the centre stage is taken by Richard Armitage's Thorin. The remaining Dwarfs get only as much screen time as they did in the last chapter. Elves have never been as annoying as they are in this film for Legolas wasn't even needed in this adventure & Tauriel, who doesn't even exist in the novel but was created to bring a feminine energy to the series, is given a stupid love story to work with instead.

    At last, I would like to talk about Smaug. Exquisitely designed, remarkably portrayed & meticulously detailed, this splendid beast of CGI is a jaw-dropping wonder to look at & the painstaking work that went into bringing this magnificent dragon to life truly deserves a bow. But thanks to its inefficient handling by the filmmakers, the cunning, proud & intelligent dragon of the novel is turned into a foolish creature here which is a shame because Smaug could've been as memorable to this trilogy as Gollum was to The Lord of the Rings.

    On an overall scale, The Hobbit: The Desolation of Smaug is an emotionally unappealing but visually spectacular sequel which features a much more exciting, fiercely paced & action-packed entertainment that'll satisfy most filmgoers but for the devoted fans of Middle-Earth, it's a heartbreaking disappointment that adds even more insult to injury by abruptly ending at one of the most frustrating cliffhangers in cinema history, thus leaving the experience very much incomplete in the end.
    bob the moo

    Improves upon the first one just about enough to cover the weaknesses it shares with it

    After seeing the first Hobbit film I must admit that I could have cared less about seeing the second and indeed it took me a minute to get back into it and I was grateful for the film giving me a "12 months earlier" scene to sum up what I am supposed to be following. It wasn't that the first film was bad (it is too expensive to be bad) but more than constant action and movement with no consequences or realism to engage me, really left me looking at a video game that I had no investment in (and I say this as a gamer). I didn't hope for much better when I went to see this sequel and, as Theo Robertson has said, perhaps this helped me enjoy the Desolation of Smaug more.

    The plot has more to it than one encounter after another and connecting it to the later films was a good move that made me feel there was more content here – although I think that was artificial, I will not deny that it worked. The action sequences retain the same problems as the first film, which is that nobody ever feels like they are in real danger no matter how long the fall, how low the odds or what is happening. The good thing is that because the film isn't one escape sequence after another, I didn't feel this so often – although it is undeniably still a problem in these films. The characters were a little better than before although perhaps I was just more interested in them. Smaug in particular is a great creation – visually and stylishly; just like the first film where my favorite parts were the still and tense sequences with Gollum, so too here the high point of the whole film is where Smaug is toying with his potential victims and it is such a shame that this was not done longer.

    Visually the film remains a feast – although, befitting the time of year, it is a Christmas feast where everything is good but it is endless and eventually just feels indulgent and gluttonous. This remains the case because the film almost never feels like it was shot wholly on a location. I remember the LotR films impressing me with their natural beauty but here even a shot of people walking across a field seems to have been digitally enhanced and, as good as it looks, it does remove me from the film somewhat. Visual effects are impressive but it does really hurt to see Jackson leaning towards the George Lucas "if we can do it then we should do it" school of effects management. The cast do solid jobs – I liked Freeman and McKellan when they were allowed to be more than just special effects The dwarfs made more of an impression on me this time but the elves not so much – Bloom remains stiff while Lilly sports the only unconvincing effect in the film in the shape of her ears. Cumberbatch was strong as the voice of Smaug and I enjoyed Fry and McCoy in supporting roles (shame the latter missed out on more time due to his Doctor Who efforts during the 50th anniversary year!).

    The Desolation of Smaug is a solid blockbuster; lots of action, a decent story and strong special effects – this is not the same as saying it is a great film though, but it does still entertain. The story remain distant due to the invincible characters and consequence free (but very seriously presented) action, which does prevent one being drawn into it. Of course I'll be there for the final film, but I really do hope than they focus on danger rather than spectacle and build the tension instead of just increasing the noise.

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    • Wissenswertes
      While the cast was shooting the barrel escape scenes in the specially-constructed indoor "rapids" tank, several of them stated that they had to relieve themselves in the water, since they had to stay in the tank for so long without so much as a lunch break. When Martin Freeman found out he was furious, since Bilbo spends all of his time during that scene directly in the water, and had been swallowing a great deal of it.
    • Patzer
      The movies previously retained the idea from the books that sunlight renders Orcs non-functional. Gandalf remarked in Der Herr der Ringe: Die Gefährten (2001) on how alarming it is that Saruman's breeding program has produced sun-resistant Orc soldiers. Yet in the barrel escape scene from Thranduil's caverns, the orcs are chasing the dwarfs down the River Running, and doing hard battle, in broad daylight without suffering any ill effects.
    • Zitate

      Balin: [sees a chamber full of dead dwarves, with their only means of escape blocked] The last of our kin. They must have come here hoping beyond hope. We could make for the mines. Might last a few days.

      Thorin Oakenshield: No. I will not die like this, cowering, clawing for breath. We make for the forges.

      Dwalin: He'll see us! Sure as death.

      Thorin Oakenshield: Not if we split up.

      Balin: Thorin, we'll never make it.

      Thorin Oakenshield: Some of us might. Lead him to the forges. We kill the dragon. If this is to end in fire, then we will all burn together!

    • Alternative Versionen
      The Extended Edition that was made for the home theater market adds 25 minutes of additional footage. These include the following new or extended scenes:
      • At the Prancing Pony, Gandalf asks Thorin about his business in Bree. Thorin tells him that he is searching for Thrain, his father who was presumed dead after the Battle of Moria; Thrain has supposedly been seen again. Thorin also mentions that Thrain was wearing one of the seven Dwarf Lord rings when he disappeared.
      • After having spent the night in Beorn's house, the Dwarves are discussing how they can get past Beorn unseen; however, Gandalf assures them they will need Beorn's help. Gandalf goes with Bilbo to carefully introduce the group to Beorn, and instructs the Dwarves come out of the house two at a time (except for Bombur who is instructed to come out alone) much to Beorn's unpleasant surprise.
      • Upon leaving with Beorn's ponies, Beorn makes the group swear to free the horses before entering the forest. He then has a talk with Gandalf about Azog, the Necromancer at Dol Guldur, the tombs in the mountains (featuring a flashback with a voiceover by Galadriel) and a possible return of Sauron.
      • Gandalf warns the Dwarves not to disturb the water in Mirkwood, use only bridges and be wary of illusions.
      • The Dwarves find the bridge in Mirkwood destroyed, so they cross the river with the use of vines hanging above the water. Bombur falls in the water and is asleep, so the other Dwarves need to carry him. They see a white stag, which Thorin tries to shoot unsuccessfully. Bilbo states this will bring bad luck.
      • The Master of Laketown and his aid Alfrid talk about Bard and their desire to get rid of his influence on the people of the town. As Alfrid serves the Master a plate of goat and ram's testicles to eat, they discuss a possibility to silence Bard.
      • While being smuggled into Laketown, the Dwarves are discovered. They fight off the guards with the help of the townsfolk. Braga, the captain of the guards, enters, and Bard bribes him into leaving by offering him a fancy piece of underwear for his wife.
      • The Master of Laketown and Alfrid are discussing an old prophecy that when the king of the mountain returns, the streets will run with gold.
      • Alfrid asks whether Thorin can be trusted to keep his word, prompting Bilbo to vouch for him.
      • The remaining Dwarves ask Alfrid to help the wounded Kili, but he coldly dismisses them.
      • Balin describes how the desolation of Smaug was once a lush woodland.
      • While at Dol Guldur, Gandalf is suddenly attacked by a Dwarf. After a brief scuffle, Gandalf recognizes his assailant as Thrain, and uses an enchantment to give him his memory back. Thrain mentions how he lost his finger and the Dwarf Lord ring during the Battle of Moria. He also warns Gandalf that no one should enter Erebor.
      • Gandalf and Thrain are attacked by Azog at Dol Guldur. Azog's subtitle, "Run him down!" is changed to "Run them down!" in the Extended Edition. Gandalf fights him off and they run away, only to be caught by the Necromancer, who uses black smoke tendrils to grab and kill Thrain.
    • Verbindungen
      Edited into The Hobbit: The Desolation of Smaug - Extended Edition Scenes (2014)
    • Soundtracks
      Trumpet Fanfare
      Composed by David Donaldson, David Long, Steve Roche & Janet Roddick

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    • Why does Smaug not form an alliance with Sauron, are not both on the same side?
    • Why does a dragon need gold? It's not like he's spending it.
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    Details

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    • Erscheinungsdatum
      • 12. Dezember 2013 (Deutschland)
    • Herkunftsländer
      • Neuseeland
      • Vereinigte Staaten
    • Offizielle Standorte
      • arabuloku.com
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Der Hobbit: Smaugs Einöde
    • Drehorte
      • Paradise, Glenorchy, Otago, Neuseeland
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • New Line Cinema
      • WingNut Films
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    Box Office

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    • Budget
      • 225.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 258.387.334 $
    • Eröffnungswochenende in den USA und in Kanada
      • 73.645.197 $
      • 15. Dez. 2013
    • Weltweiter Bruttoertrag
      • 959.079.095 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 41 Minuten
    • Farbe
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    • Sound-Mix
      • Dolby Atmos
      • Datasat
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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    Ian McKellen, Richard Armitage, Orlando Bloom, Martin Freeman, Lee Pace, Benedict Cumberbatch, Evangeline Lilly, and Luke Evans in Der Hobbit - Smaugs Einöde (2013)
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