IMDb-BEWERTUNG
4,9/10
2991
IHRE BEWERTUNG
Eine Frau kämpft darum, dass ihr geglaubt wird, als sie feststellt, dass sie von einer bedrohlichen Gestalt verfolgt wird, die Nacht für Nacht in ihr Haus zurückkehrt.Eine Frau kämpft darum, dass ihr geglaubt wird, als sie feststellt, dass sie von einer bedrohlichen Gestalt verfolgt wird, die Nacht für Nacht in ihr Haus zurückkehrt.Eine Frau kämpft darum, dass ihr geglaubt wird, als sie feststellt, dass sie von einer bedrohlichen Gestalt verfolgt wird, die Nacht für Nacht in ihr Haus zurückkehrt.
- Auszeichnungen
- 1 Nominierung insgesamt
Leith M. Burke
- Rob
- (as Leith Burke)
Nikea Gamby-Turner
- Detective
- (as Nikea Gamby Turner)
Empfohlene Bewertungen
I dont get all the really bad reviews for this film. It wasnt that bad but it wasn't amazing either just ok. Yes it doesnt explain a lot and yes its a looped plot film but it tries to hard for the deaper meaning than just a typical looped slasher although it probably would have been better if stuck to the loops without the deepness. The acting isnt great and can seem a bit b movie ish at times but they get the job done well enough. It did have potential to be a hell of a lot better but overall it was different from what i expected and i didn't mind that. The direction is the best part of this film. Some good shots and a mellow score with synth elements bring a nice welcomed atmosphere and help set the tone. Its not the best film ever made or the best looped style movie but its worth a watch nonetheless.
I really like the concept of this movie. I saw it described as kafka-esque and that's fair. I also especially appreciated the physicality of The Man--great slasher movie articulation. However, the movie's message is a mess. It's neither subtle or blatant in a consistent way, and I think it was meant be disorienting but mainly comes off as poorly hashed out. The main character is another weak part of the concept, made even more rough by the fact that she's portrayed by the film's writer, leaving little room to think it wasn't acted exactly as intended. May isn't likeable or smart, and portraying people trying to help (especially social workers) as useless and dumb isn't a great look. Also, muddling the luck-fear message with the (paraphrasing) "I'm not lucky, I'm great" insert line to the publisher was painful. Finding a solid publisher who will let it ride after your commonplace self-help book bombs is pretty lucky. All writers go through the process she rants about, and luck most certainly plays a part. Lucky isn't awful, but what I believe hurts it the most and contributed to the wealth of bad reviews is that it could have been a phenomenal film.
This movie has promising potential that sucks you in, and then quickly goes off the rails. The concept is entertaining, but the vision was lost. It would have made for an excellent horror comedy if they could have executed at least one portion of the storyline clearly.
The killer mask is cheap. It has little horror effective elements. It is more psychological drama than horror movie. The cool mystery about the loop quickly disappeared. It was hard to care for the main character. I liked the first 20 minutes, and the last 20 minutes because there was finaly some progress. Didn't like the generalisation it gives about men. If you liked the 2019 version of Black Christmas, may be this one is for you.
Wusstest du schon
- PatzerAt 19:32, when May is talking to Ted's sister Sarah, her iPhone isn't compatible with the case she's using.
- VerbindungenFeatured in Dead Meat Podcast: Interview with Brea Grant (2021)
- SoundtracksSign of the Times
Written by Hannah Fairlight
Produced by Michael Wagener
Performed by Hannah Fairlight
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Details
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
What is the Hindi language plot outline for Lucky - Der Terror kommt nachts (2020)?
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