IMDb-BEWERTUNG
6,5/10
8668
IHRE BEWERTUNG
Joel, ein Filmkritiker für ein nationales Horror-Magazin, findet sich in einer Selbsthilfegruppe für Serienmörder wieder. Joel versucht, sich anzupassen oder zu riskieren, das nächste Opfer ... Alles lesenJoel, ein Filmkritiker für ein nationales Horror-Magazin, findet sich in einer Selbsthilfegruppe für Serienmörder wieder. Joel versucht, sich anzupassen oder zu riskieren, das nächste Opfer zu werden.Joel, ein Filmkritiker für ein nationales Horror-Magazin, findet sich in einer Selbsthilfegruppe für Serienmörder wieder. Joel versucht, sich anzupassen oder zu riskieren, das nächste Opfer zu werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 6 Nominierungen insgesamt
Empfohlene Bewertungen
.. If you're craving a modern movie where a woman is the hero and saves some dorky guy who makes snarky jokes while the bass wobbles in and out synth-like, and the lighting ascetics look like my living room; then this is the movie for you.
I can just say , that it is a wonderful dark ,funny , gory , smart horror/comedy ! The old-fashioned soundtrack adds nicely to overall 80-s set up . Definitely recommended!!!
Since the meta slasher is becoming it's own trope, films now need to find inventive ways to play around within even that framework. Vicious Fun is up for the challenge, bringing to the table the unique idea of a normal teen stuck at a serial killer AA meeting. This gives us the opportunity to sift through several slasher archetypes in a less than familiar setting.
Unfortunately, the film squanders it's clever concept by delegating that meeting to one sequence, then moving swiftly past it while there was still untapped potential for comedic fodder. As is often the downfall of the meta-slasher, it too soon devolves into being a genuine slasher with much the run-time taken up by "Ahhh! Run! He's coming to get me!" moments.
Evan Marsh hams it up a little too much and many of his punchlines fall flat, but Amber Goldfarb could give Samara Weaving a run for her money the next time a film needs a badass heroin.
The film never takes itself too seriously, and the 80s nods are occasionally endearing, which can make for an enjoyable watch if your expectations aren't too high.
Unfortunately, the film squanders it's clever concept by delegating that meeting to one sequence, then moving swiftly past it while there was still untapped potential for comedic fodder. As is often the downfall of the meta-slasher, it too soon devolves into being a genuine slasher with much the run-time taken up by "Ahhh! Run! He's coming to get me!" moments.
Evan Marsh hams it up a little too much and many of his punchlines fall flat, but Amber Goldfarb could give Samara Weaving a run for her money the next time a film needs a badass heroin.
The film never takes itself too seriously, and the 80s nods are occasionally endearing, which can make for an enjoyable watch if your expectations aren't too high.
Thankfully this is one of those present era movies where a movie is a movie and not some social commentary in or PC nonsense which most movie makers these days are opting for to be in trend.
This is an homage to 80's horror, a bit funny, different story and the cast delivered as well. It has some good gore not too excess and few laughs for people who enjoy horror or thrillers with a dash of creativity.
Enjoy and don't be too harsh , keep making such movies with good looking cast in the future as well.
This is an homage to 80's horror, a bit funny, different story and the cast delivered as well. It has some good gore not too excess and few laughs for people who enjoy horror or thrillers with a dash of creativity.
Enjoy and don't be too harsh , keep making such movies with good looking cast in the future as well.
This is a well-made romp.
The acting and characterizations are interestingly top-notch.
There is good set design.
The plot is playful.
The gore is effective.
The humor is decent.
I had no idea what the movie was about going in but I was pleasantly surprised.
The acting and characterizations are interestingly top-notch.
There is good set design.
The plot is playful.
The gore is effective.
The humor is decent.
I had no idea what the movie was about going in but I was pleasantly surprised.
Wusstest du schon
- WissenswertesIn several scenes Bob (Ari Millen) wears a raincoat. This is an obvious reference to American Psycho (2000) featuring fictional 80's serial killer Patrick Bateman (Christian Bale).
- PatzerFritz kills Tony the police officer with a 6-8 inch long nail to the forehead. Despite only driving about half the length of the nail, Tony bleeds profusely from the back of his head, which would have been impossible given the depth of the injury and the overall length of the nail.
- VerbindungenReferences Pit Stop (1969)
- SoundtracksLonely Road
Written by Russ Graham (as Russell Graham), Gerry Finn (as Gerald Finn), Ron Mayer (as Ronald Mayer), Darrell Millar
Performed by Killer Dwarfs
Courtesy of Russty Dwarf Tunes / Cymba Music Publishing
Licensed by Chapter 2 Productions Inc.
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Details
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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